Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 81 Metascore
    • 80 Critic Score
    Cox's great virtue is that he wears his experimentation lightly; though meticulously orchestrated and teeming with digital feints, these songs feel wonderfully spacious and derive an easy-going charm from his hazy vocals and their one-take recording. [Jan 2010, p. 117]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    There are moments of exquisite melancholy to treasure. [Dec. 2011 p. 136]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    It's hard not to be drawn into their occult world. [Jun 2013, p.99]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    It is disorientating, but clocking in at just 26 minutes, this is also a tight, brilliantly breathless dispatch of noise. [Apr 2018, p.116]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    The result is a success as both an artistic statement and a mea culpa. [Nov 2019, p.108]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    It never tries to blow the house down. Rather, the soloists take turns to dance around each other, creating a supple and mellifluous air. [Sep 2019, p.115]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    Ode To Joy shivers on this ledge between defiance and dissolution. Despite Tweedy's fears, it turns out more Wilco music is exactly what's needed. [Nov 2019, p.117]
    • Q Magazine
    • 81 Metascore
    • 60 Critic Score
    An exquisitely warm, olde-worlde soup in which to bathe one's auditory senses. [#361, p.116]
    • Q Magazine
    • 81 Metascore
    • 60 Critic Score
    Their cut-ups... work best when at their most odd. [Jun 2006, p.117]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    Fans of his early output will continue to wonder why he's forsaken immaculate prog house so completely: those up for the trip, conversely, will just be keen to know where he's headed next. [Dec 2017, p.108]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    Barbara Barbara is an ideal way for them to restate their currency. Having lain dormant, the creature is alive once more, electrifyingly so.[Apr 2016, p.103]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    Like so much of his troubled catalogue, it disarms you with its beauty. [Dec 2010, p.124]
    • Q Magazine
    • 81 Metascore
    • 90 Critic Score
    It may well be his strongest ever collection. [Feb 2006, p.98]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    As intense as music can be, this record may be quiet but it isn't for the faint-hearted. [Mar 2018, p.111]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    Morby's songs move from the grandiose to hushed confessionals and by the time it ends with Dylan-like O Behold the entire journey feels like a revelation. [Jun 2019, p.115]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    It won't bring down the establishment, but it does light a bonfire under their arses. [Oct 2019, p.113]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    The way Blumberg expands and contracts the title track four times over the record, or filters a warped background shriek into Silence Breaker, underlines his experimental drives, his desire to push through sound barriers. [Sep 2020, p.107]
    • Q Magazine
    • 81 Metascore
    • 60 Critic Score
    Occasionally it drifts a little too aimlessly, as if recorded under the dulling influence of Prozac, but when she gets it right, she can be entirely, weirdly riveting. [Jun 2009, p.131]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    Everything here sounds how Jehnny Beth is meant to sound, making To Love Is To Live a record as masterful as its creator is complicated. [Summer 2020, p.99]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    It all serve to confirm Cutler as one of contemporary electronica's most gifted and distinctive sonic manipulators. [Aug 2014, p.110]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    Exhilarating debut album. Its 11 breathless tracks bottle the barely-controlled explosion of energy that masquerades as their live show, then sprays it all out again like cheap lager. [Jul 2019, p.111]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    A beautifully moving, soul-stirring, bravely genre-blurring album. [Oct 2014, p.111]
    • Q Magazine
    • 81 Metascore
    • 70 Critic Score
    Innovation isn't on the agenda, but thanks to some stomping tunes and Auerbach's oak-smoked vocals, it's another rock-solid enterprise. [Sep 2004, p.119]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    Jigga may have the edge right now, but on this evidence Nas looks the better bet in the long run. [Mar 2003, p.112]
    • Q Magazine
    • 81 Metascore
    • 70 Critic Score
    A familiarly kaleidoscopic whirl of retro-futuristic sounds. [May 2005, p.111]
    • Q Magazine
    • 81 Metascore
    • 60 Critic Score
    While Sing The Delta isn't DeMent's best work, it's full of understated, sharply observed songs. [Jan 2013, p.102]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    A third-eye dilator to be sure, but surprisingly easy to groove to. [Jul 2009, p.131]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    The most powerful moments are frequently the most stripped-down, underlying the fact that Feist is surely one of the best singers working today. [Nov. 2011, p. 126]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    The settings are spacious, the rhythms stately and Stuart Staples croons woozily about how it's all gone horribly wrong.
    • 81 Metascore
    • 80 Critic Score
    Truely, there's no one like them. [Dec 2009, p.127]
    • Q Magazine