Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 81 Metascore
    • 80 Critic Score
    This inventive debut mixtape continues the journey with no previously released tracks but much ammo for his claim to the capital's diasporic underground. [Nov 2018, p.111]
    • Q Magazine
    • 80 Metascore
    • 80 Critic Score
    No question, Ultrasound are carving a very nice late-career niche out for themselves. [Feb 2017, p.119]
    • Q Magazine
    • 89 Metascore
    • 80 Critic Score
    A defiant record from a band who've made a career of doing their own thing: Enter Shikari have upped their game again. [Feb 2015, p.108]
    • Q Magazine
    • 72 Metascore
    • 80 Critic Score
    An 18-song adventure in sparse and particular beauty. [Jun 2020, p.97]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    A fake band they might be, but it makes for a solidly enjoyable listen. [May 2019, p.111]
    • Q Magazine
    • 73 Metascore
    • 80 Critic Score
    The Futureheads have found their way back by making their most emphatic statement yet. [June 2008, p.144]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    There's all the usual yarn-spinning and nerdy wit here, but ... there's also a warmth and wisdom that no amount of lo-fi goofing can disguise. [Nov 2011, p. 135]
    • Q Magazine
    • 72 Metascore
    • 80 Critic Score
    The spirit of drunk adolescence, cramped kitchens and broken valuable endures on their frightfully fun debut. [Mar 2013, p.101]
    • Q Magazine
    • 79 Metascore
    • 80 Critic Score
    The connective sense of an on-the-hoof holiday from the day job, plus emotionally deep and humorous lyrics, make this a winner. [Summer 2020, p.98]
    • Q Magazine
    • 72 Metascore
    • 80 Critic Score
    The collaboration between British singer-songwriter Helena Costas and US hip-hop producer Danger Mouse, for a project called Joker's Daughter, seems unlikely, but it works surprisingly well. [Jul 2009, p.124]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    There are songs here which recall protestant hymns, others full of Kurt Weill cabaret humour and slick, modern white blues that suggest an energised, liberal attitude to the traditions in which he's working. [May 2013, p.101]
    • Q Magazine
    • 80 Metascore
    • 80 Critic Score
    Externalising her feeling with space and power, I Awake gives everyone's inner life its due, the personal rendered universal. [May 2013, p.95]
    • Q Magazine
    • 75 Metascore
    • 80 Critic Score
    This is a band consolidating their talents rather than simply showcasing them. [Aug 2003, p.108]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    He rarely slips into simple pastiche. The real deal. [Jul 2015, p.112]
    • Q Magazine
    • 47 Metascore
    • 80 Critic Score
    Yet for all Stride's laddishness, this is a sophisticated album that never coasts or repeats itself. Making pop sound this effortless, this joyous, is no easy task. [May 2010, p.124]
    • Q Magazine
    • 68 Metascore
    • 80 Critic Score
    Sixth album by the artist who won MOJO's Best Breakthrough Act award 2007, aged 66. [July 2011, p. 100]
    • Q Magazine
    • 79 Metascore
    • 80 Critic Score
    While unpredictable in parts, there are great melodies here to pull the floating voters in. [Oct 2016, p.106]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    Different Creatures is a beast of a record. [Apr 2017, p.117]
    • Q Magazine
    • 83 Metascore
    • 80 Critic Score
    An album that dares to tackle life's big questions head on. [Jun 2020, p.101]
    • Q Magazine
    • 83 Metascore
    • 80 Critic Score
    Underachieving alternative heroes finally come up with the goods. [Nov. 2010, p. 110]
    • Q Magazine
    • 79 Metascore
    • 80 Critic Score
    In its street-level politics, lucid delivery and hypnotic hooks, Novelist Guy is confirmation that this wave has a lot further to roll yet. [Jun 2018, p.107]
    • Q Magazine
    • 92 Metascore
    • 80 Critic Score
    Their joyous music has an even greater emotional weight. [Dec 2008, p.133]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    Hypnotic stuff. [Summer 2020, p.100]
    • Q Magazine
    • 76 Metascore
    • 80 Critic Score
    Droll, baffling and brilliant in equal measure. [Mar 2002, p.128]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    For all the deft production touches, it's Lanza's lost-on-the-dancefloor persona, at once sensuous and mysterious, which supplies the magic touch. [Jul 2016, p.109]
    • Q Magazine
    • 77 Metascore
    • 80 Critic Score
    Playful pop brainteasers from the cult quartet. [Feb. 2011, p. 114]
    • Q Magazine
    • 72 Metascore
    • 80 Critic Score
    The result is gorgeous. [Jun 2013, p.93]
    • Q Magazine
    • 86 Metascore
    • 80 Critic Score
    A record that hasn't cut itself off from its predecessor, yet sounds more dramatically expansive and forward-facing. [Jul 2016, p.102]
    • Q Magazine
    • 70 Metascore
    • 80 Critic Score
    It's a dazzling trip. [Jul 2015, p.108]
    • Q Magazine
    • 72 Metascore
    • 80 Critic Score
    13
    They might be old, they might be poorly and they might be running scared from their wives, but on 13 Black Sabbath roll back the years and sound young again--and blacker than ever. [Jul 2013, p.102]
    • Q Magazine