Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 82 Metascore
    • 80 Critic Score
    At a time when Fatboy Slim has gone chill-out, Orbital have gone noodly, and Underworld, nd Prodigy seem to have just gone somewhere else, Basement Jaxx are, happily, on hand with another brilliantly messy blueprint for UK dance music - and dance music that you can actually dance to, at that.
    • 82 Metascore
    • 80 Critic Score
    This is top-notch stuff that draws comparisons with Neil Young and Father John Misty. [Jul 2017, p.114]
    • Q Magazine
    • 82 Metascore
    • 60 Critic Score
    Dawson's vision is exceptional; his sound is harder to follow. [Dec 2019, p.109]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    At its best you're reminded of Yorke's eminent skill: a fluency in dark, otherworldly romance that makes the alien sound familiar. [Dec 2018, p.106]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    Extremely inventive, a litttle uptight and slightly high on their own cleverness, Vampire Weekend are the musical equivalent of a Wes Anderson movie. [Mar 2008, p.109]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    A late-career peak. [May 2019, p.115]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    The sheer musical scope means Vagabon resembles a shifting mood piece, tied together not by generic tropes but its creator's singular sensibility. [Jan 2020, p.114]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    Elbow have hardly stepped out of their comfort zone here, but then their comfort zone has always been oddly unsettling. They're still burning: slowly, maybe, but stronger than ever. [Apr 2008, p.114]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    The result is another emphatic celebration of Malian musicianship. [Feb 2014, p.111]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    A splendid blast of pop art--with the accent on tunes and outrageous fun. [Jun 2015, p.110]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    On his masterful second album, the choirboy-turned-beat-maker beds down in this uneasy state, lacing opulent production with minor-key anxiety. [Jul 2018, p.111]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    This is gold for fans. Worth the £18 for the definitive version of lost classic Lift alone. [Aug 2019, p.119]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    Headphones and a quiet room are essential for capturing the full depth, but the payoff is a sound-world of uncanny resonance. [Dec 2019, p.106]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    At its core On Sunset is the sound of someone genuinely excited about all the glorious possibilities the world of music has to offer. [Jul 2020, p.96]
    • Q Magazine
    • 82 Metascore
    • 40 Critic Score
    Sound[s] like out-takes from [Daft Punk's] Discovery. [Jun 2005, p.118]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    Make Way For Love is a brooding and soulful offering from an artist keen to burst expectations. [Apr 2018, p.116]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    Play With Fire is the perfect length: straight in and straight out, leaving you wondering just where that knife wound came from. [Sep 2020, p.109]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    Some tracks are more outre than others... but throughout his sustained, idiosyncratic vision is absorbing. [Dec. 2001 p. 123]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    As piano and strings crescendo, concluding Pale Green Ghosts' uncommon vistas of seriousness, levity and disco dancing, you can imagine the singer departing in triumph, and anything but an underdog. [Apr 2013, p.112]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    Mortality hangs heavy over this music, but Collins, ultimately, makes it deathless. [Jan 2017, p.107]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    This is a great album first, and a great Christmas album second. [Feb 2017, p.115]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    It's a record that demands you get to know it inside out. [Jul 2014, p.101]
    • Q Magazine
    • 82 Metascore
    • 40 Critic Score
    There's too little oomph to suggest they'll bother the scorers. [Jul 2017, p.114]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    It's a raucous, righteous performance, one that underscores IDLES' current status as Britain's most vital band. [Feb 2020, p.112]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    What could so easily be just another folky Americana album is lifted high above the norm by the sheer strength of Porterfield's quite brilliant songwriting. [Aug 2013, p.96]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    For all the finely crafted, impeccably produced numbers there are enough stripped-back torch song moments to remind us of the simple power of Wainwright's talent. [Aug 2020, p.113]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    Tracks such as the blistering hardcore of Cathouse and Cafeteria Food are the sort of exhilarating rock'n'roll songs that could kick start your year. [Mar 2013, p.108]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    Beautiful stuff: sunny with a sad undertow, like The Beach Boys, Beck and The Beatles put in a blender. [Nov 2003, p.110]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    It's all linked by a sense of dignity, wisely chosen collaborators and David Hidalgo's voice. [Aug 2004, p.115]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    A rich quilt of Americana, as if the folk, country and rock strands were brought together in a starlit saloon somewhere near the border. [Jun 2003, p.106]
    • Q Magazine