Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 88 Metascore
    • 80 Critic Score
    Putting it on is less like listening to an album and more like scaling a mountain. [Jun 2014, p.121]
    • Q Magazine
    • 77 Metascore
    • 80 Critic Score
    With the group fermenting a heady stew of gnarled psych rock, the result is as droll as it is challenging. [Oct 2019, p.114]
    • Q Magazine
    • 86 Metascore
    • 80 Critic Score
    There is no doubt that his songwriting chops just keep on getting better.
    • 61 Metascore
    • 80 Critic Score
    Once over the shock of Mould's familiar tones being vocodered beyond recognition, Modulate offers some of his most effective pop songs. [June 2002, p.120]
    • Q Magazine
    • 73 Metascore
    • 80 Critic Score
    Making A New World resonates with hidden meaning and lost connections. [Feb 2020, p.111]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    An album very much worthy of The Specials' name. [Mar 2019, p.118]
    • Q Magazine
    • 69 Metascore
    • 80 Critic Score
    This is gorgeous. [Jan 2013, p.109]
    • Q Magazine
    • 85 Metascore
    • 80 Critic Score
    It is a joy to hear. [Apr 2017, p.113]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    Williams has offered much to admire, and even more to contemplate. [Mar 2016, p.119]
    • Q Magazine
    • 73 Metascore
    • 80 Critic Score
    It obeys no single genre but it sounds like 20 years of London at night. [Mar 2013, p.98]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    This is pop music with a pint in its hand and joy in its heart. [Jun 2019, p.112]
    • Q Magazine
    • 84 Metascore
    • 80 Critic Score
    It's no surprise they've held up so well after all these years. But it's the extra features, spread over four different editions that truly impress. [Apr 2009, p.114]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    Sweet Kind Of Blue may shock people who only know Barker through her theme tune for Kenneth Branagh's Wallander, but it finally set out her true claim for stardom. [Jul 2017, p.104]
    • Q Magazine
    • 90 Metascore
    • 80 Critic Score
    It feels like a nimble, pleasure-seeking record which takes its grown-up themes in its stride and wants to entertain first and impress second. [Feb 2011, p.126]
    • Q Magazine
    • 83 Metascore
    • 80 Critic Score
    A concentrated shot of charisma, undiluted and intoxicating. [May 2012, p.92]
    • Q Magazine
    • 68 Metascore
    • 80 Critic Score
    She does more than enough to establish herself as a contender. [Mar 2011, p.112]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    It might be wearing, were it not for the fact that his voice... is a thing of considerable power. [Aug 2005, p.122]
    • Q Magazine
    • 77 Metascore
    • 80 Critic Score
    Each track sparkles with a playful inventiveness, while Meath's beguiling, melancholy melodies are impossible to resist. [Jun 2014, p.121]
    • Q Magazine
    • 80 Metascore
    • 80 Critic Score
    The Argument is a wondrous thing, full of its own joy. [Aug 2013, p.99]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    Like all the best break-up albums, Who Needs Who bleeds heartache from every lyric, but keeps faith in music as the surest form of consolation. [Oct 2012, p.97]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    Startlingly original. [Apr 2007, p.117]
    • Q Magazine
    • 79 Metascore
    • 80 Critic Score
    While the guest MCs provide the better-known names (Ghetts, Kojey Radical), it is the singers who make this such a special album. [Mar 2019, p.120]
    • Q Magazine
    • 80 Metascore
    • 80 Critic Score
    Any charges of cultural tourism are rebuffed by the magnificence of the music. [Nov 2007, p.142]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    For the most part, Made In The Dark pulses with an unusual intelligence and creative bravery. [Mar 2008, p.101]
    • Q Magazine
    • 88 Metascore
    • 80 Critic Score
    Sleazy listening at its best. [Jun 2020, p.106]
    • Q Magazine
    • 84 Metascore
    • 80 Critic Score
    Thirty-something mother-of-two Giddens's versatility is breath-taking. [Mar 2015, p.108]
    • Q Magazine
    • 73 Metascore
    • 80 Critic Score
    A perfect distillation of creatively experimental folk music in the UK today. [May 2008, p.126]
    • Q Magazine
    • 75 Metascore
    • 80 Critic Score
    There's much here to justify Alan McGee's awe. [Oct 2008, p.148]
    • Q Magazine
    • 58 Metascore
    • 80 Critic Score
    This could have all ended in Tears For Fears, but their winning seriousness is matched by a penchant for a grandiose but hummable melody. [Feb 2009, p.119]
    • Q Magazine
    • 84 Metascore
    • 80 Critic Score
    Rhythmically complex yet deftly controlled. [Jul 2018, p.116]
    • Q Magazine