Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 52 Metascore
    • 60 Critic Score
    She's got some distance to travel before she's a truly mind-blowing, norm-shattering pop star. She's not the new Madonna, just a very naughty girl. [Oct 2010, p.117]
    • Q Magazine
    • 52 Metascore
    • 30 Critic Score
    Tough to endure even once. [Aug 2003, p.110]
    • Q Magazine
    • 52 Metascore
    • 20 Critic Score
    Alas, they're not very good. [Feb 2005, p.102]
    • Q Magazine
    • 52 Metascore
    • 40 Critic Score
    Chalk this one down purely to an arrangement of Tinseltown convenience. [Oct 2009, p.115]
    • Q Magazine
    • 52 Metascore
    • 20 Critic Score
    There are no real songs here, only weak gags and unfunny skits. [Jan 2007, p.152]
    • Q Magazine
    • 51 Metascore
    • 60 Critic Score
    It's bigger and brighter. [Mar 2015, p.119]
    • Q Magazine
    • 51 Metascore
    • 30 Critic Score
    There are so many idiotically composed adverts between tracks, you wonder if you haven't tuned into a local radio station by accident. [Sep 2003, p.99]
    • Q Magazine
    • 51 Metascore
    • 60 Critic Score
    Though fatally flawed, Invincible does boast its fair share of sonic exhilaration. [#184, p.132]
    • Q Magazine
    • 51 Metascore
    • 60 Critic Score
    It's raised a notch by the seductive combination of just-grimy-enough production and smooth vocals. [Jun 2003, p.96]
    • Q Magazine
    • 51 Metascore
    • 20 Critic Score
    If that hardly sounds like the greatest thing to happen to hip hop in recent times, it's nothing compared to his fourth LP, which is a litany of lazy beats and even lazier rhymes; "Your mama she gets crazy," he instructs on Krazy. [Dec 2009, p. 120]
    • Q Magazine
    • 51 Metascore
    • 40 Critic Score
    Simple Plan continue to plough forwards wuth a punk template of such box-ticking efficiency that they at times resemble automatons. [Mar 2008, p.111]
    • Q Magazine
    • 51 Metascore
    • 40 Critic Score
    The Fifth sounds like half a dozen different [albums] squashed onto one record. Not good. [Nov 2013, p.115]
    • Q Magazine
    • 51 Metascore
    • 10 Critic Score
    This is hollow, pretentious and deeply dull music. [Apr 2007, p.116]
    • Q Magazine
    • 51 Metascore
    • 60 Critic Score
    The California band's doomy gothic arias sound unsettling and bold once more. [Sep 2007, p.91]
    • Q Magazine
    • 51 Metascore
    • 60 Critic Score
    Each song still has the inevitable moment of electronic ascent but, as with Coldplay's Recent break-up record, you can';t help but wonder how these songs might've sounded left raw and unslickened. [Jan 2015, p.133]
    • Q Magazine
    • 51 Metascore
    • 80 Critic Score
    Shaka Rock avoids critical flak, however, by harnessing their Stones-age rock with a groovy undercarriage. [Oct 2009, p.114]
    • Q Magazine
    • 51 Metascore
    • 40 Critic Score
    The general rule with Offspring albums is that their buoyant Californian punk will always be pockmarked by two wildly irritating songs. So it is with Days Go By.
    • Q Magazine
    • 51 Metascore
    • 40 Critic Score
    Davies' voice, weathered but still fine as a Waterloo sunset, is complemented by few here. [Dec 2010, p.113]
    • Q Magazine
    • 51 Metascore
    • 60 Critic Score
    Low on booty-shaking but high on atmosphere. [June 2002, p.119]
    • Q Magazine
    • 51 Metascore
    • 40 Critic Score
    Hardly exciting, but it is terrifyingly professional. [Dec 2002, p.110]
    • Q Magazine
    • 51 Metascore
    • 40 Critic Score
    His band's 13th album won't bring him the stardom he craves, consisting of amorphous drones in which the creative energy has been reserved for the titles. [May 2008, p.126]
    • Q Magazine
    • 51 Metascore
    • 60 Critic Score
    His picture would be that much more moving if he spliced his peaks with the occasional trough. [Mar 2013, p.98]
    • Q Magazine
    • 51 Metascore
    • 60 Critic Score
    It won't change the world, but These People will give those other troubadours something to think about. [Jun 2016, p.106]
    • Q Magazine
    • 51 Metascore
    • 20 Critic Score
    Most disappointing of all... is the drab nature of Ryder's contribution: slurred, incoherent, and largely based around drug stories and lots of swearing. [Aug 2003, p.103]
    • Q Magazine
    • 51 Metascore
    • 80 Critic Score
    Kanye West's debut aside, it's the essential hip hop album of the year so far. [Jun 2004, p.102]
    • Q Magazine
    • 51 Metascore
    • 40 Critic Score
    Turn It Up is a wasted opportunity, weighed down by beige soul ballads and cheap-sounding R&B that could have been cranked out for any talent show contestant. [Oct 2009, p.113]
    • Q Magazine
    • 51 Metascore
    • 60 Critic Score
    What sets her apart is a nasal, high-pitched quality to her voice, which puts a fresh spin on what is otherwise a familiar format by now. [Nov 2009, p.104]
    • Q Magazine
    • 51 Metascore
    • 60 Critic Score
    They've taken their time, but this fine record suggests it may not be too late. [May 2011, p.124]
    • Q Magazine
    • 51 Metascore
    • 60 Critic Score
    Attention Deficit Domination goes straight for the doom-rock jugular. [Jan 2012, p.120]
    • Q Magazine
    • 51 Metascore
    • 40 Critic Score
    The ideas are all there, they just don't fit together properly yet. [Sep 2012, p.110]
    • Q Magazine