Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 74 Metascore
    • 80 Critic Score
    There's a small charisma shortfall, but blessed with good songs, Leithauser wears everything well. [Jun 2014, p.113]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    Boy King is an album that exudes confidence to try new things, to experiment, to pull things apart and pull them back together again. [Sep 2016, p.100]
    • Q Magazine
    • 79 Metascore
    • 80 Critic Score
    While not exactly rammed with chart-friendly bangers, the likes of Oino's Day-Glo twitch and Mountain's doe-eyed dream pop should hopefully ensure Dust the success that eluded him first time around. [Jul 2015, p.108]
    • Q Magazine
    • 72 Metascore
    • 80 Critic Score
    Amid all the bitching and moaning are some of the finest songs of Weezer's career. [May 2002, p.118]
    • Q Magazine
    • 80 Metascore
    • 80 Critic Score
    Despite the hypnotic repetition at its core, it's surprisingly tuneful. [Jul 2014, p.109]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    Femejism is every bit as exhilarating as debut Sistronix. [Oct 2016, p.107]
    • Q Magazine
    • 86 Metascore
    • 80 Critic Score
    While the new incarnation of the band has made two strong albums, LXXX shows off what really was their last splash. It was one hell of a cannonball. [May 2013, p.115]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    High drama in every molecule. [Jan 2019, p.114]
    • Q Magazine
    • 83 Metascore
    • 80 Critic Score
    Weaving Song and Poor Old Horse's exhilarating communal bellow show the band homespun and raw. [Mar 2018, p.115]
    • Q Magazine
    • 83 Metascore
    • 80 Critic Score
    [Wrongtom's] meeting with East London jungle MC Deemas J is his most faithful homage yet. It's also his best. [Nov 2012, p.112]
    • Q Magazine
    • 85 Metascore
    • 80 Critic Score
    It's a collision of classic rap skills and singular beats that makes this album outstanding and far more substantial than its "prelude" billing implies. [Mar 2016, p.110]
    • Q Magazine
    • 68 Metascore
    • 80 Critic Score
    Khan's own incomparable pipes as blast-proof as ever, her first studio album since 2007 stands comparison with its stellar single. [Apr 2019, p.113]
    • Q Magazine
    • 86 Metascore
    • 80 Critic Score
    Hercules And Love Affair are at their best when they cut loose and damn the consequences. [Apr 2008, p.110]
    • Q Magazine
    • 73 Metascore
    • 80 Critic Score
    There's still vigour in The Orb's ambient house vision. [Jun 2020, p.105]
    • Q Magazine
    • 95 Metascore
    • 80 Critic Score
    Essential not only for fans of roots music but anyone who cares about how it shaped rock. [Apr 2015, p.116]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    As a live document of The Rollling Stones in all their swaggering, arrogant pomp, Get Yer Ya-Ya's Out is damned near essential. [Jan 2010, p.131]
    • Q Magazine
    • 73 Metascore
    • 80 Critic Score
    This is one of Biffy Clyro's best records yet. [Aug 2016, p.106]
    • Q Magazine
    • 75 Metascore
    • 80 Critic Score
    The sort of glorious record Greenwich Village beatniks would make if they'd been hibernating for 40 years. [Feb 2004, p.102]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    What sets Faded Gloryville apart, however, is the new bluesy, soul-filled groove she found recording in Muscle Shoals. [Oct 2015, p.113]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    Not everyone will want to follow Banhart's cosmic meanderings, but those who take the plunge will find much to feed their head. [Oct 2004, p.133]
    • Q Magazine
    • 79 Metascore
    • 80 Critic Score
    This collection of 12" releases from the last year is breathtakingly beautiful. [Nov 2012, p.98]
    • Q Magazine
    • 80 Metascore
    • 80 Critic Score
    Zimpel's most electronic album to date, though it's the kind of moody electronics you're more likely to find in the cinema than the club. [Apr 2020, p.114]
    • Q Magazine
    • 84 Metascore
    • 80 Critic Score
    While it lacks the polish of a major pop album, it's not dulled by the overthought conservatism that might bring with it. [Mar 2018, p.115]
    • Q Magazine
    • 79 Metascore
    • 80 Critic Score
    Strawberry Jam sounds as if it was a blast to make; happily, the fun doesn't stop there. [October 2007, p.94]
    • Q Magazine
    • 69 Metascore
    • 80 Critic Score
    The songs are so delicately crafted that it never feels predictable. [Feb 2012, p.103]
    • Q Magazine
    • 75 Metascore
    • 80 Critic Score
    They do lean away somewhat from the buzzsaw pop-punk which made them favourites of Kurt Cobain, and toward streamlined '70s FM rock, as well as new wave power pop in the vein of The Only Ones and The Flamin' Groovies, with a few interludes of Byrds/Big Star jangle. But don't be fooled by such mellow moments. [Jun 2016, p.116]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    Tahabort, however, soon kicks up a rousigly Fela Kuti groove, and there follow divergent echoes of Saharan folk and, on the band's titular tune, Algerian Rai, to vary up the ever-pleasing dusty meanderings. [Jun 2016, p.112]
    • Q Magazine
    • 66 Metascore
    • 80 Critic Score
    Never straying far thereafter, it all makes for a heavily addictive, comfortably numbing kind of experience. [Jul 2009, p.131]
    • Q Magazine
    • 76 Metascore
    • 80 Critic Score
    Reflective, humourous and romantic, Catacombs is perfect for those long summer nights ahead. [Jul 2009, p.133]
    • Q Magazine
    • 70 Metascore
    • 80 Critic Score
    Packed with songs of delicious but unsettling despair. [Apr 2012, p.98]
    • Q Magazine