Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 64 Metascore
    • 60 Critic Score
    For the most part, it's standard shouty punk designed to appeal to white male American virgins... Yet, they surprise. [Dec 2004, p.147]
    • Q Magazine
    • 64 Metascore
    • 80 Critic Score
    Spikily brilliant. [Apr 2003, p.111]
    • Q Magazine
    • 64 Metascore
    • 80 Critic Score
    A much better record than its predecessor. [Oct 2006, p.112]
    • Q Magazine
    • 64 Metascore
    • 60 Critic Score
    Most of the 10 songs here are still well-crafted exercises in ceaseless forwards momentum. [Dec 2014, p.106]
    • Q Magazine
    • 64 Metascore
    • 80 Critic Score
    Like other scary experiences, it's also frequently exhilarating. [Mar 2004, p.107]
    • Q Magazine
    • 64 Metascore
    • 80 Critic Score
    The Gallaghers sound more comfortable than ever in their skins. [Jun 2005, p.102]
    • Q Magazine
    • 64 Metascore
    • 80 Critic Score
    What makes Head Carrier work is that the Pixies see, to have rediscovered what they're great at. [Nov 2016, p.109]
    • Q Magazine
    • 64 Metascore
    • 60 Critic Score
    The smart-arse-ometer goes off the scale from time to time and a thin production hardly helps matters, but when Deez gets snappy on Kill Your Attitude and Melange Mining Co, he's far from a lost cause. [Oct 2015, p.104]
    • Q Magazine
    • 64 Metascore
    • 80 Critic Score
    Whatever she's doing, it's working. [Aug 2015, p.109]
    • Q Magazine
    • 64 Metascore
    • 80 Critic Score
    It's one of the least boring records you'll hear this year. [Nov 2008, p.108]
    • Q Magazine
    • 64 Metascore
    • 60 Critic Score
    The sleek return from Swedish indie-pop collective. [Dec. 2010, p. 104]
    • Q Magazine
    • 64 Metascore
    • 80 Critic Score
    Everything is supercharged and melodic, like a poppy version of Nirvana. [July 2008, p.111]
    • Q Magazine
    • 64 Metascore
    • 60 Critic Score
    It's by nature a patchwork, but boasts more hits than misses. [Mar 2009, p.98]
    • Q Magazine
    • 64 Metascore
    • 60 Critic Score
    While this circus could have more attractions and you yearn for a flash of lyrical brilliance among the uncomplicated relationship musings, there's no disgrace here and nothing to alienate their audience or embarrass those who grew up with Take That. [Jan 2009, p.117]
    • Q Magazine
    • 64 Metascore
    • 80 Critic Score
    By growing a personality, he's conjured up a low-key gem and a minor revelation. [Jul 2009, p.119]
    • Q Magazine
    • 64 Metascore
    • 40 Critic Score
    As the tempo drops, however, their shortcomings as songwriters become obvious. [Aug 2010, p.124]
    • Q Magazine
    • 64 Metascore
    • 60 Critic Score
    It's not a bad album, but In The Warzone lacks the broad allure of what made Transplants interesting in the first place. [Aug 2013, p.106]
    • Q Magazine
    • 64 Metascore
    • 40 Critic Score
    It's at its best on Drive, where throbbing bass and a giant chorus dominate, but then Peace slides--albeit stylishly--into a repetitive blur. [Oct 2013, p.102]
    • Q Magazine
    • 64 Metascore
    • 40 Critic Score
    A feeling of "not a lot happening" pervades. [Apr 2006, p.118]
    • Q Magazine
    • 64 Metascore
    • 60 Critic Score
    Fuler sounds wonderful on the woozy 'Little Black Sandals' and Ray Davies's 'I Go To Sleep,' though she could do with more restraint and better tunes to sing. [Feb 2008, p.100]
    • Q Magazine
    • 64 Metascore
    • 80 Critic Score
    Heavy-duty electronics doing repeatedly bloody battle with grimy strings... An intense but worthwhile experience. [Nov 2000, p.102]
    • Q Magazine
    • 64 Metascore
    • 60 Critic Score
    So, does it match expectations? No. [Jan 2005, p.122]
    • Q Magazine
    • 64 Metascore
    • 60 Critic Score
    Cabic is most effective when he's closer to home. [Sep 2015, p.117]
    • Q Magazine
    • 64 Metascore
    • 60 Critic Score
    There's no denying that the darker mood suits them--although with Kevin Shields and co now out of retirement as well, it could be back to the drawing board again. [May 2009, p.119]
    • Q Magazine
    • 64 Metascore
    • 60 Critic Score
    One of those albums that grabs your attention without ever having to shout at you. [May 2006, p.131]
    • Q Magazine
    • 64 Metascore
    • 60 Critic Score
    Tellingly, they're at their most beguiling when taking chances. [Jun 2009, p.134]
    • Q Magazine
    • 64 Metascore
    • 60 Critic Score
    DVA
    If Emika's voice lets her down a bit in places, as a producer she knows how to mould it into strange and interesting shapes. [Jul 2013, p.103]
    • Q Magazine
    • 64 Metascore
    • 60 Critic Score
    Its rambling nature irks, for in among its nearly 80 minutes there are pop diamonds that would have made a sharp and spectacular single LP. [May 2013, p.109]
    • Q Magazine
    • 64 Metascore
    • 40 Critic Score
    His voice, permanently pitched just down from that half-shout Eminem reserves for songs about his mum. Without a fraction of that humour or rhythm, though, it sounds like a heckler at a council meeting. [Sep 2014, p.108]
    • Q Magazine
    • 64 Metascore
    • 60 Critic Score
    It's a few tracks longer than it needs to be, but City Club is their best collection of songs to date. [Dec 2016, p.106]
    • Q Magazine