Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 79 Metascore
    • 60 Critic Score
    Without enough killer hooks Leo seems unlikely to claw his way much beyond cult attraction. [Mar 2005, p.100]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    An understated but always involving affair. [Summer 2018, p.116]
    • Q Magazine
    • 73 Metascore
    • 60 Critic Score
    W
    It's hard work at times, but ultimately adventurous and rewarding. [Jun 2011, p.120]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    By manically pinballing between ideas, Rock Steady soon flirts with disaster. [Dec 2001, p.119]
    • Q Magazine
    • 74 Metascore
    • 60 Critic Score
    The Heavy remain The Black keys for people who'd rather dance than mosh. [Sep 2012, p.102]
    • Q Magazine
    • 73 Metascore
    • 60 Critic Score
    It resonates with the kind of high seriousness that never weighed on his father. Still, the younger Jeffes brings a winning feel for modern, post-ambient arrangements. [Dec 2019, p.113]
    • Q Magazine
    • 60 Metascore
    • 60 Critic Score
    Should go down well with listeners who like their singers to take break-ups badly. [Nov 2005, p.125]
    • Q Magazine
    • 76 Metascore
    • 60 Critic Score
    The tension between light and dark is this album's masterstroke. [Oct 2012, p.104]
    • Q Magazine
    • 68 Metascore
    • 60 Critic Score
    The songs struggle to cause any real emotional damage. [Nov 2015, p.108]
    • Q Magazine
    • 65 Metascore
    • 60 Critic Score
    Storm & Grace is a likeable record if not a startling one. [Nov 2012, p.92]
    • Q Magazine
    • 68 Metascore
    • 60 Critic Score
    With a surfeit of samey country-rock ballads, Not Too Late ultimately proves rather a long haul. [Feb 2007, p.98]
    • Q Magazine
    • 70 Metascore
    • 60 Critic Score
    So outstanding is 'Cinderella' that its siblings pale in its shadow. [Sep 2007, p.88]
    • Q Magazine
    • 74 Metascore
    • 60 Critic Score
    Uptempo grooves such as Bobcat Gold Wraith may be too workmanlike to build up much momentum, but there are some lovely moments here. [Jul 2010, p.128]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    This is a collection of grooves rather than songs, but there's depth. [Sept. 2010, p. 113]
    • Q Magazine
    • 73 Metascore
    • 60 Critic Score
    'Treshold Apprehension' features his best screaming since the Pixies' heyday, while 'Test Pilot Blues' and 'Your Mouth Into Mine' capture his imagination at its padded-cell best. [Oct 2007, p.94]
    • Q Magazine
    • 73 Metascore
    • 60 Critic Score
    You come to see the The Lovely Eggs are an act of fine calibration of noise and sweetness, of intelligence and brutish mettle. [Jun 2020, p.102]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    The distance from here to early triumphs Entertainment! and Solid Gold seems like a long one. [Jun 2019, p.112]
    • Q Magazine
    • 73 Metascore
    • 60 Critic Score
    The follow-up To 2008's ProVisions is another fine addition to his cannon. [Dec 2010, p.109]
    • Q Magazine
    • 78 Metascore
    • 60 Critic Score
    The dizzying "Here Comes All The People," this roller-coaster album's highlight, merges post-punk trash with whispered vocals, orchestral wizardry, funky guitar, tub-thumping drums and Snow Patrol-esque grandeur. [Apr 2010, p.115]
    • Q Magazine
    • 77 Metascore
    • 60 Critic Score
    In the second half, the gloom gradually lifts with dreamlike ballads Midnight Ease and Until You Kiss Me, and some of its predecessor's brilliance returns. [Sep 2018, p.110]
    • Q Magazine
    • 77 Metascore
    • 60 Critic Score
    The producer's spectral strand of electro-noir is as seductive as it is unsettling on his debut album. [Sep 2012, p.102]
    • Q Magazine
    • 70 Metascore
    • 60 Critic Score
    Not a bad record, just one that needs to get out more. [Feb 2019, p.116]
    • Q Magazine
    • 65 Metascore
    • 60 Critic Score
    As a kind of '90s bedsit atmosphere plug-in, it works perfectly. [Jan 2012, p.124]
    • Q Magazine
    • 65 Metascore
    • 60 Critic Score
    It might be largely business as usual, then, but for all that A Place To Bury Strangers remain strangely comforting presence in an otherwise turbulent world. [Mar 2015, p.103]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    Too Many Miracles, I Saw You Walk Away and This Electric come lovingly swaddled in strings and, if only for their duration, make the world a nicer place. [Nov 2010, p.105]
    • Q Magazine
    • 77 Metascore
    • 60 Critic Score
    Robust structuring is a blessing and curse: for all the frills and trapdoors, Ex-Hex's workmanlike rhythms eventually get monotonous. [May 2019, p.111]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    Very silly, but with enough invention to sustain interest. [Apr 2013, p.104]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    A few more songs like the kaleidoscopic Beyond The Deathray would've broken the relentless pace but on the whole this is another shape-shifting evolution in a career full of them. [May 2015, p.103]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    There's nothing to diminish his status as a nearly great, albeit mostly unheralded, American songwriter. [Feb 2011, p.120]
    • Q Magazine
    • 66 Metascore
    • 60 Critic Score
    Themes of fun, sun and beach-bum ennui pervade, but even if it fails to reach the summery stoner highs of their previous record, there's no denying The Only Place's indomitable West Coast pop-rock melodies and sugary thrills. [Jun 2012, p.97]
    • Q Magazine