Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 75 Metascore
    • 60 Critic Score
    Midway through, the sound of Lowery and co's batteries running down becomes almost audible.
    • 62 Metascore
    • 60 Critic Score
    Having survived some rough patches, they've made adjustments and becomes as warm, robust and satisfying as a cuddle in front of the TV. [Dec 2016, p.111]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    Recalling Kate Bush and the enigmatic chamber music of Penguin Cafe and North Sea Radio Orchestras, the way is full of mystic visions, and the deathly conclusion is bittersweet. [Nov. 2011, p. 127]
    • Q Magazine
    • 59 Metascore
    • 60 Critic Score
    There's enough here to satisfy the faithful, if nothing to enlist new recruits. [Oct. 2010, p. 108]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    Kaleide proves a little formula tweaking goes a long way. [Sep 2010, p.120]
    • Q Magazine
    • 78 Metascore
    • 60 Critic Score
    The Western Lands is a little like My Bloody Valentine with the sound down low. [Oct 2007, p.109]
    • Q Magazine
    • 66 Metascore
    • 60 Critic Score
    Not quite as organic as they seem, their perfection lacks taste despite its polish. [Jan 2014, p.117]
    • Q Magazine
    • 48 Metascore
    • 60 Critic Score
    Compared to the Puppets' ornate '60s pop, Rascalize is straight Arctic Monkeys indie-rock, with echoes of The Coral. [July 2008, p.108]
    • Q Magazine
    • 75 Metascore
    • 60 Critic Score
    It's a sound they now seem utterly at ease with, and the album is all the better for its confident, super-relaxed approach. [Apr 2015, p.111]
    • Q Magazine
    • 78 Metascore
    • 60 Critic Score
    A sense of dread pervades throughout. [Mar 2013, o.101]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    She's sometimes bogged down by her own weightiness, but Paradise won't stall her slow but steady climb. [May 2017, p.104]
    • Q Magazine
    • 79 Metascore
    • 60 Critic Score
    Maybe it's simpy the case that, Cash and Rubin having done similar things together so often in the past, the magic and power ro move have worn off, only to be replaced by an uneasy feeling of exploitation. [Apr 2010, p.108]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    At times the sound of Peter Hook eating himself, at its best - the epic, Hook-sung It's A Boy - Monaco display a powerful combination of emotionalism and bombast all their own.
    • 74 Metascore
    • 60 Critic Score
    He's let down by an anaemic production. [Jul 2014, p.118]
    • Q Magazine
    • 53 Metascore
    • 60 Critic Score
    Pop Etc manage a couple of well-aimed arrows towards the heart. [Aug 2012, p.108]
    • Q Magazine
    • 59 Metascore
    • 60 Critic Score
    The songs pound like jackhammers, there ate big choruses everywhere and mischief to spare. [Nov 2016, p.108]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    Ultimately, Powell's capricious nature gets the better of him and as soon as he settles into a groove, as on the Factory Floor-like Junk, he sabotages it with a discordant sample-crash like Gettin' Paid To Be yourself. [Dec 2016, p.113]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    A bold experiment with plenty of flavour. [Dec 2016, p.105]
    • Q Magazine
    • 40 Metascore
    • 60 Critic Score
    A nice enough idea, but being much quieter and more pastoral, it is also somewhat anti-climactic. [Aug 2005, p.128]
    • Q Magazine
    • 74 Metascore
    • 60 Critic Score
    Comes across like a refresher of the best mood music of the last 40 years. [Aug 2006, p.110]
    • Q Magazine
    • 64 Metascore
    • 60 Critic Score
    Black Rainbows is the right album at the right moment. With its rich, layered sound and its hugely enjoyable preening, it is unashamedly Suede-esque. [Nov. 2011, p. 127]
    • Q Magazine
    • 75 Metascore
    • 60 Critic Score
    The best parts of Hawk, where Capbell's voice slips around Lanegan's like a membrane and the duo assumes a single, menacing persona. [Sep 2010, p.121]
    • Q Magazine
    • 78 Metascore
    • 60 Critic Score
    It's a solid return. [Nov 2007, p.137]
    • Q Magazine
    • 75 Metascore
    • 60 Critic Score
    Hynes can't resist tinkering with the formula and a pair of incongruous rap cameos disrupt a sketchy second half during which the feeling develops that Hynes is still holding back some of his best ideas for stars of a greater magnitude than himself. [Jan 2014, p.118]
    • Q Magazine
    • 81 Metascore
    • 60 Critic Score
    Now in his 78th year, all that know-how has been meaningfully brought to bear on this collection of vintage, Depression-era blues. [May 20009, p.112]
    • Q Magazine
    • 75 Metascore
    • 60 Critic Score
    Admirably fresh, but perhaps too long. [December 2002, p.97]
    • Q Magazine
    • 55 Metascore
    • 60 Critic Score
    Enjoyment of this LA tribute act's wilfully non-PC parody of '80s hair metal entirely correlates with one's familarity with Poison and Faster Pussycat's liking for double--often single-entendres. [Jul 2009, p.117]
    • Q Magazine
    • 68 Metascore
    • 60 Critic Score
    Yet whatever they're singing about, be it bad donkeys, clouds or river snakes, they make a spine-tingling noise. [Mar 2011, p.106]
    • Q Magazine
    • 74 Metascore
    • 60 Critic Score
    More often than not, the discordant swamp of cacophony Leonard has long brought to his work threatens to overwhelm the freeform joy of his compositions. [Dec 2018, p.111]
    • Q Magazine
    • 79 Metascore
    • 60 Critic Score
    An album that seeks to pull you under from the off and that, by and large, succeeds. [Jan 2017, p.112]
    • Q Magazine