Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 69 Metascore
    • 80 Critic Score
    Melodically, this matches The Lemonheads at their best. [Aug 2002, p.126]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    Yet when they stop arsing around for the sake of it, Blink-182 write some very good pop songs. [Aug 2001, p.124]
    • Q Magazine
    • 69 Metascore
    • 70 Critic Score
    Returns to the epic beauty that characterised their early work. [Aug 2004, p.116]
    • Q Magazine
    • 69 Metascore
    • 80 Critic Score
    There's nothing fancy about her songs... but there is magic in the way she sings them. [Apr 2006, p.112]
    • Q Magazine
    • 69 Metascore
    • 80 Critic Score
    If seeker of the hip-hop's next wave need not apply, those with an appetite for rugged, screwfaced late-90's New York rap should find this keeps them scowling like it's 1999. [Mar 2913, p.111]
    • Q Magazine
    • 69 Metascore
    • 80 Critic Score
    An epic, in no way ironic record whose tart electronic tones belie its emotional warmth and musicality. [Nov 2012, p.90]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    It's noisy, danceable, by turns exhilarating and excruciating. But at 90-odd-minutes, beyond exhausting. [Sep 2018, p.114]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    No new ground is broken here, but Tallies map their well-worn journey with a sure sense of direction, songwriting skills cutting through the dreamy fog. [Feb 2019, p.116]
    • Q Magazine
    • 69 Metascore
    • 80 Critic Score
    May be his most sad-eyed collection, but it's also his best yet. [Jul 2019, p.109]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    Well-connected New Jerseyite's fifth solo album. [March 2011, p. 117]
    • Q Magazine
    • 69 Metascore
    • 70 Critic Score
    There's nothing here that's especially revolutionary, but Dressy Bessy... do power pop better than most. [Sep 2005, p.115]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    Terraplane pays tribute to the greats and puts 60-year-old Earle's own slant on living with a broken heart. [Apr 2015, p.99]
    • Q Magazine
    • 69 Metascore
    • 40 Critic Score
    If anything, [Disc 2] is the real rip-off, as unsuspecting buyers will be shellshocked by these FX-laden, space-ambient settings. [Dec 2004, p.135]
    • Q Magazine
    • 69 Metascore
    • 40 Critic Score
    Their full-length debut doesn't quite justify its lengthy gestation period, being a frustratingly patchy affair with a handful of simply sublime melodic synth-pop numbers. [Apr 2009, p.110]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    A pop culture enthusiast, Luke Haines once again shows his uncanny ability to beat vivid and idiosyncratic new narratives from leathery sacred cows. [Jun 2014, p.111]
    • Q Magazine
    • 69 Metascore
    • 80 Critic Score
    Creation is a tightly focused, instantly accessible and gloriously summery on the surface as its predecessor. [Jul 2014, p.114]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    Entering his maze of influences can initially prove a challenge. ... But over 13 tracks clarity slowly emerges. [Jan 2020, p.109]
    • Q Magazine
    • 69 Metascore
    • 40 Critic Score
    Too much of the rest--an urgent Mr. Lif aside--is seriously lacking in flavour. [Apr 2008, p.112]
    • Q Magazine
    • 69 Metascore
    • 90 Critic Score
    Musically and lyrically, Life In Slow Motion is his strongest collection of songs to date. [Sep 2005, p.108]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    It's a harder-edged, slightly less cartoony thing than their youthful debut, but it's still exuberant and frantic like a puppy with an important message. [May 2015, p.110]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    Older, possibly wiser, cleaner and sounding as majestically ramshackle as ever. The only snag is that their new album is a live recap of their career highlights with no new songs to justify it as a comeback. [Aug 2017, p.108]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    The tracks are all short, sketching atmospheric outlines before vanishing. [Aug 2018, p.116]
    • Q Magazine
    • 69 Metascore
    • 70 Critic Score
    He has finally shed some of his ironic detachment. [Jun 2005, p.111]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    Too Many Miracles, I Saw You Walk Away and This Electric come lovingly swaddled in strings and, if only for their duration, make the world a nicer place. [Nov 2010, p.105]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    Mood music for goat-sacrificing pagan rituals. [May 2007, p.124]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    At times the meandering is frustrating, while at others the release when a song finally locks into its groove, as on the twisting Lipstick Song, makes the experimentation all worthwhile. [May 2020, p.110]
    • Q Magazine
    • 69 Metascore
    • 40 Critic Score
    Although RZA tries crisply updating his trademark murk for the new rap age, the results rarely cohere. [Jan 2002, p.108]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    Nothing on this album surprises or pushes the urban envelope. [Sep 2004, p.116]
    • Q Magazine
    • 69 Metascore
    • 40 Critic Score
    Groove Armada continue to have mislaid that sparkledust. [Dec 2002, p.105]
    • Q Magazine
    • 69 Metascore
    • 80 Critic Score
    A stunning return. [Oct 2009, p.116]
    • Q Magazine