Q Magazine's Scores
- Music
For 8,545 reviews, this publication has graded:
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42% higher than the average critic
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3% same as the average critic
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55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics.
(0-100 point scale)
Average Music review score: 67
| Highest review score: | A Hero's Death | |
|---|---|---|
| Lowest review score: | Gemstones |
Score distribution:
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Positive: 4,112 out of 8545
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Mixed: 4,355 out of 8545
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Negative: 78 out of 8545
8545
music
reviews
- By Date
- By Critic Score
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- Q Magazine
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- Critic Score
It's not an instant listen, but there's wisdom and loveliness to spare. [Jul 2014, p.110]- Q Magazine
Posted Jun 17, 2014 -
- Critic Score
It's not a bad album, but In The Warzone lacks the broad allure of what made Transplants interesting in the first place. [Aug 2013, p.106]- Q Magazine
Posted Jul 10, 2013 -
- Critic Score
Some of the more straightforward rockers show signs of fresh thinking. [Jul 2013, p.97]- Q Magazine
Posted Aug 8, 2013 -
- Critic Score
It's the album's dream-like middle section where the real alchemy happens. [Sep 2013, p.102]- Q Magazine
Posted Aug 20, 2013 -
- Critic Score
The attention does wander over two CDs... but vigorous renditions of Bring It On and Get Myself Arrested are reminders that Gomez's psych-blues revivalism really was quite special. [Aug 2005, p.128]- Q Magazine
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- Critic Score
These songs are insufficiently distinctive and there is a surfeit of ballast in need of jettisoning. [Apr 2007, p.108]- Q Magazine
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- Critic Score
The unruly palette endures throughout, with dirges, ersatz country and cracked pop variously suggesting Clinic, Throbbing Gristle and Blackpool cults Ceramic Hobs. Lyrically, trigger warnings may be necessary. [Feb 2016, p.110]- Q Magazine
Posted Jan 19, 2016 -
- Critic Score
It's business as usual for Bad Religion, the US punk rock stalwarts recently restored to full power with the return of guitarist Brett Gurewitz. [Sep 2007, p.100]- Q Magazine
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- Critic Score
Ghostpoet's empathy for his characters scarcely makes the narrow emotional bandwidth less oppressive. [Apr 2015, p.109]- Q Magazine
Posted Feb 27, 2015 -
- Critic Score
Not quite a greatest hits then, but not short of a few crowd-pleasers either. [Jun 2018, p.106]- Q Magazine
Posted Apr 25, 2018 -
- Critic Score
It's hardly surprisingly that it's less interesting musically than it is lyrically. ... That said, there's not a dull moment here. [Jul 2018, p.111]- Q Magazine
Posted May 14, 2018 -
- Q Magazine
Posted Mar 31, 2014 -
- Critic Score
Hoop's magic-realist folk idiom can veer a little too close to being the work of that free spirit who helps out at the health-food co-op, but here, the delicacy and subtlety of her songs is laid bare. [May 2014, p.111]- Q Magazine
Posted Apr 23, 2014 -
- Critic Score
The band's ability to properly play together more than justifies the album's title, an archaic English word for feeling pleased. [Jun 2013, p.109]- Q Magazine
Posted May 13, 2013 -
- Critic Score
This time around, though, she's more introspective, less shouty and the result is her most absorbing album since 2005's "Kidnapped By Neptune." [Mar 2010, p.106]- Q Magazine
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- Q Magazine
Posted May 29, 2015 -
- Critic Score
While he boasts none of the verbal dexterity of Eminem, he takes America's Dumb & Dumber obsession and has mighty fun with it. [Jan 2002, p.102]- Q Magazine
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- Critic Score
Their sonic structures remain complex, and experiment still take precedence over entertainment. [May 2010, p.115]- Q Magazine
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- Critic Score
Warped and touching, this is an LP for both higher and lower selves. [Oct 2018, p.119]- Q Magazine
Posted Sep 5, 2018 -
- Critic Score
There is a danger it might all drift away in a haze of gossamer-light stylishness if it weren't for the interesting places they nudge these gentle songs. [Nov 2018, p.112]- Q Magazine
Posted Oct 22, 2018 -
- Critic Score
Add some successful diversions and you'll find a gloriously grown-up spectacle here. [Jul 2012, p.108]- Q Magazine
Posted Oct 12, 2012 -
- Critic Score
Between the unfinished and the clumsy, Pollard produces diamonds such as the wracked Give Up The Grape and sweetly breezy Boxing About. [Jan 2007, p.150]- Q Magazine
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- Critic Score
A curious document, but one that serves as a reminder of Hegarty's ability to catch the light live. [Sep 2012, p.97]- Q Magazine
Posted Dec 14, 2012 -
- Critic Score
At times the experimentation verges on the unlistenable but there's enough promising material here to make this an enjoyable debut. [Feb 2009, p.119]- Q Magazine
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- Critic Score
There's nothing here to suggest Holtkamp should think about giving up his day job anytime soon. [May 2014, p.111]- Q Magazine
Posted Apr 23, 2014 -
- Critic Score
They've taken their time, but this fine record suggests it may not be too late. [May 2011, p.124]- Q Magazine
Posted May 17, 2011 -
- Q Magazine
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- Critic Score
Immaculately crafted, and with a smattering of good songs, it's also disappointingly samey, with all too little standing out and demanding to be heard. [May 2010, p.125]- Q Magazine
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- Critic Score
At first listen, To The Sea is more of the same: Johnson's warm voice wrapped around sweet, if hardly memorable songs. [July 2010, p. 133]- Q Magazine