Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 72 Metascore
    • 60 Critic Score
    Isn't for the meek. [Mar 2004, p.110]
    • Q Magazine
    • 73 Metascore
    • 60 Critic Score
    It's not an instant listen, but there's wisdom and loveliness to spare. [Jul 2014, p.110]
    • Q Magazine
    • 64 Metascore
    • 60 Critic Score
    It's not a bad album, but In The Warzone lacks the broad allure of what made Transplants interesting in the first place. [Aug 2013, p.106]
    • Q Magazine
    • 59 Metascore
    • 60 Critic Score
    BE
    Some of the more straightforward rockers show signs of fresh thinking. [Jul 2013, p.97]
    • Q Magazine
    • 71 Metascore
    • 60 Critic Score
    It's the album's dream-like middle section where the real alchemy happens. [Sep 2013, p.102]
    • Q Magazine
    • 64 Metascore
    • 60 Critic Score
    The attention does wander over two CDs... but vigorous renditions of Bring It On and Get Myself Arrested are reminders that Gomez's psych-blues revivalism really was quite special. [Aug 2005, p.128]
    • Q Magazine
    • 64 Metascore
    • 60 Critic Score
    These songs are insufficiently distinctive and there is a surfeit of ballast in need of jettisoning. [Apr 2007, p.108]
    • Q Magazine
    • 63 Metascore
    • 60 Critic Score
    The unruly palette endures throughout, with dirges, ersatz country and cracked pop variously suggesting Clinic, Throbbing Gristle and Blackpool cults Ceramic Hobs. Lyrically, trigger warnings may be necessary. [Feb 2016, p.110]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    It's business as usual for Bad Religion, the US punk rock stalwarts recently restored to full power with the return of guitarist Brett Gurewitz. [Sep 2007, p.100]
    • Q Magazine
    • 74 Metascore
    • 60 Critic Score
    Ghostpoet's empathy for his characters scarcely makes the narrow emotional bandwidth less oppressive. [Apr 2015, p.109]
    • Q Magazine
    • 62 Metascore
    • 60 Critic Score
    Not quite a greatest hits then, but not short of a few crowd-pleasers either. [Jun 2018, p.106]
    • Q Magazine
    • 66 Metascore
    • 60 Critic Score
    It's hardly surprisingly that it's less interesting musically than it is lyrically. ... That said, there's not a dull moment here. [Jul 2018, p.111]
    • Q Magazine
    • 79 Metascore
    • 60 Critic Score
    The performances reflect his wind-down way. [Apr 2014, p.96]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    Hoop's magic-realist folk idiom can veer a little too close to being the work of that free spirit who helps out at the health-food co-op, but here, the delicacy and subtlety of her songs is laid bare. [May 2014, p.111]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    The band's ability to properly play together more than justifies the album's title, an archaic English word for feeling pleased. [Jun 2013, p.109]
    • Q Magazine
    • 78 Metascore
    • 60 Critic Score
    This time around, though, she's more introspective, less shouty and the result is her most absorbing album since 2005's "Kidnapped By Neptune." [Mar 2010, p.106]
    • Q Magazine
    • 80 Metascore
    • 60 Critic Score
    He's more class than charisma. [Jul 2015, p.111]
    • Q Magazine
    • 57 Metascore
    • 60 Critic Score
    While he boasts none of the verbal dexterity of Eminem, he takes America's Dumb & Dumber obsession and has mighty fun with it. [Jan 2002, p.102]
    • Q Magazine
    • 76 Metascore
    • 60 Critic Score
    Their sonic structures remain complex, and experiment still take precedence over entertainment. [May 2010, p.115]
    • Q Magazine
    • 74 Metascore
    • 60 Critic Score
    Warped and touching, this is an LP for both higher and lower selves. [Oct 2018, p.119]
    • Q Magazine
    • 73 Metascore
    • 60 Critic Score
    There is a danger it might all drift away in a haze of gossamer-light stylishness if it weren't for the interesting places they nudge these gentle songs. [Nov 2018, p.112]
    • Q Magazine
    • 71 Metascore
    • 60 Critic Score
    Add some successful diversions and you'll find a gloriously grown-up spectacle here. [Jul 2012, p.108]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    Between the unfinished and the clumsy, Pollard produces diamonds such as the wracked Give Up The Grape and sweetly breezy Boxing About. [Jan 2007, p.150]
    • Q Magazine
    • 82 Metascore
    • 60 Critic Score
    A curious document, but one that serves as a reminder of Hegarty's ability to catch the light live. [Sep 2012, p.97]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    At times the experimentation verges on the unlistenable but there's enough promising material here to make this an enjoyable debut. [Feb 2009, p.119]
    • Q Magazine
    • 77 Metascore
    • 60 Critic Score
    There's nothing here to suggest Holtkamp should think about giving up his day job anytime soon. [May 2014, p.111]
    • Q Magazine
    • 51 Metascore
    • 60 Critic Score
    They've taken their time, but this fine record suggests it may not be too late. [May 2011, p.124]
    • Q Magazine
    • 70 Metascore
    • 60 Critic Score
    It's simple fare, true, but wholly enjoyable for it. [Jun 2010, p.124]
    • Q Magazine
    • 78 Metascore
    • 60 Critic Score
    Immaculately crafted, and with a smattering of good songs, it's also disappointingly samey, with all too little standing out and demanding to be heard. [May 2010, p.125]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    At first listen, To The Sea is more of the same: Johnson's warm voice wrapped around sweet, if hardly memorable songs. [July 2010, p. 133]
    • Q Magazine