Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 70 Metascore
    • 60 Critic Score
    The big indie-rock of Sleepy Hallow is beaten in the chirpy stakes only by the vaguely Afrobeat of This Little Sister while McIntyre's melancholy of old takes on Titanic proportions for the pleasing Why Do They Go So Soon. [May 2016, p.113]
    • Q Magazine
    • 55 Metascore
    • 60 Critic Score
    Ambitious and heartfelt, Music For The People is the sound of a band caught between rock and a hard place. [May 2009, p.111]
    • Q Magazine
    • 70 Metascore
    • 60 Critic Score
    An intriguing, if not quite essential, addition to the Maus canon. [Jul 2018, p.115]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    His alt-country songs bristle with classic influences form Gram Parsons to John Fogerty to Steve Eerle. New dog, old tricks. [Jan 2010, p. 122]
    • Q Magazine
    • 74 Metascore
    • 60 Critic Score
    Fog
    Like Beck before he developed the Prince fixation, Fog's anti-puritanism makes this a constantly startling, wholly addictive joy.
    • 68 Metascore
    • 60 Critic Score
    While it's less draining than some of his earlier work, it still speaks the language of lamentation. [May 2012, p.99]
    • Q Magazine
    • 74 Metascore
    • 60 Critic Score
    Boyle is still at his strongest when he opts to bring the noise. [Jul 2015, p.102]
    • Q Magazine
    • 70 Metascore
    • 60 Critic Score
    The album's middle section is an exercise in restrained songcraft. [Mar 2003, p.114]
    • Q Magazine
    • 49 Metascore
    • 60 Critic Score
    Despite it's title and Young's Ben Folds-esque vocals, All Things Bright and Beautiful keeps its beliefs at a distance for the most part. [July 2011, p. 117]
    • Q Magazine
    • 74 Metascore
    • 60 Critic Score
    It's when the rappers stand down that it hits its stride. [Jun 2012, p.108]
    • Q Magazine
    • 76 Metascore
    • 60 Critic Score
    This is aching ramshackle folk rock. [June 2002, p.124]
    • Q Magazine
    • 43 Metascore
    • 60 Critic Score
    She has a fine technical voice but the emotional resonance of a car park. [Feb 2003, p.98]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    Plenty of opportunities to put your hands in the air, but, ultimately, you may not care. [Nov 2016, p.108]
    • Q Magazine
    • 60 Metascore
    • 60 Critic Score
    The ensemble take more risks with Gabriel's own songs, pulling them into bold new shapes. [Jul 2012, p.100]
    • Q Magazine
    • 71 Metascore
    • 60 Critic Score
    Lytle's melodic warmth provides a protective layer against the heartbreak and horror. [Nov 2012, p.101]
    • Q Magazine
    • 66 Metascore
    • 60 Critic Score
    This latest studio offering is equally tricky to categorise. The mood, though, never overwhelms. [Dec 2013, p.105]
    • Q Magazine
    • 80 Metascore
    • 60 Critic Score
    Witty, gritty punchlines abound, maintaining the energy level even on those tracks where the beats are somewhat routine. [Feb 2013, p.103]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    It's an odd concoction that manages to shift between Boards Of Canada-gone-baroque and unsettling white noise. [Dec 2013, p.99]
    • Q Magazine
    • 75 Metascore
    • 60 Critic Score
    Joan Baez seems unshakeable on her 28th album. [Oct 2008, p.139]
    • Q Magazine
    • 75 Metascore
    • 60 Critic Score
    The net result is an album that hangs suspended between Earth and the stars. [Jun 2019, p.116]
    • Q Magazine
    • 65 Metascore
    • 60 Critic Score
    Old school, but somehow not old hat. [Feb 2009, p.113]
    • Q Magazine
    • 61 Metascore
    • 60 Critic Score
    Some arena-pleasing riffs, a couple of polished acoustic numers and everyone goes home happy. [Apr 2002, p.114]
    • Q Magazine
    • 57 Metascore
    • 60 Critic Score
    Gone are most of the Beck-ish hip hop stylings, back is the bespoke indiecraft of spidery guitars, loose drums and oblique lyricism. [Mar 2003, p.108]
    • Q Magazine
    • 68 Metascore
    • 60 Critic Score
    Contains some potentially highly commercial music, were it not for the underwhelming production. [Sep 2004, p.118]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    Functional yet uninspiring, Optica is pop as Ikea catalog. [Jun 2013, p.104]
    • Q Magazine
    • 71 Metascore
    • 60 Critic Score
    Their pure pop rock is both uncomplicated and uninhibited. [June 2002, p.120]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    The Archer Trilogy were exercises in electronic indie that were sparsely fragile (pt. 1, mostly) or verging on Europop (much of Pt. 2). The final installment manages to combine both and is all the better for it. [Jul 2013, p.101]
    • Q Magazine
    • 73 Metascore
    • 60 Critic Score
    Music [that is] deeply evocative of sitting on a magic rug. [Jun 2012, p.99]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    Concrete And Gold is a straightforward Foo Fighters album, albeit one that does occasionally fulfill its promise to deliver both aural lavishness and maximum heaviosity. [Oct 2017, p.102]
    • Q Magazine
    • 65 Metascore
    • 60 Critic Score
    Not, perhaps, the best overview of their work, but bound to satisfy loyal fans. [Jan 2003, p.123]
    • Q Magazine