Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 78 Metascore
    • 60 Critic Score
    The newly remastered version is also bolstered by three additional track as reclaimed from the vaults. [Apr 2011, p.114]
    • Q Magazine
    • 51 Metascore
    • 60 Critic Score
    What sets her apart is a nasal, high-pitched quality to her voice, which puts a fresh spin on what is otherwise a familiar format by now. [Nov 2009, p.104]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    The only problem is that the duo never manage to execute a truly killer pop hook, resulting in a debut that breezes by in a pleasant but ultimately forgettable haze. [May 2011, p.116]
    • Q Magazine
    • 65 Metascore
    • 60 Critic Score
    [Saloman's] sharply observed tales of lost love and hopeless hopes fit Lord's airy vocals snugly. [Jun 2004, p.102]
    • Q Magazine
    • 63 Metascore
    • 60 Critic Score
    All baes covered, an international hit seems guaranteed. [Oct 2002, p.100]
    • Q Magazine
    • 61 Metascore
    • 60 Critic Score
    Patchy sixth efforts from hip hop innovators. [Sept. 2011, p. 111]
    • Q Magazine
    • 81 Metascore
    • 60 Critic Score
    His earthy but frequently beautiful Americana has maintained a consistent heaviness of vibe, and album five continues down the same byway. [Nov 2016, p.107]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    Sun Gong is a two-part aural resonance-bath suitable for ultimate relaxation. [Dec 2017, p.106]
    • Q Magazine
    • 71 Metascore
    • 60 Critic Score
    Banner's rasped raps are as direct and filthy as ever. [Jan 2006, p.124]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    He retreats too often into dull AOR choogling. [Mar 2007, p.114]
    • Q Magazine
    • 74 Metascore
    • 60 Critic Score
    Maybe he's not the kind of artist you need to hear stripped down. [Jan 2013, p.101]
    • Q Magazine
    • 54 Metascore
    • 60 Critic Score
    Especially on the Thin Lizzy-esque 'What Do I Have To Do?' and the irresistible 'Wasted,' they sparkle. At other times, though--the unloveable 'Here For The Party' and childish 'Girl Talk'--these four 28-year-olds still think they're in high school. [Nov 2007, p.137]
    • Q Magazine
    • 77 Metascore
    • 60 Critic Score
    The results are largely impressive, particularly on the fragile country of Follow Me Down, but you can't help feeling that eventually Nap Eyes will need to look to more distant horizons to maintain everyone's interest. [Apr 2018, p.112]
    • Q Magazine
    • 68 Metascore
    • 60 Critic Score
    iii
    Confidence is attractive, but iii is a little too composed. [Apr 2016, p.111]
    • Q Magazine
    • 75 Metascore
    • 60 Critic Score
    It's best experienced with the lights out, although as with most film music, it loses some frisson separated from Strickland's lurid images. [Feb 2013, p.102]
    • Q Magazine
    • 73 Metascore
    • 60 Critic Score
    Damogen Furies is one of his more consistent efforts. [May 2015, p.111]
    • Q Magazine
    • 71 Metascore
    • 60 Critic Score
    This debut proves equally effervescent. [Apr 2011, p.109]
    • Q Magazine
    • 71 Metascore
    • 60 Critic Score
    On their amiably unvarnished debut, they're a bit punky, a little folky, even a bit rockabilly, but always refreshingly themselves. [May 2010, p.126]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    Nothing on this album surprises or pushes the urban envelope. [Sep 2004, p.116]
    • Q Magazine
    • 79 Metascore
    • 60 Critic Score
    It's Prince, it's Eno, it's PiL, it's The Coasters and all at once. At times, that jars. At others... it's as exhilarating as a kiss. [Jul 2004, p.124]
    • Q Magazine
    • 74 Metascore
    • 60 Critic Score
    The only sticking point is frontman Carson Cox's vocals. He's so curiously low in the mix at times that it gives the impression of a man absentmindedly wandering through his own songs. [Sep 2014, p.111]
    • Q Magazine
    • 70 Metascore
    • 60 Critic Score
    A rather lovely bedtime listen. [Jan 2013, p.101]
    • Q Magazine
    • 81 Metascore
    • 60 Critic Score
    IV
    At times, they sound like Black Sabbath might, if Tony Iommi had ever misplaced his genius for memorable riffs. Far better is when they harness their power more constructively. and fragments of tunes emerge from the sludge. [Jun 2017, p.112]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    Rather than radical reimaginations, Lanegan serves up tweaked arrangements within the original frameworks. [Oct 2013, p.105]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    For the most part it's a decent but needless reworking of her Compass Point trilogy of albums from the early '80s. [Nov 2008, p.117]
    • Q Magazine
    • 66 Metascore
    • 60 Critic Score
    Ultimately, though, it's her own barnstroming commitment and sheer affability that steer things safely home. [Dec 2008, p.123]
    • Q Magazine
    • 68 Metascore
    • 60 Critic Score
    Trail Of dead have kept faith with their traditional mix of prog pomp and grunge power for their sixth album. [Apr 2009, p.97]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    Sometimes brillliant, but often baffling. [Nov 2009, p.107]
    • Q Magazine
    • 74 Metascore
    • 60 Critic Score
    It's a more searing and cranked-up affair than its predecessor. [Jun 2013, p.99]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    Throughout, Hunx nasally trills teenage romantic pain over raw retro clatter, and if Spector heard songs such as The curse Of being Young and Tonite Tonite from his prison cell, he'd surely approve. [May 2011, p.116]
    • Q Magazine