Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 69 Metascore
    • 60 Critic Score
    This is a record so drenched in Vietnam War-era blues rock you can all but smell the patchouli and napalm, and though 'Why Must You Always Dress In Black' may be his most shameless Hendrix-rip-off to date, it is nevertheless a convincing one. [Jun 2009, p.124]
    • Q Magazine
    • 64 Metascore
    • 60 Critic Score
    Their debut positions itself somewhere sonically between the avant-gardism of These New Puritans and Siouxsie And The Banshees at their most stridently gothic. [Feb. 2011, p. 114]
    • Q Magazine
    • 71 Metascore
    • 60 Critic Score
    While Martyn's voice has dropped an octave and lost a few notes along the way, that merely adds to the beaten and beating heart of these songs. [Jun 2014, p.114]
    • Q Magazine
    • 68 Metascore
    • 60 Critic Score
    Despite the gentle, plaintive Sticks Not Twigs and the lugubrious Dead At The Wheel, it's Albini in excelsis: a super-fast, super-loud cathartic howl, but this being The Cribs, it's leavened by their trademark way with a manly melody. [Sep 2017, p.106]
    • Q Magazine
    • 71 Metascore
    • 60 Critic Score
    At times it can feel a little lightweight. [Sep 2016, p.106]
    • Q Magazine
    • 81 Metascore
    • 60 Critic Score
    These are skewed, disturbing, beautiful songs...
    • 74 Metascore
    • 60 Critic Score
    A few more laughter-lines wouldn't have gone amiss. [Aug 2014, p.112]
    • Q Magazine
    • 75 Metascore
    • 60 Critic Score
    With the exception of I've Got Reason, the ripsnorting garage rock that enlivened his earlier work has disappeared. Instead, the likes of Shelter and Show Me veer towards ponderous MOR. [Dec 2019, p.109]
    • Q Magazine
    • 78 Metascore
    • 60 Critic Score
    Play[s] the kitsch-folk game with real panache. [Feb 2006, p.101]
    • Q Magazine
    • 73 Metascore
    • 60 Critic Score
    The Information... is hamstrung by the sensation that, though Beck likes rapping, he has little to say beyond smart-alec one-liners. [Nov 2006, p.138]
    • Q Magazine
    • 74 Metascore
    • 60 Critic Score
    This is a refreshingly dark take on a tired format. [Feb 2019, p.112]
    • Q Magazine
    • 78 Metascore
    • 60 Critic Score
    Their latest is in constant motion. [Mar 2018, p.108]
    • Q Magazine
    • 73 Metascore
    • 60 Critic Score
    With no track under six minutes in length, some editing wouldn't have gone amiss. [Jan 2013, p.107]
    • Q Magazine
    • 73 Metascore
    • 60 Critic Score
    At times, effortless winsome... yet it comes with enough textural twitches and scuffs to underline its well-developed sense of wary melancholy. [Feb 2015, p.106]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    The sunny hooks of the title track and Disco Kid's funky backsbeat display similar flair, though indulgent wig-outs such as Don't Blame Yourself could do with an edit. [Jun 2017, p.105]
    • Q Magazine
    • 75 Metascore
    • 60 Critic Score
    Rakei's gently wistful tone fits the general mood, though it's something of a relief when he shifts gears. [Summer 2019, p.115]
    • Q Magazine
    • 80 Metascore
    • 60 Critic Score
    [She] remains comically kooky. [Aug 2006, p.116]
    • Q Magazine
    • 74 Metascore
    • 60 Critic Score
    I
    Music that strives for knitted-brow intensity. [Jan 2018, p.110]
    • Q Magazine
    • 73 Metascore
    • 60 Critic Score
    Their third album is their most developed yet.... What's missing is that sense of real emotion, the euphoria or misery that makes for great pop. [Feb 2016, p.108]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    Enigmatic, but still worth puzzling over. [Feb 2016, p.111]
    • Q Magazine
    • 70 Metascore
    • 60 Critic Score
    Slurrup follows last summer's Korp Sole Roller and tones down the ornate arrangements for a more straightforward '60s British beat boom approach. The problem is it makes him sound pretty ordinary. [Feb 2015, p.110]
    • Q Magazine
    • 77 Metascore
    • 60 Critic Score
    Too busy and extreme for some tastes, this is still a dizzying proposition. [Mar 2015, p.105]
    • Q Magazine
    • 78 Metascore
    • 60 Critic Score
    An album of hidden depth, then, even if some of them require firm resolve on the listener's part. [Jun 2017, p.105]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    It's too entrenched in the past to take Costa forward, but there's nobody relighting the old fires with such authenticity. [Mar 2009, p.96]
    • Q Magazine
    • 68 Metascore
    • 60 Critic Score
    For his eigth studio album he's gone over the top politically. [Feb 2009, p.116]
    • Q Magazine
    • 70 Metascore
    • 60 Critic Score
    Undeniably bold and ahead of its time, it also remains rather easier to admire from a safe distance than to actually like. Or listen to. [Nov 2008, p.121]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    Simon Ratcliffe and Felix Buxton have retrenched, recruited a slew of vocalists and made the sort of uptempo record they were doing at the turn of the century. [Oct 2009, p.107]
    • Q Magazine
    • 71 Metascore
    • 60 Critic Score
    Orthodoxy is dispensed with here, with varible results. [Nov 2009, p.103]
    • Q Magazine
    • 63 Metascore
    • 60 Critic Score
    The only annoyance is the production, which seems to believe that America will only buy rock by a Scotsman from London if it's laden with stadium-pop Waterboys/Mumfords/Titanic Celtic cack rock. [Jun 2013, p.101]
    • Q Magazine
    • 56 Metascore
    • 60 Critic Score
    "Listen to the silence" goes the repeated refrain from first single Always. Sometimes that wouldn't be a bad idea. [Aug 2016, p.112]
    • Q Magazine