Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 72 Metascore
    • 80 Critic Score
    A happy mess of ideas, fun and riffing. [Jul 2004, p.122]
    • Q Magazine
    • 72 Metascore
    • 80 Critic Score
    New Order have made better records than this, but not many with such an emotional charge and the expansive noise to carry it off.... Get Ready is the sound of a great band breaking free of their past before your ears. Who’d have thought it?
    • 72 Metascore
    • 80 Critic Score
    Amid all the bitching and moaning are some of the finest songs of Weezer's career. [May 2002, p.118]
    • Q Magazine
    • 72 Metascore
    • 40 Critic Score
    Often seems willfully inscrutable. [Sep 2004, p.120]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    Up!
    Stuff with hooks, freakishly frisky and using everything in the producer's cupboard... Up! contains 19 new tunes that play shamelessly to the gallery. [Feb 2003, p.109]
    • Q Magazine
    • 72 Metascore
    • 80 Critic Score
    There's such a huge feelgood swagger it's impossible not to be swept along in its wake. [Jun 2004, p.96]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    For all the wit, layered invention and easy-on-the-ear harmonies Deakin and Franglen bring to '64-'95, there's a corresponding lack of intrigue. [Feb 2005, p.94]
    • Q Magazine
    • 72 Metascore
    • 70 Critic Score
    This unassuming record certainly deserves as much attention as [his] former big noise. [Sep 2005, p.116]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    It's not going to challenge anyone, but it would bring a welcome touch of class to the charts. [Oct 2008, p.139]
    • Q Magazine
    • 72 Metascore
    • 80 Critic Score
    If you like Sufjan Steven's lushly orchestrated reveries, you'll love this canadian eight-piece, who come across on their ambitious second album like an indie-folk Arcade Fire. [Mar 2009, p.105]
    • Q Magazine
    • 72 Metascore
    • 80 Critic Score
    The addition of Southern-fried sludge makes this album almost the complete New Wave Of American Heavy Metal package. [Aug 2009, p.101]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    Freakonomics proves they still pack a punch, though. [Aug 2009, p.101]
    • Q Magazine
    • 72 Metascore
    • 80 Critic Score
    Focused and fighting fit, My way is proof that at 46 Ian brown is nevertheless prepared to go all 15 rounds. [Nov 2009, p.108]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    They do what they do with admirable panache, ripping thorugh 13 buzzy little items in a shade over half an hour as though lives, or at least wallets, depended on it. [Mar 2010, p.105]
    • Q Magazine
    • 72 Metascore
    • 80 Critic Score
    A roaring cosmic-rock romp, equal parts Muse-esque space station stomps and jitterbug Krautrock rhythmics. [Dec. 2011 p. 137]
    • Q Magazine
    • 72 Metascore
    • 80 Critic Score
    Her debut LP is a Story Book Forest of weird instruments and enticing sounds. [Feb 2012, p. 108]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    It bristles with roaring guitars and the whiskey-guzzling howl of Ben Ward. [Mar 2012, p.105]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    More cultured chill-out from the East London alchemists. [Feb 2012, p.110]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    Mountain Echo isn't original, but Marie's voice oozes control vulnerability. [Apr 2012, p.98]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    [Lead singer, Corrina] Repp's spectral omnipresence enhances A Monument's addictive, dark-clouded atmosphere, especially when things get as chilly as later-day Radiohead and as pallid as Portishead. [Jun 2012, p.114]
    • Q Magazine
    • 72 Metascore
    • 80 Critic Score
    On this third album the four-piece are now an accomplished if spiky group at home whether playing rough-edged guitars or glockenspiels. [Aug 2012, p.100]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    His latest is a nicely varied set. [Oct 2012, p.97]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    The array of styles that are spliced together--space rock, electronica, trip-hop, orchestral flourishes--fail to add up to a cohesive whole. [Sep 2012, p.97]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    The sense of the singer reclaiming a little of himself with these meditative jams is unmistakable. [Jul 2012, p.109]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    The songs here are a familiar mix of wry life observations and clever covers. [Nov 2012, p.96]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    It's as if Swervedriver never left us. [Nov 2012, p.103]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    An occasional over-eagerness for approval, though, can allow attention to wander. [Jan 2013, p.111]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    It's an odd concoction that manages to shift between Boards Of Canada-gone-baroque and unsettling white noise. [Dec 2013, p.99]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    Everything is dislocated, kinked and inhuman. [Jan 2013, p.105]
    • Q Magazine
    • 72 Metascore
    • 80 Critic Score
    This is a beautiful album that counterpoints Banhart's boundless and surreal imagination against a newly-discovered depth and sincerity. [Apr 2013, p.105]
    • Q Magazine