Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 58 Metascore
    • 60 Critic Score
    The jazzier the arrangements, however, the more effective his soul-searching becomes. [Nov 2010, p.105]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    There's nothing remotely new or sophisticated about any of it. Instead the album happily operates at the most instinctual gut level, oozing authenticity in a way that Jack White, say, would give his front teeth for. [Nov 2008, p.111]
    • Q Magazine
    • 44 Metascore
    • 60 Critic Score
    At 20 tracks long, Imperial Blaze suffers badly from a lack of editing, however, Paul also spends hald the album in ballad mode. [Nov 2009, p.111]
    • Q Magazine
    • 78 Metascore
    • 60 Critic Score
    The album is so cacophonous that it borders on the unpleasant. Yet there are redemptive moments. [Summer 2019, p.111]
    • Q Magazine
    • 66 Metascore
    • 60 Critic Score
    Quietly confessional and ever so slightly disturbing. [Oct 2009, p.117]
    • Q Magazine
    • 77 Metascore
    • 60 Critic Score
    The multi-culturally correct Warm Heart Of Africa more than lives up to its title, Nsokoto and infectious Kamphopo being worth a place on anyone's shuffle. [Oct 2009, p.118]
    • Q Magazine
    • 79 Metascore
    • 60 Critic Score
    Was [Nothing's Real] worth the wait? At points, yes. [Aug 2016, p.117]
    • Q Magazine
    • 62 Metascore
    • 60 Critic Score
    Dig deeper, and you'll find rich arrangements more reminiscent of Knopfler's soundtrack work. [Oct 2002, p.110]
    • Q Magazine
    • 74 Metascore
    • 60 Critic Score
    Esoteric but oddly compelling record. [Oct 2016, p.110]
    • Q Magazine
    • 70 Metascore
    • 60 Critic Score
    In places, The Boombox Ballads is too shambling for its own good. [Oct 2015, p.113]
    • Q Magazine
    • 71 Metascore
    • 60 Critic Score
    Spring Heel Jack exist in that increasingly exciting no-man's land where clubland and modern jazz call a truce and have a kickabout.
    • 70 Metascore
    • 60 Critic Score
    This is an album steeped in classicism while still creating its own world. It just lacks the killer song. [Oct 2006, p.127]
    • Q Magazine
    • 73 Metascore
    • 60 Critic Score
    Chronological sequencing would have painted a more coherent picture of how she developed over the decades and although fine in themselves, a bunch of remixes belong to an album of their own. [Jan 2016, p.120]
    • Q Magazine
    • 77 Metascore
    • 60 Critic Score
    The follow-up repeats the trick, scattering dreamy pop between industrial soundscapes. [July 2010, p. 129]
    • Q Magazine
    • 74 Metascore
    • 60 Critic Score
    The grooves stay warm and loopy. [Jan 2013, p.108]
    • Q Magazine
    • 64 Metascore
    • 60 Critic Score
    The sunny, country-ish melodies of opener 'Beathless' and 'Savorin' Your Smile' aren't quite matched by her limited voice, but when some darkness descends, as on 'Pictures Of You,' her perky nature adds a bittersweet twist to the added emotional weight. [mar 2009, p.104]
    • Q Magazine
    • 76 Metascore
    • 60 Critic Score
    Startisha is a marriage that nods to the old while leaning on the new, where results are more mixed. [Summer 2020, p.103]
    • Q Magazine
    • 73 Metascore
    • 60 Critic Score
    The lesser known shoo-ins often struggle. [Sep 2003, p.104]
    • Q Magazine
    • 77 Metascore
    • 60 Critic Score
    There's beauty amid the sonic desolation. [Sep 2017, p.116]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    It's diverting enough but unlikely to gain Sartain significant ground. [Jun 2014, p.119]
    • Q Magazine
    • 76 Metascore
    • 60 Critic Score
    There's still enough synapse-jangling vocal invention and moments of great beauty to make it a worthy addition ot Bjork's singular ouevre. [Nov. 2000, p.99]
    • Q Magazine
    • 65 Metascore
    • 60 Critic Score
    Black Market Music feels like a watershed, a merely good record after a great one, and that in itself is disappointing.
    • 68 Metascore
    • 60 Critic Score
    Added to this unlikely musical melting pot is singer is Nikolaj Manuel Vonsild's falsetto, occasionally reminiscent of both Arthur Russell and Antony Hegarty. [Aug 2013, p.107]
    • Q Magazine
    • 52 Metascore
    • 60 Critic Score
    It delivers considerable entertainment value. [Apr 2005, p.122]
    • Q Magazine
    • 74 Metascore
    • 60 Critic Score
    The mainstream looks a long way off again from here. [Sep 2012, p.97]
    • Q Magazine
    • 70 Metascore
    • 60 Critic Score
    Ultimately 24k Magic's luxe exterior writes cheques its soul can't cash. [Feb 2017, p.115]
    • Q Magazine
    • 65 Metascore
    • 60 Critic Score
    It's an unexpected grower. [Jan 2016, p.111]
    • Q Magazine
    • 68 Metascore
    • 60 Critic Score
    The most successful tracks are those where Tricky is front and centre. [Mar 2016, p.117]
    • Q Magazine
    • 79 Metascore
    • 60 Critic Score
    Their music conjures the Sahara via a hypnotic desert blues that informed by both Malian folk music and their love of Western bands such as Pink Floyd and Can. [Jun 2020, p.106]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    Shara Worden, aka My Brightest Diamond sings like a female Jeff Buckley on A Thousand Shark's Teeth, a blend of Tom Waits-inspired weirdness, ambient rock and neo-classical textures. [July 2008, p.113]
    • Q Magazine