Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 68 Metascore
    • 60 Critic Score
    Not every song is a slow ride--True Love and Heart Killer are bluesy folk stompers--but on the likes of the luxurious Buzzing In The Light and Critical Equation they allow themselves to revel in dreaminess. [Jun 2018, p.110]
    • Q Magazine
    • 76 Metascore
    • 60 Critic Score
    Wisely, everything is as it was. [May 2013, p.111]
    • Q Magazine
    • 66 Metascore
    • 60 Critic Score
    Rockabilly queen gets the Jack White treatment. [Feb. 2011, p. 118]
    • Q Magazine
    • 66 Metascore
    • 60 Critic Score
    Crackling with the background ambience of heckle and cheer, it's a decent attempt at bottling live lightning, if a slightly self-satisfied one. [#361, p.107]
    • Q Magazine
    • 60 Metascore
    • 60 Critic Score
    A safe, calculated release. [Jan 2004, p.121]
    • Q Magazine
    • 73 Metascore
    • 60 Critic Score
    It's a glum, muted collection of songs, but Giannascoli knows how to party like it's 1994: alone in the kitchen, feeling miserable. [Nov 2015, p.110]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    It might not herald a return to the glory days but it does mean his recent creative slump has been definitively arrested. [Jan 2019, p.114]
    • Q Magazine
    • 61 Metascore
    • 60 Critic Score
    It's when they go to the dark side that things pick up. [Mar 2019, p.118]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    So the crude arithmetic of Day & Age is not encouraging: four great songs, two so-so ones and four duds. But the spirit in which it was made merits goodwill. [Dec 2008, p.124]
    • Q Magazine
    • 64 Metascore
    • 60 Critic Score
    This is a better than promising start. [Jul 2009, p.118]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    His first album since 2008's Ninja Tuna marks a radical shift, ditching both fishy puns and vintage soul samples in favour of swarming basslines and stuttering electro beats. [Jun 2014, p.116]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    The results ate at once intimate and expansive, layering vintage synthesizer riffs over fidgety percussion. [Jun 2014, p.112]
    • Q Magazine
    • 73 Metascore
    • 60 Critic Score
    Trouble is, they're often only half-good songs. [Feb 2003, p.94]
    • Q Magazine
    • 77 Metascore
    • 60 Critic Score
    It's best when he makes mood music for out-of-body states. [Oct 2015, p.114]
    • Q Magazine
    • 76 Metascore
    • 60 Critic Score
    Ora shines brightest on the album's calmer moments. [Jan 2019, p.113]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    One can't shake the feeling that This Is Acting was compromised from the start. [Mar 2016, p.114]
    • Q Magazine
    • 64 Metascore
    • 60 Critic Score
    A little less light and a little more shade, though, would make them a far more fascinating proposition. [June 2008, p.138]
    • Q Magazine
    • 64 Metascore
    • 60 Critic Score
    Beautiful Future isn't quite as onsistent as it could be. [Aug 2008, p.138]
    • Q Magazine
    • 70 Metascore
    • 60 Critic Score
    Tom Jenkinson shares Aphex Twin's mischievous way with a beat but lacks his respect for melody. [Aug 2001, p.141]
    • Q Magazine
    • 75 Metascore
    • 60 Critic Score
    You might not easily hum its tunes, but you can often salute its good taste. [Oct 2004, p.121]
    • Q Magazine
    • 69 Metascore
    • 60 Critic Score
    The link between '50s rock and the modern world. [Oct 2004, p.121]
    • Q Magazine
    • 72 Metascore
    • 60 Critic Score
    The first 40 seconds of Spring King's second album are without doubt its most diverting. ... The rest of A Better Life is a uniformly bog-standard collection of Kasabian-like indie rock. [Sep 2018, p.118]
    • Q Magazine
    • 74 Metascore
    • 60 Critic Score
    The songcraft is so taut that whether this howls, drifts, pummels or floats, it remains utterly engaging. [Aug 2012, p.102]
    • Q Magazine
    • 64 Metascore
    • 60 Critic Score
    It's a step in the right direction. [Oct 2015, p.113]
    • Q Magazine
    • 71 Metascore
    • 60 Critic Score
    Despite some affecting songs and intriguing production quirks, it lacks that kind of magic [of his 1970s albums]. [Jul 2005, p.113]
    • Q Magazine
    • 74 Metascore
    • 60 Critic Score
    The players' energy and instrumental prowess are captured intact, even if some of the analogue grit that makes the '70s originals so compelling has been sacrificed. [Aug 2012, p.102]
    • Q Magazine
    • 80 Metascore
    • 60 Critic Score
    Freaky electronica from West Coast bass maestro. [Oct 2011, p.130]
    • Q Magazine
    • 63 Metascore
    • 60 Critic Score
    Radiohead refused to take part, but everyone else has embraced the idea, albeit with predictably mixed results. [Nov 2013, p.107]
    • Q Magazine
    • 67 Metascore
    • 60 Critic Score
    The duo have remained one of the few constants in UK dance music. [Oct 2010, p.120]
    • Q Magazine
    • 65 Metascore
    • 60 Critic Score
    Konk is the perfect example of the modern indie record: bright, breezy, demanding no great investment from its listeners but enjoyable to jump around to. [May 2008, p.128]
    • Q Magazine