Chronological sequencing would have painted a more coherent picture of how she developed over the decades and although fine in themselves, a bunch of remixes belong to an album of their own. [Jan 2016, p.120]

INHeaven's potential is huge, it's just not fully realised here. [Oct 2017, p.105]

If the closing tracks' chaotic guitars comes close to unlistenability, many fine moments beforehand make forgiveness easy. [Oct 2008, p.142]

It's hard work at times, but ultimately adventurous and rewarding. [Jun 2011, p.120]

A decidedly loveable record. [Apr 2016, p.113]

Mostly this is the swingingest easy-listening country you can shake a cocktail at. [May 2010, p.127]

Making A New World resonates with hidden meaning and lost connections. [Feb 2020, p.111]

Sounds like the work of a band reinvigorated. [Aug 2019, p.117]

A great leap forward. [Oct 2003, p.113]

The lesser known shoo-ins often struggle. [Sep 2003, p.104]

Terrific stuff. [Dec 2003, p.129]

The 11 [songs] selected for The Green Album hark back to the keenly observed power pop of Weezer's multi-platinum '94 debut, and there isn't a bad apple among them. [Aug 2001, p.142]

For a record that initially seems nothing more than a charming little reverie, it's difficult to shake off. [Dec 2012, p.102]

A supremely confident collection from an artist just gearing up for greatness. [Jun 2016, p.111]

Dalmais's new album arrives wrapped in conceptual packaging and plays beguiling tricks with her remarkable voice, at times airy, at others earthy. [Aug 2017, p.100]

Even if this album is only for a limited audience, it's the sound of a band pushing onwards and upwards into the blue. [May 2013, p.94]

It once again showcases just how satisfying a Talking Heads obsession coupled with an ability to craft uncommonly graceful ballads can be. [Apr 2009, p.97]

If the production is a little soft, there's no denying the old boys can still knock out pop thrills. [Sep 2012, p.99]

The overall effect is expansive--this is kosmische musik for a desert rather than an autobahn--and it's far-out in the best possible way. [May 2015, p.105]

It works as an excellent overview of his career. [Jan 2016, p.118]

Maybe if they had calmed down a bit, Crazy Itch Radio wouldn't be Basement Jaxx's fourth best album. [Oct 2006, p.126]

Lively third outing from Brighton collective. [Feb. 2011, p. 117]

There is a danger it might all drift away in a haze of gossamer-light stylishness if it weren't for the interesting places they nudge these gentle songs. [Nov 2018, p.112]

Winning UK indie rock/US power-pop fusion. [Feb. 2011, p. 113]

There's... a luxuriant, bubble bath-like quality to proceedings so often lacking in imitators. [Aug 2005, p.134]

This is one of Biffy Clyro's best records yet. [Aug 2016, p.106]

It's prevented from turning fancy by its grounding in some rudimentary rock dynamics. [May 2006, p.122]

Their first album since 2009's Broken, gains strength from being all Gahan, all the time. [Jun 2012, p.111]