Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 74 Metascore
    • 80 Critic Score
    Impassioned, thoughtful, chock-a-block with great tunes, this rich mix of vibrancy and gloom does what all great rock should--lift the spirits. [Oct 2014, p.107]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    All the things he once did well, he's still doing here. [Oct 2011, p.112]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    The airier sound allows room for some soaring melodies, which find their ideal melodies, which find their ideal centrepiece in Michael Vidal's dolorous croon. [Oct 2010, p.103]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    Friedmans and Everdell have struck gold. [Oct 2010, p.108]
    • Q Magazine
    • 74 Metascore
    • 60 Critic Score
    Imagine a hillbilly White Stripes and you're almost there. [Oct 2014, p.119]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    His finest collection of material for 10 years (at least). [Nov 2005, p.118]
    • Q Magazine
    • 74 Metascore
    • 40 Critic Score
    It's just artful karaoke. [Jun 2005, p.116]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    Classic soul opener Bet Ain't Worth The Hand sounds like the Philly soul of The Delfonics, but it's not long before we're into more up-to-date sonic shapes witht he dislocated beats of Lions. [Jun 2018, p.109]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    These succinct, sparse vignettes could double as short stories, Darnielle's evocative imagery giving the likes of 'San Bernardino' a cinematic feel. [Mar 2008, p.108]
    • Q Magazine
    • 74 Metascore
    • 100 Critic Score
    No moment of Discovery is left unfilled with an idea, a sonic joke, a spark of brilliance.... a towering, persuasive tour de force which ultimately transcends the dance label.
    • 74 Metascore
    • 60 Critic Score
    As a functional piece of music, it's fitness-for-purpose isn't in question,. But as a stand-alone album, the satisfaction it can offer, perhaps, is. [Dec 2014, p.119]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    The 11 tracks on Citizen Zombie find these progenitors of the "Bristol sound" in satisfying rude health. [Apr 2015, p.108]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    A force of nature is with us. [Mar 2006, p.110]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    Their debut album marks a major hike in ambition. [Sep 2011, p.116]
    • Q Magazine
    • 74 Metascore
    • 60 Critic Score
    If the squelching synths of 'The Original Thought' irritate, the jauntiness elsewhere suggests he's thriving on a lack of commercial pressure. [May 2009, p.119]
    • Q Magazine
    • 74 Metascore
    • 60 Critic Score
    By the half-hour's end you might well consider strangling the singer but, by that time, these tunes will have launched their own potent psychological counterblast. [Apr 2003, p.109]
    • Q Magazine
    • 74 Metascore
    • 90 Critic Score
    Far from rehashing her debut, she's made an older and wiser sequel, where the quiet magic of each song gets stronger with every listen. [Mar 2003, p.101]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    It makes for a wonderfully warm way of celebrating life. [Aug 2003, p.102]
    • Q Magazine
    • 74 Metascore
    • 90 Critic Score
    In a genre considered creatively bankrupt, this is genuinely new metal. [Jul 2003, p.102]
    • Q Magazine
    • 74 Metascore
    • 60 Critic Score
    Amid such moments of clarity, however, there's the kind of meandering you originally expected from such an arty bunch. [Nov 2003, p.105]
    • Q Magazine
    • 74 Metascore
    • 60 Critic Score
    The only flaw is the former soldier's gravelly drill-sergeant bark. It packs a visceral punch in small doses, but an unadulterated hour of it is like being violently bullied by Busta Rhymes.
    • 74 Metascore
    • 60 Critic Score
    Warped and touching, this is an LP for both higher and lower selves. [Oct 2018, p.119]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    Challengers, their fourth album, sees the band and its three main songwriters at the top of their game. [Sep 2007, p.99]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    It seemed as if they'd perfected the balance of 2002's glowing "Neon Golden," but here manage to continue the evolution. [July 2008, p.108]
    • Q Magazine
    • 74 Metascore
    • 60 Critic Score
    [Deluxe's] successor is equally likeable. [Oct 2017, p.108]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    There's a curious romance at play throughout their debut album. [Jul 2013, p.112]
    • Q Magazine
    • 74 Metascore
    • 60 Critic Score
    Saloon-bar rockers such as Split Decision sound tired and hackneyed alongside a beautifully downbeat cover of Dylan's Standing in the Doorway... the peaceful life suits her. [May 2012, p.105]
    • Q Magazine
    • 74 Metascore
    • 60 Critic Score
    Make-Believe is a record you're more likely to respectfully admire than fall hopelessly in love with. [Jun 2012, p.110]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    [Mann has] returned to writing songs which are wry, funny, adult and perceptive, all wrapped up in handsome melodies. [Oct 2002, p.112]
    • Q Magazine
    • 74 Metascore
    • 60 Critic Score
    It's The Black Keys, Florence Welch and Julian Casablancas who walk the line between homage and reinvention most deftly. [Sep 2011, p.114]
    • Q Magazine