Q Magazine's Scores
- Music
For 8,545 reviews, this publication has graded:
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42% higher than the average critic
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3% same as the average critic
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55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics.
(0-100 point scale)
Average Music review score: 67
| Highest review score: | A Hero's Death | |
|---|---|---|
| Lowest review score: | Gemstones |
Score distribution:
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Positive: 4,112 out of 8545
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Mixed: 4,355 out of 8545
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Negative: 78 out of 8545
8545
music
reviews
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- Critic Score
Impassioned, thoughtful, chock-a-block with great tunes, this rich mix of vibrancy and gloom does what all great rock should--lift the spirits. [Oct 2014, p.107]- Q Magazine
Posted Aug 29, 2014 -
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All the things he once did well, he's still doing here. [Oct 2011, p.112]- Q Magazine
Posted Sep 21, 2011 -
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The airier sound allows room for some soaring melodies, which find their ideal melodies, which find their ideal centrepiece in Michael Vidal's dolorous croon. [Oct 2010, p.103]- Q Magazine
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Imagine a hillbilly White Stripes and you're almost there. [Oct 2014, p.119]- Q Magazine
Posted Aug 29, 2014 -
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Classic soul opener Bet Ain't Worth The Hand sounds like the Philly soul of The Delfonics, but it's not long before we're into more up-to-date sonic shapes witht he dislocated beats of Lions. [Jun 2018, p.109]- Q Magazine
Posted May 2, 2018 -
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These succinct, sparse vignettes could double as short stories, Darnielle's evocative imagery giving the likes of 'San Bernardino' a cinematic feel. [Mar 2008, p.108]- Q Magazine
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No moment of Discovery is left unfilled with an idea, a sonic joke, a spark of brilliance.... a towering, persuasive tour de force which ultimately transcends the dance label.- Q Magazine
- Read full review
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- Critic Score
As a functional piece of music, it's fitness-for-purpose isn't in question,. But as a stand-alone album, the satisfaction it can offer, perhaps, is. [Dec 2014, p.119]- Q Magazine
Posted Nov 13, 2014 -
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The 11 tracks on Citizen Zombie find these progenitors of the "Bristol sound" in satisfying rude health. [Apr 2015, p.108]- Q Magazine
Posted Feb 25, 2015 -
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Posted Dec 14, 2011 -
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If the squelching synths of 'The Original Thought' irritate, the jauntiness elsewhere suggests he's thriving on a lack of commercial pressure. [May 2009, p.119]- Q Magazine
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By the half-hour's end you might well consider strangling the singer but, by that time, these tunes will have launched their own potent psychological counterblast. [Apr 2003, p.109]- Q Magazine
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Far from rehashing her debut, she's made an older and wiser sequel, where the quiet magic of each song gets stronger with every listen. [Mar 2003, p.101]- Q Magazine
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In a genre considered creatively bankrupt, this is genuinely new metal. [Jul 2003, p.102]- Q Magazine
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Amid such moments of clarity, however, there's the kind of meandering you originally expected from such an arty bunch. [Nov 2003, p.105]- Q Magazine
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The only flaw is the former soldier's gravelly drill-sergeant bark. It packs a visceral punch in small doses, but an unadulterated hour of it is like being violently bullied by Busta Rhymes.- Q Magazine
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Warped and touching, this is an LP for both higher and lower selves. [Oct 2018, p.119]- Q Magazine
Posted Sep 5, 2018 -
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Challengers, their fourth album, sees the band and its three main songwriters at the top of their game. [Sep 2007, p.99]- Q Magazine
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It seemed as if they'd perfected the balance of 2002's glowing "Neon Golden," but here manage to continue the evolution. [July 2008, p.108]- Q Magazine
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Posted Sep 22, 2017 -
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There's a curious romance at play throughout their debut album. [Jul 2013, p.112]- Q Magazine
Posted Jun 17, 2013 -
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Saloon-bar rockers such as Split Decision sound tired and hackneyed alongside a beautifully downbeat cover of Dylan's Standing in the Doorway... the peaceful life suits her. [May 2012, p.105]- Q Magazine
Posted Apr 25, 2012 -
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Make-Believe is a record you're more likely to respectfully admire than fall hopelessly in love with. [Jun 2012, p.110]- Q Magazine
Posted Jun 21, 2012 -
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[Mann has] returned to writing songs which are wry, funny, adult and perceptive, all wrapped up in handsome melodies. [Oct 2002, p.112]- Q Magazine
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It's The Black Keys, Florence Welch and Julian Casablancas who walk the line between homage and reinvention most deftly. [Sep 2011, p.114]- Q Magazine
Posted Aug 22, 2011