Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 75 Metascore
    • 80 Critic Score
    They do lean away somewhat from the buzzsaw pop-punk which made them favourites of Kurt Cobain, and toward streamlined '70s FM rock, as well as new wave power pop in the vein of The Only Ones and The Flamin' Groovies, with a few interludes of Byrds/Big Star jangle. But don't be fooled by such mellow moments. [Jun 2016, p.116]
    • Q Magazine
    • 75 Metascore
    • 80 Critic Score
    An album that yields more with each listen. [Nov 2016, p.111]
    • Q Magazine
    • 75 Metascore
    • 80 Critic Score
    As singularly off-kilter as the time-travelling she seemingly blew in on us. [Mar 2020, p.114]
    • Q Magazine
    • 75 Metascore
    • 80 Critic Score
    Rome has a fascination all of its own. [Jun 2011, p.121]
    • Q Magazine
    • 75 Metascore
    • 80 Critic Score
    It's the explosion in Diamandis's songwriting that's most noticeable here. [May 2015, p.107]
    • Q Magazine
    • 75 Metascore
    • 60 Critic Score
    Admirably fresh, but perhaps too long. [December 2002, p.97]
    • Q Magazine
    • 75 Metascore
    • 80 Critic Score
    They even give Madonna's I Deserve It a new level of dignity. [Jan 2004, p.118]
    • Q Magazine
    • 75 Metascore
    • 50 Critic Score
    For the most part, he keeps it all on the ingenious side of ridiculous. [Aug 2004, p.121]
    • Q Magazine
    • 75 Metascore
    • 60 Critic Score
    This is The Cure sounding a lot like The Cure. Never a bad thing, just a familiar one. [Aug 2004, p.107]
    • Q Magazine
    • 75 Metascore
    • 80 Critic Score
    This is a band consolidating their talents rather than simply showcasing them. [Aug 2003, p.108]
    • Q Magazine
    • 75 Metascore
    • 60 Critic Score
    Lovable, albeit irritatingly so.
    • 75 Metascore
    • 80 Critic Score
    Some of the sharpest beats and catchiest tunes ever to grace a dance LP. [Jun 2003, p.93]
    • Q Magazine
    • 75 Metascore
    • 80 Critic Score
    Way more inventive than the garage-blues hordes. [Sep 2003, p.111]
    • Q Magazine
    • 75 Metascore
    • 80 Critic Score
    The bravery in hanging out such soiled laundry can't go unnoticed, and it's the album's greatest asset. ... The fact it's wrapped in such a lush indie-pop package only makes it more infatuating. [Apr 2018, p.106]
    • Q Magazine
    • 75 Metascore
    • 80 Critic Score
    They manage to be thrilling and unsettling throughout. [Jan 2016, p.112]
    • Q Magazine
    • 75 Metascore
    • 80 Critic Score
    It's their best album in nearly 20 years. [Aug 2016, p.112]
    • Q Magazine
    • 75 Metascore
    • 60 Critic Score
    This raw, unsettling album's backstory, rendered through protesting guitars, is what gives it its defiant edge. [Nov 2013, p.102]
    • Q Magazine
    • 75 Metascore
    • 60 Critic Score
    III
    While there's nothing on here that feels quite as urgent as Nichijyou, last year's track recorded with Jehnny Beth from Savages, it's still a beguiling collection of songs. [Jul 2014, p.103]
    • Q Magazine
    • 75 Metascore
    • 80 Critic Score
    Big Music's bold title matches the bold music within. [Dec 2014, p.118]
    • Q Magazine
    • 75 Metascore
    • 80 Critic Score
    A record that pulls you in slowly over repeated listens. [Summer 2020, p.103]
    • Q Magazine
    • 75 Metascore
    • 80 Critic Score
    The truth is that Youngblood writes terrific, instantly memorable pop songs, their fashionable new-wave cool rubbing against an urgent, almost disco undertow. [Aug 2008, p.141]
    • Q Magazine
    • 75 Metascore
    • 60 Critic Score
    Their debut, recorded in frontman's Ed Macfarlane's parents' garage, is a tuneful affair. [Oct 2008, p.142]
    • Q Magazine
    • 75 Metascore
    • 80 Critic Score
    As ambitious an album as you will hear from a young British group and they mostly pull it off. [Mar 2016, p.104]
    • Q Magazine
    • 75 Metascore
    • 80 Critic Score
    There's something magical about the rapturous jumble of C86-esque indie, WOMAD rhythms and cooing dual vocals from Alister Wright and Heidi Lenffer. [Jun 2011, p.110]
    • Q Magazine
    • 75 Metascore
    • 60 Critic Score
    Issues of assimilation aside, [sounding similar to Spoon] the songs are excellent. [May 2012, p.109]
    • Q Magazine
    • 75 Metascore
    • 80 Critic Score
    Each song is like a little journal entry, lent emotional heft by Ashworth's use of repetition. [Apr 2019, p.114]
    • Q Magazine
    • 75 Metascore
    • 40 Critic Score
    More quality control wouldn't have gone amiss. [Jul 2012, p.104]
    • Q Magazine
    • 75 Metascore
    • 80 Critic Score
    It's neither deep nor meaningful, but Broken Boy Soldiers succeeds in sounding like four guys having fun making music; albeit music that's as elegant as it is raucous. [Jun 2006, p.108]
    • Q Magazine
    • 75 Metascore
    • 60 Critic Score
    Though the younger Dylan hasn't the gravitas of those old masters, his best songs such as 'Will It Grow,' have an easy downbeat charm. [Aug 2008, p.135]
    • Q Magazine
    • 75 Metascore
    • 80 Critic Score
    Everett comes on here like a less grizzled Tom Waits with a side order of Kurt Weill. [Apr 2006, p.113]
    • Q Magazine