Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 79 Metascore
    • 80 Critic Score
    Redoubled his grime values: scene loyalty via scathing wit and wildly entertaining chutzpah. [Aug 2020, p.104]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    The most intimate record of the year, and one of the warmest. [Oct 2003, p.113]
    • Q Magazine
    • 79 Metascore
    • 80 Critic Score
    For the first time in their 19-year career, Pearl Jam actually sound--whisper it--fun. [Oct 2009, p.119]
    • Q Magazine
    • 70 Metascore
    • 80 Critic Score
    There is one glaring drawback: so taboo-shredding are her lyrics, and so brutal her music, that she probably won't achieve the clout to which she obviously aspires. [Oct 2003, p.99]
    • Q Magazine
    • 79 Metascore
    • 80 Critic Score
    A mix of '70s art-rock, hipster funk and sleek DeLorean pop. ... Shuman's loss is our gain. [Sep 2019, p.112]
    • Q Magazine
    • 84 Metascore
    • 80 Critic Score
    Satisfying in every way that Aphex Twin's Drukqs wasn't. [Apr 2002, p.110]
    • Q Magazine
    • 80 Metascore
    • 80 Critic Score
    There's no doubt Chasny and his cohorts know all about dynamic underpinning, making Ascent a trip worth taking. [Sep 2012, p.111]
    • Q Magazine
    • 69 Metascore
    • 80 Critic Score
    It's the renewed sense of urgency and bubblegum appeal--see Live 'Til I Die--which ensures that Prof Hawkins's musical multiverse is still a thrilling place. [Dec 2019, p.109]
    • Q Magazine
    • 52 Metascore
    • 80 Critic Score
    A collection of irresistible pop-rock anthems. [Nov 2005, p.125]
    • Q Magazine
    • 71 Metascore
    • 80 Critic Score
    Long-term aficionados will enjoy the sinuous throb of King Of Bones, while those thinking of rejoining the party, the expansive voodoo rattle of Haunt shows the band's mastery of (bad) mood has only matured with age. [Feb 2018, p.108]
    • Q Magazine
    • 72 Metascore
    • 80 Critic Score
    The Result is a monochrome masterclass where khol-eyed '60s pop and British Invasion riffs are given emotional depth. [Sept. 2010, p. 117]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    The songs this time have a depth and a warm maturity, a Neil Young sensibility coupled with a soul-singer sensuality and a distinct pop edge. [Feb 2016, p.113]
    • Q Magazine
    • 70 Metascore
    • 80 Critic Score
    Full of irresistible choruses and quirky surprises, it's the sound of a band fully deserving of star billing. [Sep 2007, p.90]
    • Q Magazine
    • 80 Metascore
    • 80 Critic Score
    It's the vocals which gives this debut its distinctive flavour. [May 2018, p.107]
    • Q Magazine
    • 86 Metascore
    • 80 Critic Score
    This is a winner from start to finish. [May 2018, p.111]
    • Q Magazine
    • 77 Metascore
    • 80 Critic Score
    All the evidence anyone needs that the 50-something Weller is in the midst of a supersonic prime. [Mar 2012, p. 98]
    • Q Magazine
    • 87 Metascore
    • 80 Critic Score
    It's undoubtedly a sad voice she presents on Reward, but one that is unlike anyone else's. [Jul 2019, p.107]
    • Q Magazine
    • 61 Metascore
    • 80 Critic Score
    It all ads up to an unlikely, if not unlovable nostalgia trip to a less fraught time. [Sep 2019, p.112]
    • Q Magazine
    • 75 Metascore
    • 80 Critic Score
    Air thrive on existing at an otherworldly tangent and their cosmic bent is never far away here. [Feb 2004, p.99]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    Super Furry Animal ditches band and experimentation for the simple life. [March 2011, p. 114]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    Vol. 2 proves the equivalent of its parent release.
    • 70 Metascore
    • 80 Critic Score
    Georgia electro-popper emerges as the first star of "chillwave". [Aug. 2011, p. 122]
    • Q Magazine
    • 76 Metascore
    • 80 Critic Score
    His best record in more than a decade. [Dec 2017, p.104]
    • Q Magazine
    • 73 Metascore
    • 80 Critic Score
    The meticulous arranged synths, crackling guitars and electronic glitches ensure the attention never wavers. [Feb 2016, p.114]
    • Q Magazine
    • 58 Metascore
    • 80 Critic Score
    Their boldest and best album for years. [Jan 2012, p.124]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    Extremely inventive, a litttle uptight and slightly high on their own cleverness, Vampire Weekend are the musical equivalent of a Wes Anderson movie. [Mar 2008, p.109]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    It's arty and possibly proggy, but the warmth of Duncan Wallis's voice never lets it get distant. [Feb 2013, p.103]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    Parquet Courts have delivered a fifth full-length album that ticks every box on the application form [for an uber-cool New York band of the Velvet Underground/Sonic Youth lineage]. [May 2016, p.114]
    • Q Magazine
    • 83 Metascore
    • 80 Critic Score
    This third effort sees the band step into darker territory, blending detuned guitars and Sonic Youth-esque dissonance with infectious pop-punk hooks. [Mar 2012, p. 100]
    • Q Magazine
    • 76 Metascore
    • 80 Critic Score
    Rogers remains her forcefully idiosyncratic self throughout, endlessly impressive in her ability to draw on electro-pop history yet not be beholden to its past. [Summer 201, p.115]
    • Q Magazine