Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.8 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 80 Metascore
    • 80 Critic Score
    An effortless marriage of modern dream-pop loops and classical 70s guitar lines, it entertains notions of Thin Lizzy and Steely Dan, while producer Chris Coady lends the whole a steadfastly modern feel. [Jun 2011, p.120]
    • Q Magazine
    • 83 Metascore
    • 80 Critic Score
    His most poignant and accessible work to date. [Feb 2003, p.96]
    • Q Magazine
    • 79 Metascore
    • 80 Critic Score
    His fourth LP proves his strongest to date, a mesmerising meditation on uncertainty and unease, which bridges the gaps between urban poetry, post-rock and brooding electronica. [Sep 2017, p.117]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    Another gem. [Jun 2012, p.104]
    • Q Magazine
    • 84 Metascore
    • 80 Critic Score
    A powerful and almost gleeful celebration of the horrors of the world. [May 2002, p.114]
    • Q Magazine
    • 90 Metascore
    • 80 Critic Score
    That they've been forgotten for 30 years seems almost a crime, because they've got just about everything real soul music needs. [Feb 2004, p.118]
    • Q Magazine
    • 76 Metascore
    • 80 Critic Score
    A collection of B-sides, Peel Sessions, alternative takes and unreleased tracks which reveal that the Californians were undergoing a spell of prolific creativity bordering on incontinence. [Sep 2015, p.121]
    • Q Magazine
    • 67 Metascore
    • 80 Critic Score
    For the most part Hot Cakes leaves you with the sense that The Darkness' reinvigoration will delight those longing for rock to rediscover the fun button. [Sep 2012, p.106]
    • Q Magazine
    • 79 Metascore
    • 80 Critic Score
    His songs draw on his folk-rock roots, only to detour down mysterious and memerising byways. [Jan 2017, p.111]
    • Q Magazine
    • 72 Metascore
    • 80 Critic Score
    Texan sluggers The Sword shoulder-barge the deadly "hipster rock" sobriquet out of the way with a patchouli-splattered update of Black Sabbath's noise. [Sept. 2010, p. 113]
    • Q Magazine
    • 84 Metascore
    • 80 Critic Score
    There is no waste here. [Sep 2007, p.96]
    • Q Magazine
    • 71 Metascore
    • 80 Critic Score
    The sound is at once distinctively British and uniquely African, encompassing vivid live field recordings and heavily processed electronica. [Dec. 2001 p. 126]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    The Texan singer and guitarist's fifth album feels like a one-man exploration of African-American music. .. The blues is in safe hands. [Apr 2019, p.110]
    • Q Magazine
    • 84 Metascore
    • 80 Critic Score
    Soft soul, gibbering jazz fusion and the cyber-futurism of overseer Flying Lotus still works a collective shock. [Jun 2020, p.96]
    • Q Magazine
    • 75 Metascore
    • 80 Critic Score
    This is the sound of someone surveying a world turning to ashes. In other words, anyone looking for upbeat club songs to soundtrack adverts may be disappointed. [May 2018, p.111]
    • Q Magazine
    • 80 Metascore
    • 80 Critic Score
    Gloomy and wonderful. [Apr 2013, p.105]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    In its own flawed, modest, off-kilter way, this might turn out to be one of the most accomplished records of the year. [May 2015, p.98]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    Assured and dignified. [May 2002, p.119]
    • Q Magazine
    • 76 Metascore
    • 80 Critic Score
    III
    Although III doesn't offer anything to rival [2014's Beggin For Thread] in songwriting stakes, it does manage to mine thrills from an adventurous production. [Aug 2019, p.108]
    • Q Magazine
    • 50 Metascore
    • 80 Critic Score
    The result glitters like diamond.
    • 78 Metascore
    • 80 Critic Score
    In a word, charming. [Feb 2011, p.123]
    • Q Magazine
    • 87 Metascore
    • 80 Critic Score
    Vlautin's literary side is very much evident, with the lyrics of these 11 songs effectively vivid short stories populated by bruised characters. [May 2014, p.108]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    An innovative and pretty irresistible record. [Oct 2015, p.101]
    • Q Magazine
    • 80 Metascore
    • 80 Critic Score
    Smith's greatest talent lies in his surreal, witty wordplay and avuncular tone, and the way they combine to make what could be the usual rap anger sound both intimate and strangely uplifting. [Feb 2005, p.95]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    This is graceful and elliptical songwriting. [Mar 2015, p.109]
    • Q Magazine
    • 77 Metascore
    • 80 Critic Score
    Stunning. [Mar 2012, p. 96]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    They've simply honed their sound to an aggressively melodic point. [May 2015, p.104]
    • Q Magazine
    • 71 Metascore
    • 80 Critic Score
    Funny Girl is so good it makes you think a parallel career as huge stars ought to be in the offing. [May 2012, p.103]
    • Q Magazine
    • 77 Metascore
    • 80 Critic Score
    As ever, it's wildly inventive. [Jul 2017, p.108]
    • Q Magazine
    • 85 Metascore
    • 80 Critic Score
    As a whole, The Harrow and the Harvest maintains a singular mood and sense of atmosphere -- its terrain, musically and emotionally, is stark and bleak but beautiful. [Aug. 2011, p. 118]
    • Q Magazine