Dawn of Ragnarok does enough to satisfy by the time that the credits roll, but if you're burnt out on Assassin's Creed Valhalla, there isn't much here that'll reignite your interest. The mythological angle is well played, the fantastical setting is cool, and Odin makes for an intriguing lead, but after a year of DLC and updates, Valhalla's gameplay loop is wearing a bit thin.

What the game ultimately delivers is a charming, unique debut title from a studio we’re certainly interested to see more of.

Simple but tight, Shadow Warrior 3 is a solid shooter with some occasional flashes of excitement. It's a shame the game's attempts at comedy squeeze the life out of it — and £40 for an eight-hour campaign is barely good value.

Fighting game fans can't really go wrong with King of Fighters XV — a sequel that doesn't shy away from the technical depth of its predecessors. It's obviously still early days, but it feels like SNK has improved upon King of Fighters XIV in all of the ways that matter. Better visuals, expanded mechanics, and, perhaps most importantly, smooth online netcode make for fighter that's hard to fault — even if it's lacking the cutting edge of its peers.

Though seemingly set in the same universe, this game tells its own tale. A small group of islands is protected by maidens, in charge of one island each. You play as a man set on sailing the seas, but his mute companion Laty is destined to be the maiden of his home island. Unable to take up her duties, the pair set off to explore the archipelago, seeking help from other maidens so she can fulfil her role.

Gran Turismo 7 is a game for everyone: the racing enthusiasts, the novices, and anyone in between. It celebrates car culture and history within the confines of a driving experience, explaining how the automobiles you race past the chequered flag fit into the wider world. There's never been a game quite like it before: Gran Turismo 7 means more than just racing. It's something that matters; something that warrants appreciation and respect just as much as it hands it out itself.

Elden Ring is the definitive FromSoftware game. With a refined combat system packing new ideas and an open world perfect for exploration, it sets a new benchmark for titles of this ilk to strive for. This is the Japanese developer firing on all cylinders — far and away its best creation yet. Elden Ring is an utterly essential PS5 title.

Despite its shortcomings as an entry point for new players, there's a lot packed into The Witch Queen worth appreciating – we haven't even mentioned the new Glaive weapon type that combines melee with long-range attacks, the hugely enjoyable new Lost Sectors, or the overhaul to the Void subclass, bringing it more in line with Beyond Light's Stasis. This pushes the number of viable types to "two", which isn't great, but Arc and Solar should be getting a similar upgrade in the (hopefully) near future. Seasonal content will continue to deliver story as 2022 wears on, but obviously the quality of it cannot be judged yet – the expansion isn't even complete at the time of typing, what with the new Raid yet to drop. Still, this is Destiny 2 at its very best and a pleasingly vital expansion to what remains a superb game.

FAR: Changing Tides is largely more of the same. With how good the first title is, that’s not a bad thing, but it leaves a little something to be desired. Great sound design and music, as well as incredible environmental art, don’t quite balance out the pacing issues, hard as they try. Your new vessel has more components to juggle than last time, and it’s mechanically satisfying, but you spend too much time doing it. While traveling underwater does add a new gameplay component to account for, the puzzles don’t offer enough of a challenge. All that said, Changing Tides is still worth your time.

GRID Legends is a solid new entry in Codemasters’ racing franchise. It features the same excellent gameplay you’ve come to expect from the developer, with some nice adaptive trigger implementation in the PS5’s DualSense. The game’s main draw — the Story Mode — falls short of providing a compelling narrative, ultimately amounting to a mere distracting backdrop to the true star of the show: the races. Visuals look nice, but perhaps not nice enough for the PS5, and the music is overall a bit repetitive and unnecessary. All in all though, GRID Legends is worth a look, but time will tell if it manages to hold its own against the competition.

There is, however, one saving grace: the writing is exceptional. Sam and Max’s bevy of pop culture references and dark jokes are a near constant presence, and most lines hit their mark. The script is sharp and remarkably funny. Even with the frustrations of the game’s technical shortcomings, we couldn’t help but laugh at many of the quips, getting a good hearty chuckle at least a dozen times across the three hour adventure. The characters and the insane world they exist in stand the test of time, and it’s a lone bright spot in an otherwise frustrating endeavour.

While certainly an accomplished piece of storytelling, Martha Is Dead's gameplay is such blatant artifice that it does the narrative a disservice to partake in it. That sounds extremely damning, but there's a lot here to like: the languid pace and detailed nature of the photography sequences are a standout, the graphics are often impressive, and the sheer bloody chutzpah of the whole thing is appealing in a grand guignol sort of way. The game can be shocking in what it shows you, but it doesn't feel exploitative. Horror should be horrific, and Martha Is Dead is certainly that. Unfortunately, perhaps not always in the way it was intended to be.

Atelier Sophie 2 massively improves upon everything from the original game. It has a much more interesting story, plenty of heart-felt character interactions, and a ton of different side activities to keep you busy. Becoming a master alchemist and exploring this vibrant dream world is a fantastic way to celebrate 25 years of Atelier titles.

Cyberpunk 2077 on PS5 is the game that PlayStation fans should have been playing in 2020. While it still falls short when measured against the immense expectations that surrounded its release, everything that Cyberpunk gets right is so much easier to enjoy when the game isn't crippled by technical issues. The main story's a thrill ride, the combat's a blast, and Night City is an incredible open world setting. And the best part is that CD Projekt Red finally has a stable foundation to build upon. It took 14 months to get here, but the future of Cyberpunk 2077 actually holds a lot of promise.

There's an interesting story here and the horror-JRPG vibe is much appreciated, but whatever enjoyment they could bring you is utterly annihilated by the outrageous, egregious amount of grinding you'll need to do to see the game through. Monark is gaming reduced to a thick, treacly sludge to wade through, no cutscene or story beat or reward ever feeling like it was worth the struggle. Just play Shin Megami Tensei while listening to Nine Inch Nails and you'll have a better time.

Dynasty Warriors 9: Empires is a definite improvement on its predecessor — but that's not saying much. The return of set maps and straightforward objectives is welcome, and in typical Empires fashion, there's so much potential for interesting player-driven storylines. There is an addictive hack-and-slash loop at work here, and it's tempered by some decent tactical tweaks. But to fully enjoy it, you've got to wade through a mire of shockingly ugly visuals and boring map design.

Overall, Horizon Forbidden West is a huge improvement on its predecessor. The map is diverse and full of stunning sights; characters and conversations are so much better; and the already great gameplay is enhanced with new weapons, more options, and better melee. The story doesn't have quite the same element of surprise as the first game, but it still builds upon things with some daring twists of its own. Any minor quibbles we have melt away when the game's firing on all cylinders. It's a gorgeous, wildly fun action RPG, and there's nothing else quite like it.

It definitely feels like developer Midgar Studio should have reduced the scope of both the story and some of the gameplay systems, because this may have allowed it to add more polish to the areas that work well. It’s a shame, as the game does have plenty of potential, but it’s a little bit too rough around the edges to fully enjoy.

Sifu doesn't pull any punches. It's a consistently challenging and demanding beat-'em-up, but persistence pays off. You'll be hard pressed to find a more rewarding game on PlayStation — especially one that's so visually striking and polished. Some quibbles with combat mechanics aside, Sifu is a knockout.

Maglam Lord's got heart, but it's encased behind some disappointingly shoddy design.

OlliOlli World is a huge leap forwards for Roll7's skating series. Lovely new presentation, a fun location filled with personality, and that all-important, ever-addictive gameplay align to make for a super fun take on the sport. While it's been made more approachable to new players, it still offers quite a stern challenge, and not all the dialogue and characters nail it. However, any nit picks easily melt away when it all clicks. Heaven really might be a halfpipe, after all.

Dying Light 2 is a super solid follow-up to the 2015 original, building upon its fantastic gameplay loop with new traversal options for even more parkour fun. It's extremely disappointing, however, that the narrative and open world promises Techland made in the lead up to launch haven't been realised. Your choices don't have nearly as much impact as we would like, and the map is much more rigid than pre-release footage would have you believe. Still, Dying Light 2 feels awesome and empowering to play, and that can go a long way.

A brilliant first effort from Original Fire Games, then, and a racing game rather unlike anything else out there on the virtual shelves. This intoxicating, content-rich, and yet fascinatingly accessible racer is liable to get its hooks into gamers looking for something a little less knockabout. You may struggle to get the hang of things at first but we promise this little journey through racing history gives as good as it gets.

Uncharted: Legacy of Thieves Collection bundles together two of the PS4's greatest games. Both Uncharted 4 and The Lost Legacy remain brilliantly crafted thrill rides, and their blend of cinematic action is still best-in-class. Throw in improved performance on PS5, and you've got a remarkably high quality package that's incredibly easy to recommend. If it's been a few years since you played either of these titles, the upgrade is probably worth the £10 / $10 asking price. If you're brand new, you're in for a treat — but you might want to start with Uncharted: The Nathan Drake Collection.

There are huge stretches in between these fights that will leave you wanting for something other than walking to the right. This is somewhat remedied by the “shred” button, where you can play your guitar as you walk everywhere, but fun as that may be, it’s ultimately not a sufficient replacement for proper gameplay. The adventure does ultimately end up being a worthwhile one, with interesting characters, an incredible art style, and great music. But if there were more to the gameplay, the game – and its world – could have offered so much more.

Rainbow Six: Extraction's core gameplay is decent, and its level variety is great, but the game definitely has some blind spots. While a zombie title focused on stealth and tactics makes for an interesting experience, anytime the game strays from that, it’s less successful. It draws extra attention to weak spots, like unimpressive AI and an obnoxious RNG progression system. Go in with a couple of friends, though, and you will get some fun out of this. All the levels are visually distinct and interesting to look at, and three squad members stealthing their way through a field of enemies can be immensely rewarding. It’s just unlikely to hold your attention in the long term.

Windjammers 2 is an almost perfect revival of a classic 90s franchise. The sequel strikes an immaculate balance between new and old ideas, and presents the classic sports gameplay so vibrantly that it’s hard not to be captivated by it all. There could, admittedly, be more meat on its bones – but it’s online, with the gameplay’s high skill ceiling, where the longevity will be found. We still want to spend a little more time testing this component, but our early impressions of the rollback netcode are positive to say the least.

If you yearn for the days of, say, Camelot’s Mario Golf on the Game Boy Color, then the fusion of sports and statistics may hold your attention here. But it’s best enjoyed in short bursts, as the tedium sets in quick, and will take a slice at your interest.