Golem is a game had a shot at being good if it launched alongside the PSVR. Fast-forward a couple years and impressive virtual reality titles are fairly common. This, depressingly, is not one of those. By the time we took the headset off, we were left with not just a feeling of disappointment, but also one of anger. Anger at the promise it once held. Anger that, despite its flaws, it did some things really well. Anger that it simply wasn’t good.

Help Will Come Tomorrow feels unwieldy and at odds with its approachable resource gathering mechanics. It's setting may convince some into a purchase, but for those after a new take on the genre, this experience fails to satisfy.

There's a decent game buried somewhere beneath the muck, but scrubbing it off will take monster-like determination.

If you simply can't resist the urge to use the Force against piggy Storm Troopers, then put that wallet away and buy the mobile version.

The Voice may have the advantage of branding and licensing, but in terms of gameplay it hits a bum note. The song selection is quite good and has quite a bit of variation, but the fact that only two players can sing simultaneously really detracts from the concept of it being a party game, and the Show mode feels no different to any other karaoke game option.

What you end up with is a sci-fi exploration title that is, ultimately, dull. There's barely anything going on in Morphite. Once you’ve beaten the story and upgraded your equipment, there’s very little reason to go back to previous locations, and new ones are too similar to offer any meaningful extended play. Myrah’s adventure may pique the interest of genre die-hards, but the limited scope of the game makes it difficult to recommend.

Fairly decent handling isn't nearly enough to save Nickelodeon Kart Racers. Even if you ignore the squandered potential of a game featuring the network's biggest cartoon stars, this is a shallow racing game that underwhelms at every turn. Tracks have some nice details but aren't particularly imaginative, the presentation largely falls flat, and the whole thing feels undercooked. If you're a die-hard fan, it might be worth a look, but it's hard to recommend this to anyone else.

Slain: Back from Hell has one of the very best pairings of stunning visuals and amazing audio that you'll find on the PS4. Unfortunately, it's let down by a dull combat system and a horribly unfair level of difficulty, meaning that the game never picks up the momentum that it should. Wolf Brew Games had an awesome idea here with stacks of potential, but the complete package is hell to play through.

Downward Spiral: Horus Station neither succeeds nor fails in any spectacular fashion, and as such, it just sort of exists. This is a boring experience that doesn’t do anything truly unforgivable, but is also unsuccessful in offering anything worthy of talking about. Downward Spiral: Horus Station is a thing, but you really don’t need to experience it.

Rubbing shoulders with its cruddy combat and occasionally criminal controls is a release with a strong sense of humour and some razor-sharp writing. It's just a shame that this escapade fails to ever elevate itself beyond the properties that its parodying, serving up a sloppy first-person shooter that should have been so much more.

Stepping into the TARDIS is a cool moment, and there are lots of references and encounters that fans will love throughout the short runtime. Unfortunately, that's about as much substance as you'll find. The puzzles themselves are pretty easy, and the environments you find yourself in are underwhelming. Long load times break the flow between each location, movement is slow, and it's not very engaging to play at all. If you're a real Doctor Who aficionado, you may find some enjoyment here, but otherwise, this is a waste of your precious time.

The game’s dedication to conveying noteworthy and interesting information about Zodiac is commendable, though if you read every single thing you find, you’ll easily spend more than half of your playthrough just reading collectibles. Far too much information is isolated to the semi-functional menus, which in many cases don’t scroll properly or don’t bring up the correct information. Functionality in general is an issue, and it interferes with some of the game’s best features. The dream environments have a fantastic mood to them, between lots of fog, and low, rumbling musical cues. But the filters have a tendency to break, and the only discernible way to fix it is to fumble into walls until Zodiac catches you and you restart. And that’s to say nothing of the insane amount of screen-tearing that happens on nearly every texture for every frame, which the developer promises will be getting a fix in the near future. Ultimately the game feels like the first draft of a really great idea. Add some polish, and we’d love to see what it could become.

Blind is a wildly uneven, generally disappointing trip into virtual reality. Its main sticking point, echolocation, shines when used to its fullest, but more often than not, it doesn’t get put to any real use. In between each of the game’s good puzzles, you’ll encounter large stretches of walking, and probably a smattering of technical problems as well. But hey, at least it won’t take too much of your time. The ending impression with Blind that we were left with was largely one of disappointment. We hoped for, and expected, more.

The Little Acre is an adorable point and click adventure that sadly trips up in some fundamental areas. The story leaves a lot to be desired and the easy puzzles won't pose much of a challenge to most. Genre aficionados might want to give it a try, and it's a decent family friendly title, but we can't recommend it to anyone else. The lovely art and animations aren't enough to gloss over the issues, and we're left with a game that has acres of room for improvement.

If you have to give Sumioni: Demon Arts something, it’s that it’s a beautifully flawed game. The bold art direction makes way for occasionally uninspiring backdrops, repetitive gameplay, and irritating music. The nonsensical story provides characters you don’t care about and a world you must save that you know nothing of. The developers clearly thought that the art style and touch screen controls were enough to make up for the issues, but they're not. This is a let down on nearly every level.

Considering that EA Sports took an extra year to craft NHL 15, the wealth of missing features here is inexcusable.

It’s the repetitiveness that really hurts Tiny Troopers: Joint Ops – there’s just not a lot else to see beyond the first few missions.

Criminal Girls: Invite Only is a niche title at best, and it'll appear strange to any outsiders looking in. Despite that, the content isn't overly offensive in context, and it's handled about as well as you could expect.

Nippon Marathon is a curious multiplayer game that unfortunately falls prey to its own over the top nature. Some might enjoy the off-piste humour and Japanese influences, but it sadly limits the game's appeal, and at the end of the day, the presentation leaves a lot to be desired. The frantic gameplay feels too clumsy and disjointed to remain fun for very long. The janky nature of the game is part of the joke, but the joke isn't particularly funny in this case, and others have told it much better than this.

Mafia II: Definitive Edition could have been a welcome distraction during the quieter summer months, but in its current state, it must be avoided at all costs. While its narrative and writing may still hold up 10 years later, the long, long list of technical flaws and glitches overshadows its few accomplishments. And that's all it deserves because this is the worst remaster of the PS4 generation.

A prime example of a below par dungeon crawling RPG. Kinda fun in parts, if not a bit basic and simple, the title has nothing that offers a real challenge and nothing that demands your attention. While the game starts off well enough, very little is added throughout to hold your interest, and it's a struggle to remain enthused about the lacklustre plot and the title's repetitive nature.

Just Deal With It is another disappointing addition to the PlayLink library. The online functionality will certainly be a selling point for some, but as a couch party game it fails to add any major draws that separate it from physical card games. It may do what it says on the tin, but that's about it.

Whichever release in the series you compare it to, Batman: Arkham Origins Blackgate – Deluxe Edition will always come off worst.

If you really boil it down, Late Shift is a movie with a plot that you can alter. Sadly, that plot isn't very good. Gameplay is minimal, and where The Bunker struck a decent balance, the lack of interaction here only serves to make the experience more of a slog. This can only be described as a complete disappointment.

Corpse Party: Blood Drive is more scary in execution than anything. Veterans of the series may be happy to see the continuation of its plot, but the game offers little to bring in any new fans. Those looking for a good scare would be better pointed in another direction, as the promises of previous games are not lived up to in this new iteration of the series.

All-Star Fruit Racing is a relatively fun kart racer that has some good ideas, but it all goes a bit pear-shaped. Though it provides a decent amount of content both in single and multiplayer, the wavering performance, some iffy design choices, and a general lack of polish may spoil your appetite. If you're hungry for a simple kart racing experience on PS4, this may give you a bite of the cherry, but it'll sadly never be top banana.

Games like Project Root make you contemplate the futility of existence, and not in a good way like the philosophical musings of Postman Pat. It's not a bad game – not like Rambo or Ride to Hell: Retribution – it's just very, very boring. There needs to be a reason to play, and there's just nothing here to get excited about.

Harmonix Music VR somewhat justifies its existence. Having a drawing app available for PlayStation VR out of the gate is nice, but everything beyond that is kind of pointless. 'The Trip's' kaleidoscope visuals are great for a couple of songs, and it's a wonderful starting point for VR beginners, but the remaining two experiences are redundant and unappealing.