Guitarist/vocalist Pepper Keenan, guitarist Woody Weatherman, bassist Mike Dean and drummer Reed Mullin still have an undeniable chemistry, and No Cross No Crown is a satisfying return to form.

There is a true appreciation and savoring of sonic texture here.

Much like their most obvious influence Motorhead, High On Fire have found a formula that works for them and they largely stick to it.

While the rockers establish the theme, it’s the slow numbers that really drive the point home.

Joy as an Act of Resistance is a cohesive banner proving IDLES practice what they preach.

It is a welcome, surprising return to form.

I'll Be The Tornado is highly focused, driven and a record that never seems content

The Crystal Fairy debut self-titled LP certainly feels like it was made in a flash. The eleven tracks speed by, flipping from riff to riff, track to track. In fact, the whole album has such an impulsive energy, it almost feels like it was recorded in a single, continuous take... and that’s a good thing.

Ultimately, they’re doing retro-thrash with a modern feel, and they’re pretty damn good at it. If you like to bang your head, Power Trip should be on your radar.

It's not loud or in-your-face. It's not preachy. Their stance is subtle yet strong.

IV is a worthy return that shows the Bronx still have those chops.

Mandatory Fun is not necessarily among his must-have albums, but it's another solid addition that with satisfy any fan and win over some new kids through these big hit parodies and viral videos.

V sticks to Tiger Army's roots but wanders just far enough to stretch its arms.

A nice rebound from the fan service of its predecessor, showing that even this late in the game, Alkaline Trio can still write better songs than the vast majority of their contemporaries and take them to uncharted waters when it feels right.

They really proved that they're a conduit for great music and a band that's chomping at the bit to explore and vary their style.

At first glance, it may seem more controlled, pacified and constrained a sound, but if you know the band, they never make music with restraint and as the album plays out, Dreyer's experience becomes your own.

Scientist is an excellent showcase of everything that made Chrome great, and continues to make Chrome great.

Tere is a great deal of fun being had by all parties here. But, unlike, perhaps other works that reference classic styles, this is no send up or wry reference, but a sheer appreciation for the work of the weirdo masters of yesteryear... as performed by the weirdo masters of today.

A profound confidence is demonstrated throughout the record and the group makes the timeless argument that strong simplicity beats fancy fretwork- and it always does.

There are so many bangers here you'll find yourself wasting an hour or so in the best way possible.

Admittedly, it's a huge undertaking to listen through, especially for newbies, but much like Horseback's other releases, it's worth the effort.

Abandon All Life isn't a radical departure, but it is the most clever use of the band's tools to date.

It's pretty intimate and will be deeply appreciated (especially the outtakes) if you're a fan.

I think An Object battles Everything In Between for best No Age album, and while I think Object contains even more interesting musical elements, Everything had more hooks.

Standards is definitely a major step forward, and a fearless one at that.

It's boisterous punk with just enough melodic hardcore embedded to ensure that Single Mothers won't be on any Joyce Manor bills anytime soon.

Through A Wall dropped as a surprise and what I love most about it is it's so bold in that it goes right back to the sound of old after last year's Our Pleasure seemed to take a more catchy, melodic and dare I say, poppy route.

Fans will definitely find some songs on this album that are relatable and catchy. While some songs feel not as strong as others, the album still holds up for a front to back listen.