After my 12 plus hours of playtime with Okinawa Rush, I can confidently say that this is the best beat-em-up I’ve played in the past decade. With nine endings, a co-op campaign, a plethora of things to unlock, and a light touch of Dark Souls RPG elements, Okinawa Rush is one game that I can see both fans and non-fans of the genre sinking a good chunk of time into, if not for conventional reasons, then for the sheer variety and ambition on display here.

Wolfenstein: The New Order didn’t just surprise me. It shocked me. My expectations for this one were decidedly low but within the first hour, I was chastising myself for having doubted MachineGames.

There's this strange lack of weight to Kazuma's movement. It almost feels as if you're gliding around the pavement when exploring, and this sort of transfers into the combat, too. It just doesn't feel like a tight, finely honed mechanic, which brings the entire experience down a few notches.

If you don't mind playing a game with only your fingers, I suppose you could give Rock Band Unplugged a chance. But for a game with minimal downloadable content, no multiplayer, a playlist and World Tour experience that is largely identical to the console games, and little to no innovation...$40 is not quite the ticket I'd be willing to pay.

A Hat in Time is just plain fun. It reminded me of a mixture of Mario 64 and Spryo the Dragon. It’s humorous and charming. It has a bunch of really memorable characters and diverse worlds that are very distinct. The only downsides might be a short run time and some minor graphical issues but it was never enough to ruin my experience.

Without question, Ninja Gaiden 4 has amazing combat. Yakamo journey will send you head first like a blood-soaked death tornado. Those seeking old school gory action will love it, and its challenge will satisfy long time fans of the series. If you can turn your brain off and enjoy its forgettable story, there is a fun game here. But its lacking in depth for those looking for the next great ninja revenge tale.

There's something innately wonderful about a game that lets you take a dirt bike onto a track and perform stunts, while simultaneously trying to win a race against an ATV, a monster truck, and a golf cart.

We were a touch disappointed the sound didn't impress as much as the graphics, and the solid strategy formula tends to flounder in identical environments, but that can't stop it from being extremely entertaining.

If you’re uninitiated with Gears of War, Reloaded is simply an unmissable epic that you should play pronto. For everyone else, the suite of technical improvements will allow you to experience Gears of War as it was meant to be, and what you get is a luxuriously gratifying third-person shooter that makes a 19 year-old game feel totally new again. Sure, being reminded about the original GOW over and over isn’t ideal, and there are still unsavory remnants of its former self, but if you love the series and always wanted to play it then it’s time to load it up if you’re new, and reload it if you’re a returning fan-either way, Reloaded‘s a must-play.

There's plenty of content, it's flashy and pleasing in so many ways, the presentation is singularly appealing, and the gameplay is rock solid. The load times are oddly slow and visibility can be a problem but for the most part, this is a highly enjoyable experience.

For only ten bucks, Cuboid is one of the best purchases you can make on the PlayStation Network, plain and simple.

It’s a technically impressive game that manages to capture most everything the series is known for.

Unless you're totally averse to 2-D graphics, you definitely need to add Street Fighter Alpha Anthology to your game library.

Multiplayer has always been Virtua Tennis' strongest aspect, but you'll be disappointed to know that VT3 only supports 4 players via Ad-Hoc/LAN, as opposed to infrastructure/online.

Until Dawn is a fun, gripping, immersive adventure that you’ll play on the very edge of your seat. It’s a little too short (even with the butterfly effect greatly enhancing the longevity), the story is only mildly impressive, and the camera doesn’t always cooperate. But spurred on by great performances, a disturbing atmosphere, a decision-making system that might be unparalleled in video games today, and a very personal approach to interaction, the game makes a strong case for a purchase.

The soundtrack is pretty good, as are the rest of the sound effects, but you probably already knew that.

The Unfinished Swan isn't exactly a masterpiece, but at least it aspires to mastery. There are few titles that take such obvious risks and attempt to give an increasingly mainstream population of gamers an inspired, original adventure.

Despite all of its time in development, Prototype feels hollow and uninspired. There are a number of great concepts here, such as the shapeshifting and being able to run vertically, but everything else falls apart when you realize how boring many of the missions are, how boring the world is, how boring the game looks, and...well, how boring the game is, overall.

A relatively lengthy, challenging, satisfying adventure that requires us to use our heads as well as our fingers.

Alien: Isolation desperately tries to give us something fearsome and memorable. But the inconsistent approach leads to periods of tedium thankfully interrupted by flashes of unmitigated terror. If you can revel in the highs and forge through the lows, you should emerge satisfied. If, on the other hand, you’re more sensitive to design, control and mechanical issues, you’ll be a bit harsher on the game.

It falls a little short when it comes to pacing, character development, the implementation of a detective/investigating gameplay mechanic, and the overall personality. But it excels – as most Atlus games typically do – in the battle department, as the combination of depth and accessibility is excellent.

Catherine is like nothing else but it doesn't succeed on originality alone. It features a spectacular puzzle concept, fast-paced and very rewarding gameplay, interesting characters and an effective story, and an atmosphere and style that's second-to-none.

Hob is definitely larger than the sum of its parts, which come together almost perfectly to create a truly singular adventure. Hob may not have the AAA budget and polish of the franchises it draws inspiration from, but it has lots of heart and something to say, which is impressive for a game without a single spoken word.

It can be immensely frustrating, the story is insane, and the Shift feature really does feel overused in the campaign. At the same time, the inherent diversity and versatility is excellent, the graphics are pretty and presents great detail, the soundtrack is awesome, and the control is reliable (if a little weird).

Trials Fusion can be addictive and wonderfully intoxicating at times. At other times, it will make you burn with a frustrated rage others might find frightening.

Fat Princess is both charming and amusing but it’s also nicely designed and capable of holding a player’s interest due to the diversity and variety found within.

The experience survives on intensity and shameless entertainment. Technically, it isn't exactly overwhelming, and there are other issues that pop up here and there. But with a large variety of attacks, a nice open world, and plenty of reason to experiment with your absurd abilities, you can really lose yourself in this dark, bloody, undeniably titillating world. Just don't expect much beneath the surface.

Western RPGs have come along way in recent years. And in a post-modern design world — one with Baulder’s Gate IIIand Expedition 33— I fear that Bethesda’s designs have gotten stale and bled into other studios. It feels basic at everything with subpar writing, a weird mission structure, and combat — while good, it isn’t anything new and different. Those looks for a by the numbers RPG with guns might still find the fun here, but it doesn’t really do anything to set itself apart from pack. It’s Borderlandswith a different skin and I expected more.