A great campaign and excellent gameplay can’t keep Marvel’s Avengers from feeling like lost potential. Crystal Dynamics and Square Enix seem to have big plans for the game, but right now the multiplayer-focused Avengers Initiative mode feels nothing more than a monotonous, boring old grind.

At the end of the day, Peril on Gorgon is more The Outer Worlds. Whether that's for better or for worse will largely depend on how much you're itching to re-enter the Halcyon Colony and how satisfied you are with the game as it is. Obsidian have doubled down on delivering best-in-class RPG design backed by fantastic writing and quest structure and a solid gameplay loop, even if it gets there without much of an attempt to break the mould. Hopefully the next expansion throws caution to the wind a little more, but if you're dying to jump back in I can absolutely recommend nipping off to Gorgon for a weekend.

Tony Hawk’s Pro Skater 1 + 2 is a one-way ticket to the turn of the millennium. It's a complete, beautiful love letter to not only Tony Hawk himself as an icon but to a time when both the series and the sport of skateboarding itself were most pure and fun. As a bundle, and with the multiplayer providing even more longevity, this game offers unrivalled value.

Windbound is a beautiful artistic accomplishment in terms of presentation, but fails to make good on its promise of bringing together an open-world single-player game and typical crafting-survival elements. Despite attempts to make it approachable for all, it is an ultimately frustrating affair that squanders its potential with the same rigid survival mechanics that we've seen in a lot of other games and that's a real shame.

Tell Me Why is a Dontnod game throughout its every part, right down to its bones. Although those bones might be bare, it has a lot of soul. With care, Dontnod dive into discomfort and drag us with them throughout three concise episodes that explore the power that comes coupled with familial ties, both bound by blood and by the metaphysical, as well as memory and all of its heartbreaking deceptions.

No Straight Roads has a laundry list of inspirations and it proudly pays homage to them all in one way or another throughout the journey. Though a few of the game’s ideas end up feeling underdeveloped, the game has a lot of heart, a slapping soundtrack and the best boss encounters you’ll see in a videogame this year. Just like Bunk Bed Junction in Vinyl City, I expect Metronomik to chart well within the indie scene.

Project Cars 3 is bustling with things to do. It’s as accessible as the series has ever been, and while marred by some inconsistencies in its presentation, is for the most part a joy to play.

Project Cars 3 is bustling with things to do. It’s as accessible as the series has ever been, and while marred by some inconsistencies in its presentation, is for the most part a joy to play.

Even with its budget price, it’s somewhat difficult to recommend Mastermind given its brevity and few technical issues. I expect Peaky Blinders fans will most enjoy Mastermind as a gritty snapshot at pre-series Birmingham that expands on their favourite television family. I’d even go so far as to give it a cautious thumbs up for those who enjoy working up a mental sweat.

Battletoads is a victory for Microsoft, Dlala Studios and Rare. It successfully takes a brand that’s been dormant for over two decades, breathing new life into it and updating it for the modern generation ardently. While it’s a huge shame that Battletoads isn’t playable online, and makes some missteps in it’s third act, it’s hard to deny that this is the most charming rendition of our favourite videogame amphibians. But most of all it's funny, and that's refreshing.

Microsoft Flight Simulator is a game that you have to play to understand just how incredible of an experience it is. It's an incomparable adventure that consistently surprises and delights. The game provides you with all the tools necessary to conquer the unthinkable task of flying the plane. Asobo has laid an incredible platform that will provide hours upon hours of joy for both casual gamers and flight experts alike, and it's only upwards from here.

Fall Guys is not only a charming, whimsical take on one of television’s biggest spectator events, it’s on my shortlist of the year’s very best games. I don’t think the Mediatonic team could have ever dreamed just how big of a success their one-page pitch inspired by It’s A Knockout would amount to. It’s insanely addictive with the rapid turnaround episode-to-episode making it easier than ever to keep telling one of gaming’s biggest lies: “Alright, just one more.”

Horizon Zero Dawn was the most beautiful looking console game when it released in 2017, and it's even more stunning on PC. If you've waited to play it, then you're in for an absolute treat, and if you played it on PS4, but have a capable PC, then I'd definitely recommend you play through it again before the sequel hits.

As the first showing for Polygon Treehouse, Röki is an incredible first impression. While it doesn’t innovate much within the genre itself, it excels in the areas that matter, and it absolutely delivers the kind of experience you would be looking for from an adventure game.

Skater XL is definitely going to be a polarising game for some – the intuitive and deep control methods coupled with the expansive open-world environment make for a great time to just chill out and skate around, but some players may miss the ‘action’ of the game or feeling a necessity to reach a goal. While challenges will keep you going to better yourself, some may be turned off by the limited game modes and replayability. All in all, Easy Day Studios have crafted a truly interesting skateboarding experience that gives players the ability to skate without leaving their home.

Destroy All Humans! makes an earnest effort to improve on every aspect of the original, but it’s hard to avoid the issues stemming from the era in which it came from. Despite it’s numerous improvements, Destroy All Humans is still plagued with banal repetition and tedium especially as the adventure draws to an end.

Carrion is another hit from a publisher that has built its name on delivering to us unconventional and unexpected experiences. Devolver’s seal of approval is more than ever evidence of a classic as Carrion’s credentials as an incredible Metroidvania title as well as an inverse horror experience will never be in question.

Necrobarista tells a beautiful, heart-wrenching story of the human experience expertly told with dialogue that resonates more than once. I was enthralled by the world and enamoured with its characters, despite minor complaints with the polish of an otherwise impressive visual style. In crafting their 3D visual novel, Route 59 has gambled on a niche genre, eschewing more marketable mechanics and pursuing passion over potential profit. With a brew this good, you can be sure I'll be back for more.

Superhot’s standalone expansion Mind Control Delete is a great example of how to achieve growth, drive your franchise forward and prevent an admittedly pretty basic concept from going stale. Before I knew I was ready for a change, Superhot Team thrust age-old video game tropes into gaming’s most unique shooter in ways only they could and, in a crazy twist, it works.

Paper Mario: The Origami King is another exceptional Nintendo game. The story is laugh out loud hilarious, the world begs you to explore it and the art style is absolutely gorgeous. Unfortunately, the battles get in the way of its successes and ultimately let it down.

Ghost of Tsushima might be built from the same stuff as its AAA, open world contemporaries, but that doesn't stop it from being one of the best open world experiences of the generation. Sucker Punch has set its samurai fantasy apart by presenting players with a beautiful world that is rewarding to explore, with many mysteries to uncover. Jin's story is a compelling tale pulled from the pages of the epics, and it's just one of many that the game has to offer. The game isn't perfect, but it's not often I spend upwards of 50 hours playing an open world game to total completion and immediately want to jump back in, even if it's just to sit and watch the breeze roll by.

Hideo Kojima has long been a visionary auteur; his feted career stands as proof. With no walls to contain him, he has given birth to Death Stranding. It's an experience that will be remembered for a long time, from its early hype to the untethered lunacy of its narrative. It's an art installation of a game that filled me with rage as often as it did joy. It is sweeping in both lustre and purpose, though it wears a few warts on the pleasant, bare bones of a game about deliveries that has no right to be as memorable as it somehow is.

Deadly Premonition 2: A Blessing In Disguise is an earnest attempt to conclude the story told in the original game ten years ago. It’s engaging, the characters are a joy to observe, and the trademark zaniness is as intact as ever. Unfortunately, it’s hard to deny that the game’s egregious performance issue hinders it from standing on the shoulders of it’s predecessor.

It’s disappointing that, through shortcomings in design and the platform’s limitations, Iron Man VR isn’t a superhero outing worthy of the story told here, nor the Tony Stark that has carried Marvel’s films into this new age of popcorn cinema.

Despite the few flaws that exist for the game, it is truly great to see Burnout back on consoles, even if it is in the form of a remaster. Die-hard fans of the game can probably give it a miss if they already own it on other consoles, but if you’ve never played a game from the Burnout series and want to know what it’s all about, this is definitely worth your time.

Battle for Bikini Bottom, despite offering a fair bit of fun, is a testament of antiquated design and, for better or worse, feels entirely like the game you remember from your childhood. There’s certainly a fun afternoon to be had ruining Plankton’s plot to rule Bikini Bottom while spotting the show’s many references with a keen eye, though ultimately Rehydrated is D.O.A.—dry on arrival.

Disintegration could have been a lot worse than an “alright” campaign and a decent multiplayer mode. Given V1 Interactive tried something novel and tried to blend genres and it could have been a directionless mess. What we got, however, was a neat idea with a lot of potential to be something greater, with an execution good enough to prove the concept works. The multiplayer is much better than the campaign, if only because it’s not bogged down with the same design choices as a single-player mode. In saying that, it’s still worth checking out for what could very well end up being the first emergence of a great new genre.

Though it’s destined to displease those who built Ellie and Joel up as infallible, as an observation of impermanence, tribalism and the terrible cycle of violence that exists at the centre of what’s left of the human experience in this world. The Last of Us Part II is a spectacular sequel, it’s a brave and unexpected direction for the series, expanding on the world both narratively and mechanically, producing a far sounder and rounded experience that never falters or gets in the way of the game’s clear storytelling strength.