The sad truth is that Cyberpunk 2077 is awash with problems. Which makes it all the more miraculous that we were compelled to plod through its litany of tribulations simply to keep experiencing the story, characters, and world that CDProjekt Red has created. Clear away the grit and there remains something special here that’s bound to light up the imaginations of cyberpunk fans. A better option for console players, however, would be to wait for the next-generation versions, which will likely (or should that be hopefully?) look and perform better, and could benefit from whatever retrofits and patches CDProjekt Red sees fit to release based on player feedback in the coming months.

Tom Clancy’s The Division 2 has stuck its landing. Like other games of its ilk, it could do with learning a lesson or two from its competitors, but it has arrived playable, polished, and with so much stuff to do that most players probably won’t even reach its sizeable endgame — which, at this point, I’ve only read about — for weeks, if not longer. I’m not ready to give it a numbered score, but I do feel comfortable saying this is one loot shooter you can dive into with confidence on day one. [Review in Progress]

I can’t recommend Fallout 76 to more than a handful of people. A niche few will still be drawn to it, perhaps out of curiosity, a completionist’s need to devour all things Fallout, or, like me, a morbid desire to simulate life after the end of the world. For everyone else, hold onto the hope that Bethesda learns a lesson from this failed experiment.

I can see myself continuing to play on and off for months to come, getting better and trying new tactics all the while. And that, if nothing else, earns Monster Hunter: World an enthusiastic recommendation for anyone interested in the idea of seeing if they have what it takes to combat roaring, furry, fire-spewing bird dinosaurs.

Movement is painfully slow. I must have spent nearly a quarter of my time walking at a snail’s pace down dark and empty hallways with nothing to do except brace myself for the occasional startle courtesy of a cheap jump scare destined to go unexplained.

All I can really say is that Destiny 2: Curse of Osiris is sufficient for someone like me, an admittedly casual Destiny player. I’ve found it worth the price of admission, and satisfying once consumed. If all you want is sufficient motivation to jump back into the blessedly refined firefights in Bungie’s online shooter for another week or three, Curse of Osiris probably won’t disappoint.

Outlast II is, in the end, a case of wasted potential. It revs up its scare engine to maximum RPMs in the moments after its opening crash sequence, then quickly fizzles in the first major encounter, which I suspect will leave most players cursing at their screens in frustration as they die half a dozen times without any idea where they need to go or what they must do in order to not die a grisly death at the hands of a crazed woman who enjoys nothing more than repeatedly killing us with a sharpened crucifix as we blindly stumble around in the dark...What, that doesn’t sound fun to you? Me neither.

At best, 1-2 Switch should have been packed in with the console to give the early adopters something to do when they get home and better acquaint them with their new hardware. At worst, it should have been sold alone at a budget price of around $20...1-2 Switch is, in this humble reviewer’s opinion, a throwback to the reviled and little-played party games of the Wii era. I’d have thought that was a time Nintendo would have rather left forgotten.

Double Dragon IV serves as an inelegant reminder that sometimes the past is better left in the past.

It’s an astoundingly basic game.

The only part of the game that satiated me on any tangible level was revisiting iconic locations from previous Resident Evil games.

If there’s a bright side to all this it’s that playing a clumsy attempt at interactive art can’t help but engender a greater appreciation of games that manage to avoid tragic missteps and create a moving, memorable experience that makes us think about our world and ourselves in new ways...Perhaps Dotoyou’s next effort will be such an experience. I hope it is. Koi, assuredly, is not.

For me, leaving a game unfinished is like suffering an itch I can’t scratch. But I don’t think that’ll be a problem with Homefront: The Revolution. I’ve muddled my way through six of its eight open-world zones, and I’m just not interested in playing any more.

For those not interested high-level competitive play just yet – those who want to watch a fun anime-style story while mashing some buttons, or at most learning the characters’ special moves for a gaming night with his or her friends at home – there’s no point picking this up at least until March. At that time SFV might very well be a casual-friendly game with all the tools to teach you the fundamentals needed to unlock the most rewarding levels of play.

The second act of Broken Age is unfortunate evidence that Double Fine’s crap stinks just like anyone else’s.

It’s pretty much just the worst.

It’s so bare-bones it feels like a cheap mobile game knock-off, and the fact that it was released without even a whisper seems like damning proof that Natsume knows it. Lost Valley is a dull, almost offensively boring and watered down version of a normally fantastic series. Do not pick up this game.

It is an outrageously imbalanced and profoundly dissatisfying system.

Sadly, the game Behavior has delivered is even less ambitious and more forgettable than a straight retelling of the film’s story might have been.

Humiliatingly wretched, but still more or less playable (...) Sometimes it takes a bad game to teach us just how good other games really are.

The very definition of a mindless shooter, EA Montreal’s latest — the third in the middling Army of Two series — is a stripped down, by-the-book, bereft-of-imagination bang-bang that left me less satisfied than a parched man served a salt lick and an empty glass.

It’s more pain than pleasure.