Polygon's Scores

For 731 reviews, this publication has graded:
  • 70% higher than the average critic
  • 3% same as the average critic
  • 27% lower than the average critic
On average, this publication grades 4.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 69
Highest review score: 100 Spencer
Lowest review score: 0 Red Notice
Score distribution:
  1. Negative: 60 out of 731
731 movie reviews
  1. Even as a low-key Netflix time-waster, Fearless isn’t that much fun, except for people who really, really like the idea of super-babies.
  2. The charisma that was fully on display in Goggins’ previous work is firing on all cylinders in John Bronco — the role demands grins, winks, and whoops, and Goggins is a master at them all.
  3. Without spoiling either Max Cloud’s action or its comedy, Owen makes the running gag about Max’s macho bluster into some of the sharpest gaming criticism released this year.
  4. It comes across more like a showreel than a stand-alone film, like, a confusingly edited sizzle teaser for a much more in-depth Doors drama series.
  5. Ultimately, everything about Arlo the Alligator Boy feels like a setup for something yet to come. That isn’t an inherently bad thing, but it does shift the audience’s expectations for the movie.
  6. For all the eye-popping battles and fast-moving action, it’s an emotional story that takes the time to explore what its protagonist really wants out of life, and why god-tier power may be as much of a burden as a benefit.
  7. Untitled Horror Movie is the kind of finely tuned exercise that benefits from the chemistry of its cast, the managed-expectations feel of its storytelling, and a firm awareness of the kind of low-stakes entertainment so many of us might appreciate right now.
  8. Some of it is sophisticated and more of it is silly, but Behemoth is jarringly effective more often than not.
  9. The film is an excellent feature-length Hilda episode, but the 84-minute runtime also allows it to raise the stakes of the low-key series appropriately, tackling some of the enduring mysteries at the core of Trolberg.
  10. A brutal and bleak movie, Hell Hath No Fury delivers a mean, hard-hitting punch in a 90-minute package. Ultimately, there are no heroes in this story, only survivors.
  11. Though it’s packed with remixes of and callbacks to Eve’s history, it’s a dazzling, surprisingly accessible summation of his visual and sonic styles.
  12. It unfolds with a fascinating specificity that goes well beyond the Batman details, and unlocks a lot of conversation-starting thoughts about the various ways and reasons people associate with different fandoms.
  13. What’s supposed to resemble a smart, unnerving sci-fi movie looks more like a lecture about male dominance and deception that keeps foregrounding its least interesting characters.
  14. Given how unnecessary Rise Of the Damned is, Leyden’s choice to pare down the original RIPD’s summer-movie bombast into an agreeable, swiftly paced supernatural Western qualifies as a rousing success. On the other hand, anyone working in the RIPD universe should also understand the value of just staying dead.
  15. The First Kiss That Never Ends feels like a grand finale, but the interesting thing about Kaguya-sama is how it implies that romance is continuous work, rather than simply fated.
  16. Fist of the Condor is the Marko Zaror show. And boy, does he deliver. The movie is at its best when it is a series of jaw-dropping fights, one after another, leaning on his incredible star power.
  17. AKA
    AKA is at its best when it showcases Alban Lenoir, Action Star, rather than its own status as a less stylish Man on Fire. It’s still worth watching if you’re interested in the new wave of French action cinema, and one of its most intriguing stars. But if you haven’t seen the Lost Bullet movies yet, definitely prioritize those for excellent Lenoir action.
  18. Mielants is too tough-minded to be caught, it turns out, but that’s bad news for the rest of us. Will nurses a glimmer of hope in the darkness, only to snuff it out completely. This is a bleak, bleak movie.
  19. With all these elements working in dreadful harmony, Kurosawa has made far and away one of the best horror movies of the year so far, and he sets a more complete and frightening tone in less than half the run time of most of those movies.
  20. It’s a heartwarming, surprisingly poignant, movie that also makes its point by putting a variety of animals into natty human clothes.
    • tbd Metascore
    • 90 Critic Score
    Phantom in the Rain lives up to the bar set by the original anime series, with a toothy, spooky mystery featuring a suave protagonist, visuals so lush they sometimes border on overwhelming, and the skillful blending of cutting-edge and traditional animation to great effect.
  21. The animation really anchors the movie, which otherwise feels a bit uneven, especially in terms of Anzu and Karin’s relationship.
  22. Good horror-comedy is hard to pull off, but Hsu finds his balance by steering hard into the comedy, while pouring on the fake blood.
  23. Operation Undead is a stellar new entry in the zombie-movie canon that takes some real big swings: It respects the genre’s roots and need for thrills while providing a strong emotional backbone.
    • tbd Metascore
    • 83 Critic Score
    The biggest reason The Wailing is a must-watch for It Follows fans is that the directors and writers in both cases treat sexual violence like a forest fire that devastates everything it touches.
  24. It’s no better than it needs to be, and it’s not bad enough to be consistently laughable, either.
    • tbd Metascore
    • 78 Critic Score
    The Confession isn’t particularly scary, but the horror of neglect and grief is expertly woven throughout the plot in other ways. What’s left is a tale that's much like a hearty but far too starchy stew — it will stick to your stomach for days after you finish it.
    • tbd Metascore
    • 83 Critic Score
    From visuals to music, it’s a top-tier anime movie. It invites viewers in from the start with colorful settings and stunning character designs. There is a subtle poetic tone, too, in linking the culturally foundational tale of Kaguya-hime to the coming-of-age story of a girl living in modern Japan.
  25. The movie may not be what fans normally tune into the franchise for, but it’s certainly daring and different, showcasing how the core characters each react to being pushed beyond their limits. The animation is spectacular, with thrilling, complicated, multi-dimensional fights and some actual scares when it seems like there’s no way out.
    • tbd Metascore
    • 80 Critic Score
    D(e)ad offers a phenomenal experience, not only because of its talented creators, but also because it tells a relatable story that addresses a familiar situation in an unfamiliar way, while providing a surprising number of giggles.

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