With a rehauled gameplay and a more honed focus on storytelling, Dynasty Warriors: Origins is the best Dynasty Warriors game ever made. While the lack of multiplayer and customizability options are sure to irk some longtime fans, the much-improved story mode and combat easily make up for it. Whether you’re a series veteran or a newcomer, Origins is well worth checking out and the first truly great game of 2025.

There's an endless list of things to gush and wax poetic about — the haunting soundtrack, the monochrome visuals punctuated by bits of crimson and neon magenta, the callbacks and homages to your favorite PlayStation 1 horror games. It's clear that Simogo has an undying love for the medium as a whole; not because of the winks and nods to the games of the past, but because Lorelei and the Laser Eyes forges its own path, and it does so with a startling amount of confidence and an unwavering artistic vision that has to be seen through to its conclusion. I doubt I'll be able to convince genre detractors to cross the aisle, but if you have even the slightest interest in puzzle or adventure games, you owe it to yourself to give this modern-day masterpiece a try. Just make sure you have some pen and paper, and a bit of patience, at the ready.

While I'm sure that some of my disappointment can be chalked up to its younger target audience, the truth of the matter is a tougher pill to swallow: Lego Horizon Adventures is a half-decent game, but at the end of the day, it's not a good Horizon game, and it's certainly not a good Lego game. Somehow, it manages to be less than the sum of its parts.

Whether you’re a series veteran or just interested in why gamers love to shout “EDF!” repeatedly, Earth Defense Force: World Brothers 2 winds up being a lot of fun. It’s the most polished version of shooting giant ants that you’ll find. So, what are you waiting for, soldier? Enlist in the Earth Defense Force today.

In a world of by-the-numbers sequels and soulless cash grabs, Astro Bot stands as an oasis, an absolute masterpiece packed to the brim with charm, creativity, and a genuine love for video games, old and new. There are still four months left in the year, but if I'm being honest, I think I've already found my pick for game of the year.

Space Marine 2 is a great hack ‘n’ slasher regardless of whether or not you’re a Warhammer fan. Its true-to-life recreations of the tabletop game’s painted miniatures will please fans, but its satisfying combat will please anyone. However, it’s definitely best enjoyed in multiplayer given some AI frustrations, and its Operations Mode is a few pieces of content short of being an excellent addition to the package.

Much like the Phoenix Wright, Great Ace Attorney, and Apollo Justice anthologies that came before it, Ace Attorney Investigations Collection is unlikely to convert those who have dismissed the franchise (and the adventure genre as a whole) for its more laid-back, slower-paced gameplay. And at the end of the day, it’s a real shame, since Ace Attorney Investigations Collection offers up some of the best storytelling and characters the medium has seen. As a diehard fan, I can only hope that Capcom’s commitment to re-releasing every game in the franchise is another step toward a proper, seventh mainline entry. While I’m at it, would it be too much to ask for a port of Professor Layton vs. Phoenix Wright? If so, sue me.

The Casting of Frank Stone takes some big swings with its story’s final act that pay off and elevate what otherwise could’ve been just another narrative-focused horror game. Supermassive does a good job of adding some action to its exploration sections and layering in plenty of Easter eggs from the series. Dead by Daylight fans are sure to have a blast, and I hope this isn’t Supermassive’s last foray into making a horror game in an established world.

While the stealth gameplay can sometimes become repetitive, Star Wars Outlaws is largely a blast. The attention to detail is top-notch, with each planet being a lot of fun to explore and side missions providing some of the best moments. While it’s better when it leans toward being an adventure game, Outlaws is undeniably a great foundation point for what should hopefully become Ubisoft’s next great franchise.

It’s hard to say much new about an EDF game at this point, especially when the sequels are so iterative. Are you into shooting giant bugs? Do you want to laugh at how ridiculous everything is and find yourself getting embarrassingly into its dialogue-driven story? Then Earth Defense Force 6 is for you, and you should check it out. Otherwise, you won’t have your mind changed as this is repetitive schlock that is fun but nothing groundbreaking.

Putting aside that minor issue, the most divisive thing about Braid, Anniversary Edition might be how little of the core package has changed. Aside from the visual facelift, the core mechanics and gameplay are just as they were back in 2008, and that more or less dictates who this remaster is for. Those who were turned off by Braid’s strictly linear progression and uncompromising puzzles are unlikely to have a change of heart all these years later. For longtime fans or those who have yet to experience this timeless classic for themselves, Braid, Anniversary Edition is a must-play.

Dragon’s Dogma 2 is a funny valentine. The graphics aren’t particularly stunning, quest progression can be vague, and it has some deliberately old-school ideas that are frustrating to deal with. Still, the game is able to capture a sense of freedom and wonder while delivering on challenging boss fights throughout exploration. It’s one of the few games that has made me want to investigate every inch of the world map without any prompting by the game through a notification or a quest. And I haven’t had that sensation in an astonishingly long time.

Through its expanded story, fantastic graphics, and abundance of side activities, Final Fantasy 7 Rebirth vigorously continues the momentum from FF7 Remake. While some parts of the game are too slow or padded for the sake of content, the majority of the experience is a pleasant ride through nostalgia. It will be curious to see how progress, if any, is carried over to the next game, given all the exploration and items that you can obtain here. At any rate, FF7 Rebirth lives up to its promise as a love letter to the original game and solidly sets up the third and final title in the trilogy.

If there’s one criticism I think will be levied against this new collection of games, it’s that, at the end of the day, it’s simply more of the same. Series diehards and more casual fans will undoubtedly find a lot to like here, and I certainly hope it’s a sign that we’ll be seeing much more of the Ace Attorney franchise in the coming years. For those who weren’t sold on the original trio of Phoenix Wright games, this second collection won’t do much to sway your opinion.

Those 13 years should have led to something better, and it’s surprising that they haven’t. Alan Wake’s gunplay has gone from dull to frustrating in the sequel, while its venture into true survival horror has been plagued by predictability and amateurish jump scares. Its narrative has a few memorable moments and is able to periodically use its outlandish antics to its advantage, yet it is still dragged down by its refusal to provide enough rewarding resolutions to its litany of riddles. Alan Wake 2 doesn’t improve on what made the original such a cult hit and is instead an uncharacteristically rough draft that needed more edits. It’s not a lake or an ocean. It’s a disappointment.

Ghostrunner 2 goes against its programming by repeatedly slowing down, but it’s still made up of enough of its classic parts. Sprinting and dashing around the neon-lit city while cutting down its many cybernetic forces can be an empowering trip that’s only bolstered by its thumping electronic soundtrack. A strong core like this deserves to be expanded upon more robustly through its new and existing mechanics, which just isn’t the case here. Ghostrunner 2 has taken a few steps forward and a few steps back, but even though it is running in place, it’s still faster than most of its competition.

Metal Gear Solid: Master Collection Vol. 1 does not have everything that a modern collection should have. Its inability to ubiquitously implement modern features like save states and rewinding only keeps players from fully celebrating the history this compilation seems intent on celebrating. But the extras paint a decent portrait of its accomplishments by delving deep into its lore and speaking to almost every entry’s significance within the medium. And even though the actual games haven’t seen many improvements, they are still unique marvels generations later that lovingly balance quirky jokes and deadly serious diatribes about nuclear proliferation. The bundle largely captures what makes the franchise so beloved, even if some useful quality-of-life features have sneaked on by it.

Between its sticky brawling mechanics, repetitive level design, and extremely low difficulty, Hellboy Web of Wyrd simply feels like an unfinished game that was early on its journey to greatness. There’s a heft to its combat, yet the controls aren’t nearly snappy enough, and it’s too easy to be engaging. The striking art design means its worlds look nice, but they’re made up of the same rooms and hallways. Incomplete or not, it utterly fails to realize what could have been and only continues Hellboy’s video game curse.

Hot Wheels Unleashed 2 earns its Turbocharged subtitle as it builds on the original’s base to deliver a more polished and enjoyable sequel. The new mobility mechanics add a lot to the racing, giving Milestone and users more freedom in designing tracks. This is quickly becoming one of the studio’s most enjoyable series and a breath of fresh air in the arcade racing space.

These more intimate scenes coalesce wonderfully with its grander narrative to make Spider-Man 2 an amazing and well-rounded follow-up. Insomniac’s understanding of Spider-Man is unparalleled in the medium, as evidenced by the empowering and expanded combat mechanics, breathtaking traversal, and narrative that focuses on the heroes in addition to those underneath the mask. The team has mastered its craft and, like Spider-Man, is only getting better with experience.

Team Ninja still can’t tell stories, though, as Conqueror of Jiangdong’s cutscenes are nonsensical and haphazardly stitched together to justify going to each level. And while the plot doesn’t matter here, it is yet another example of how the studio is treading water with Conqueror of Jiangdong. This sophomore expansion includes some amazing boss fights, but ones that are still sullied by unhelpful allies and relegated to side missions. These hiccups sit on top of the game’s small pile of problems that is slowly growing as the DLC rolls out. Wo Long is still a quality action game and Conqueror of Jiangdong is a reminder of that, but it also points out — and magnifies — its weaknesses.

While its brevity impedes the story, Assassin’s Creed Mirage is thankfully a lot shorter than the last few entries. However, its relatively slender figure only points out how the series has used quantity to overcompensate for its stagnation. This is laid bare in Mirage, as its stealth and open-world design all pull from eras that have long since fallen out of style — an unforced error that is mostly because of Ubisoft’s decade-long overreliance on that structure. Baghdad’s potential as a classic setting in the franchise has also suffered because of this and has been undermined by the artificiality of its blueprint. Mirage was designed to go back to basics, but it just ended up being too basic.

High on Knife generally stands out in the context of High on Life because it has some of the game’s best overall moments. It hasn’t completely shaken all of the eye-rolling humor that powered the original, but its conciseness and ability to spotlight more deserving characters makes it significantly less grating. Its unique gunplay similarly benefits from a shorter runtime and has also only gotten better with its new pinball-operated weapon. While High on Life showed how Squanch Games has grown over the years, High on Knife demonstrates that there’s still value in brevity.

NASCAR Arcade Rush lives up to its name and delivers a fun, non-simulation racing game that features reimaginings of some of the most iconic racing tracks in the USA. However, it isn’t outlandish and exciting enough to completely win over an average arcade racing game fan, nor is it a love letter enough to NASCAR to make it a must-own game for stock car racing enthusiasts. Instead, it’s in the middle ground, where if you dig both, then you’ll have a good time, but you’ll still find yourself moving on to other games sooner rather than later.

Mortal Kombat 1 has some of the most liberating combat mechanics NetherRealm has ever made, but some of the peripheral features fall a little short of what the studio has achieved prior. Being able to access more tricks and dig into the Kameo system gives fights more depth than they’ve ever had. That ingenuity clashes with the vague unlock system, repetitive Invasion mode, and inconsistent campaign that strangely don’t match the heights of previous NetherRealm games. Mortal Kombat 1 is a victory in many ways, just not a flawless one.

We Were Here Expeditions: The FriendShip is a fun diversion for up to two hours, but there really isn’t enough meat here for it to be more than that. More of a relationship test than a full-fledged game, its third trial is absolutely the highlight of the experience. While it’s worth going through once, don’t expect it to reach the highs of the previous entries or offer too much new to the winning formula.

Lies of P is wearing Bloodborne’s cloak, but it has its own heart, one encased in metal and powered by ingenuity. It sometimes transfixes on tropes of the genre to its detriment, yet still overcomes by the sheer quality of its boss fights, combat mechanics, and world design. Lies of P’s steel heart may not be born of blood and flesh, but it still pumps heartily enough to be a worthy substitute for the real deal.

Dimension Shellshock has most of the same strengths as the base game, but a few more shortcomings, as well. The new mode’s roguelite elements lack variety, and its loops aren’t deep or rewarding enough to warrant multiple runs. The gorgeous pixel art and expressive animation don’t get old, but its survival mode is almost as two-dimensional as its sprites.