The top notch 2D visuals help bring the game to life with movie-inspired characters and storyline. The lack of an online co-op mode holds Shank back from being a real enjoyable co-op title, and it really should have been included in the package.

Excepting its online shortcomings, however, Sword Art Online: Fatal Bullet is easily the best game using the license yet.

Other than being annoyingly repetitive, Toukiden: Kiwami is a fun game. Thanks to a large amount of weapons and armor to choose from, and characters that not only exist as chattable civilians but also as bloodthirsty warriors, you can spend a lot of enjoyable hours on Toukiden.

At its core, 8-Bit Armies is a an imitator. A competent one, a throwback, with a few clever tricks of its own, but nothing wholly original or revolutionary. If you’re itching for another strategy game it will satisfy well enough, but it doesn’t feel essential.

Now I look at Catherine and while it’s still fun to engage with its systems, and the soundtrack still rips, I don’t find it nearly as clever as it wants me to. All I see is a story that embraces its own toxicity, with views on relationships so useless and counterproductive it’s almost suspicious how desperately it wants Vincent to be a hero.

Crossout reminds me of the first vehicle I owned, which was a 1970s Volkswagon Beetle hand-me-down. It didn’t look like much at first and it definitely had its share of problems, but I had a lot fun driving it. Soon I discovered that the more time I dedicated to fixing and upgrading it, no matter how monotonous, the more fun it became. Some problems were never fixed, but eventually I was proud enough to take my custom car out in public and show it off.

With a unique look and a story hook that keeps you wanting to continue, Particle Hearts is a successful puzzle game. That being said, it doesn’t reach the highs of the genre’s best, and its exploration can lead you to getting lost at points. However, it’s still a worthwhile experience if you want to scratch that puzzle itch on PS5.

You would think that borrowing elements from two of the greatest games in the last decade would make for one awesome experience, and while it feels mesmerizing, it doesn’t live up to either predecessor.

Cities: Skylines is an impressively-detailed simulation, to be sure, and it’s a lot of fun once you start to get things up and running, with the caveat that getting it up and running is a lot easier said than done. This is not a casual game by any stretch of the imagination, and given how complex many of the mechanics are, it’s pretty ridiculous that the game doesn’t offer a more robust tutorial system. That led to a boatload of frustration early on for me, but to be fair, it also made things that much more rewarding once I got the hang of them.

Some strong art direction and great puzzle design helps Max: The Curse of Brotherhood manage to be worth the time of PlayStation 4 owners.

Takes a great kart racing series, and adds a much easier to use creating system. Touch screen controls make the track studio much more intuitive and easier to use. Not adding in head-to-head online racing is inexcusable in this day and age. While it doesn't totally ruin the experience, it does take away from the overall series.

In a vacuum, Wuchang: Fallen Feathers would stand as a resounding success, especially when you consider that it was helmed by a relatively unknown developer. But, when compared to its genre contemporaries, it fails to reach the same impressive highs of the games it clearly holds reverence for.

Visage isn’t going to be for every horror fan. It’s slower pace, difficult puzzles and lack of direction are going to make many struggle, but that’s also kind of the point. For every moment where I didn’t know what to do and felt like I was on a wild goose chase, there was another moment of gratification for finally figuring it out. Throughout all of those moments, I was scared and that’s indicative that even if I didn’t, Visage knows what it’s doing.

Lost Planet 2 literally tries to do everything a shooter should, but it doesn’t mean much when the game is plagued with minor issues and dull gameplay.

For all of its issues, Rustler is a fun little game that tries something a bit different, recapturing a long-lost element of game design and adding a fun new twist. Its humorous and satirical elements help keep it light-hearted, and though it occasionally has some comedic misses, its also full of genuinely laugh-out-loud moments. I’d hope to see some adjustments to the combat system as well as a general cleanup of the odd variety of bugs encountered, but as a whole Rustler is a clever and fun title that has zero shame being exactly what it is.

The story is approximately double the length of that in Little Nightmares but doesn’t overstay its welcome. Players will take slightly longer if they look for the hidden areas that contain hats or holographic Kids that Mono can absorb into himself. While the story is concluded completely, things are left open for the possibility of a third game in the franchise. Maybe by the time that rolls around, there won’t be as much need for trial and error puzzling, or for accidental platforming deaths. For now, those who enjoyed the first title will likely love the second. Others will perhaps find it a bit too frustrating to see things through to the end.

Rapala Pro Bass Fishing is quite the catch. It's everything you want in a fishing game, with a realistic control scheme to boot.

It's a terrific starting point to build future installments from. However, I think that Beenox really needs to sit down and understand what makes Spider-Man an interesting character to play and find ways to accurately capture that feeling without overly simplifying the experience.

If you’re a big fan of the series or just Modern Warfare 2 specifically, there’s no doubt that this remaster will be an easy purchase. If you’ve not got any nostalgia for the game then the asking price might be a little steep, but this was made with Call of Duty fans in mind. For those fans it should be clear that Modern Warfare 2 Remastered is absolutely worth giving a look.

It's a competent fighter, yes, but nothing about it really screams "must-have" unless you are a diehard SoulCalibur fan.

It translates the core game over to Sony’s portable system without any major gameplay issues. That said, it is a downgrade in every possible way. The atmosphere is diminished by poor graphics, controls are slightly clunkier, and it just makes the experience less special.

As much as I was hoping (and, quite frankly, expecting) Killzone: Mercenary to be the perfect representation of a first-person shooter on the PlayStation Vita, it just isn’t. A sub-par single player campaign is only saved by the fast-paced and fun multiplayer.

Road 96 feels like a strange blend of experimental and conservative game design. The procedurally generated narrative is a good idea and one I’d like to see used again. However, the overarching plot is political without being substantive. It’s a story that would likely have been best served following a linear structure with player characters that had rich backstories that firmly tied them to the struggle going on in Petria. Adventure game lovers will have a good time with Road 96, though. The cast is a lot of fun, and it has enough twists and turns to make for an entertaining play. It’s definitely unique, and I hope that DigixArt continues experimenting with the genre.

Considering that the Chrono franchise has a larger fanbase than the Mana and SaGa series do combined (at least in the West), I would have thought this would be the crowning jewel of Square’s efforts to bring its PS1 classics to modern platforms. Instead, it’s a very meh attempt that doesn’t even feel like a cash-in because of all the money it leaves on the table.

If you like match-3 puzzlers with some strategy thrown in, you’ll be back for more in no time.

From the shockingly feature poor online play to a single-player campaign that can be completed in a few hours, there just isn’t enough content to support the gameplay. It’s exciting to think about what a potential sequel could offer, but what’s currently being sold is a good, but definitely not great, arcade game that doesn’t manage to outdo its fantastic predecessors.

A fun co-op experience with an interesting storyline. Tie in a dungeon creator, and it can keep you coming back for more with a fresh new map to play on.

Unquestionably, WWE All Stars features some of the most addicting arcade-style gameplay seen in any wrestling title to date. But the lack of content in some areas will leave you wanting more. And you will want more because of the fun-factor.