True Hallucinations is ultimately a triumph of focus and discipline.

Home is an ace of a second album, one which maintains the most important elements of Chung's painstakingly crafted sound while progressing nicely into a friendlier arena.

They've operated as FIDLAR since 2009, and released a couple of EPs prior to this collection. That time was spent honing a brand of hopped up, surfy garage punk that comes with more variety than you might expect.

The Joy Formidable might not have the most plausible ambitions for a 21st century rock band. But Wolf's Law offers enough thrills to suspend your disbelief.

The Ruby Suns quickly lose their nerve and hooks about halfway through Christopher, and it simply becomes a brighter, albeit favorable, take on Fight Softly's mushier innards.

while other young UK-based electronic experimentalists like Floating Points make it onto the mix, Thomson's heavy label love is a reminder that he's constantly one step ahead of the game.

Though it makes left turns and constantly tweaks its formulas, In Focus? is admirably coherent and cohesive, with each little pile-up of ideas finding its place in the big pile-up of ideas that comprises the album.

It's not perfect, but it's closer than you'd expect from someone who just a few years ago was a member of a C-list girl group.

Nightlands have created something that's utterly self-contained.

Without a singular narrative to tie it all together besides Hamilton's lovely but noncommital exhalations, it's a little too easy to lose interest.

Even if La Costa Perdida isn't a great Camper Van Beethoven record, it does illustrate how unique this band still is, 30 years after it formed.

The more time you spend with Ambassadors, the more clearly that commitment and joy comes through.

Ra Ra Riot are best when they stick with what they wanted to get away from.

Wash the Sins is not a logical, concrete progression from Violet Cries and the Hexagons EP, but a competent if ultimately unmemorable reiteration of a message that wasn't particularly strong in the first place.

Centralia is less severe than The Seer, but it's executed with the same unyielding desire to move and to feel.

For now, the musically and emotionally rewarding Anything in Return evokes the feeling of being young with options and in no hurry to figure it all out.

The Black Rock succeeds on occasion, but the weight of McCombs' past is a tough load to bear in situations like this.

Roberts' voice sounds in fine fettle as well, and his reedy, keening brogue is the type of immediately distinctive instrument that is virtually impossible to imagine any listener accidentally mistaking for someone else's.

The album simply flickers out like a candle, with the faint promise of another visit to this setting.

As an album, Lost Sirens isn't at all an embarrassment: it's a document of a band whose range and reach, rather than power, are what has been diminished.

The way that Everything Everything play against the macho, aggressive posturing of contemporaries who could care less about caring should be their strongest calling card.

Love Sign's belief in the righteousness of its intentionally big, dumb songs being big, dumb and nothing else ultimately sets Free Energy up to fail.

Django is perhaps the first Tarantino soundtrack that feels, uncharacteristically, a little too nail-on-the-head.

On Fog, Arbouretum does well by both parties [his songwriting influences: singer Will Oldham, with whom he toured as a backing guitarist, and Baltimore punk-rock-Gnostics, Lungfish].

There's plenty to love on Mystical Weapons, but it's not a casual listen, and it's best not to expect one.

A narrative concept album that runs a mere 29 minutes and is both more musically ornate yet somehow also slighter than anything Girls attempted, a deeply personal work whose arch presentation serves to keep you at an emotional distance.

To its credit, {Awayland} rarely comes across as false, but O'Brien's affinity for cleverness over clarity ensures it rarely comes across in any real way.

Light Up Gold finds Parquet Courts looking to breakout through any available means: intense reflection, resin hits, or rock'n'roll.