Pitchfork's Scores
- Music
For 12,767 reviews, this publication has graded:
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41% higher than the average critic
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6% same as the average critic
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53% lower than the average critic
On average, this publication grades 2.8 points lower than other critics.
(0-100 point scale)
Average Music review score: 70
| Highest review score: | Sign O' the Times [Deluxe Edition] | |
|---|---|---|
| Lowest review score: | nyc ghosts & flowers |
Score distribution:
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Positive: 10,500 out of 12767
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Mixed: 1,953 out of 12767
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Negative: 314 out of 12767
12767
music
reviews
- By Date
- By Critic Score
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- Critic Score
Through a combination of Arling and Cameron's sharp studio skills, their sure feel for genre, and most importantly, an unfailing sense of humor, these two manage, somehow, to make the zillionth such retro LP sound fun and cool.- Pitchfork
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Her musical ideas and lyrics have caught up with the ability of her voice. The songs are well varied, and transition smoothly from one to the other.- Pitchfork
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It's all good enough, but how many times, really, do you need to hear the term "rock the mic" in an hour? Not this many.- Pitchfork
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Death in Vegas wants to be a scary rock band. As such, they've crafted a scary album with scary guitars, scary beats, scary distortion, and scary Iggy Pop. But Death in Vegas isn't even a rock band. It's two pasty English DJ-type guys and some session musicians.- Pitchfork
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Each song contains its own small epiphany, but they never quite add up to the one big sweeping epiphany that you'd hope for.- Pitchfork
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I'm sure there are kids out there that think Basement Jaxx is great dance music, but the odds are, they don't know much about jungle.- Pitchfork
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This is one of those albums people are going to obsess over for many years to come.- Pitchfork
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Insanely catchy '60s- inspired pop music in addition to sound collages, field recordings, drony ambience, cathartic noise, and outlandish production that makes Phil Spector's "Wall of Sound" look like a cubicle divider.- Pitchfork
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It shouldn't surprise anyone in today's age of shattered expectations that Beaucoup Fish is not as great as we'd hoped.- Pitchfork
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Recalls last year's fine Halo Benders release, The Rebels Not In, the album Martsch recorded with Beat Happening's Calvin Johnson and former Spinanes and current Built to Spill drummer Scott Plouf. And that's not a bad thing at all.- Pitchfork
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