Philadelphia Inquirer's Scores

  • Movies
  • TV
For 4,176 reviews, this publication has graded:
  • 70% higher than the average critic
  • 3% same as the average critic
  • 27% lower than the average critic
On average, this publication grades 3.3 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Hell or High Water
Lowest review score: 0 The Mangler
Score distribution:
4176 movie reviews
  1. Funny People turns out to be fairly predictable, and not so rough. In a thoroughly satisfying way.
  2. Just about the only cast member who doesn't go misty at one point or another is the horse that Down Under cinema charmer Bryan Brown takes for a trot late in the film.
    • 60 Metascore
    • 63 Critic Score
    This being the "ultimate" movie about "extreme" sports, there's a lot of superlative slinging in the commentary.
  3. Touching historical fantasy.
  4. It's refreshing to see an actor tell his own story with some real honesty. Overall, however, Tab Hunter Confidential is too much like every other Hollywood True Story out there.
  5. Mostly The Girl Who Kicked the Hornet's Nest belongs to Mikael Blomkvist (Michael Nyqvist), the tall and intrepid magazine journalist who is determined to clear Lisbeth's name, and who goes about doing so - and making espresso and checking his e-mail - with zeal.
  6. It's business as usual, even if that business is pulled off with brilliant precision, ingeniously choreographed action, and an itinerary boasting some of the most photogenic spots on Earth.
  7. Femme Fatale is glossy, glamorous cinema as collage. Maybe all the pieces of a truly good film noir are here, but the filmmaker has opted simply to toss them into the air and let them fall where they may.
  8. McCarthy, Wiig, McKinnon, and Jones bring a spirit of spontaneity to their interactions; it's not exactly seat-of-the-pants improv, but it doesn't feel blocked-out and belabored, either.
  9. At a lean - and decidedly mean - 77 minutes, the suspense-horror hybrid Them by French writer-directors David Moreau and Xavier Palud is nothing short of revelatory.
  10. While this hugely likable cast is, indeed, hugely likable, no one's sweating things at all. The comedy's relaxed, moony rhythms imbue it with a certain charm, but can result in a certain stop-and-start awkwardness, too.
  11. Hill, Redford and Goldman reteamed for 1975's The Great Waldo Pepper, which is set in the barnstorming days of aviation, but never really takes off. [04 Jan 2003, p.C01]
    • Philadelphia Inquirer
  12. 9
    In 50 years, film lovers will look back on 9 as the debut feature of an original talent.
  13. Casting herself (as the proprietor of the local cafe) along with a mix of professional and nonprofessional actors, Labaki tries to get across her give-peace-a-chance message with humor, with song, with melodrama.
  14. A feverish melodrama about an idealist who, in following his heart and his bishop's orders, leads himself into temptation and his parish into hypocrisy.
  15. It hobbles its otherwise fascinating premise by descending into hagiography. Webb's story is a tragedy, to be sure, but portraying him as a saint and martyr does little to advance the truth.
  16. Nothing in this quiet, quirky comedy from the brothers Duplass comes close to Jeff's inspired, bong-fueled deconstruction of "Signs," but it gives us a good idea of where this guy is coming from.
  17. It's a scary tale.
  18. It's a period piece full of colorful characters, natty costumes, jaunty music.
  19. Skarsgard's performance is bold and raw (and reminiscent of vintage Jack Lemmon in its earnestness).
  20. A good-natured comedy of errors from Belgium, should elicit smiles, if not belly laughs.
  21. Despite good taste and good will, this romp through Victorian parlors frequently falls flat on its rump.
  22. Together's mix of classical gems and composer Zhao Lin's plaintive score is stirring, soaring stuff.
  23. Classy but ultimately unsatisfying film.
  24. The takeaways of the film are horror and hope: horror that institutionalized homophobia was so pervasive, hope that that intolerance is a thing of the past.
  25. Allied comes off like a highlight reel that mimics the look and feel of a whole school of great films, from "Casablanca" to Hitchcock's "Suspicion" and "Notorious."
  26. The romanticized image of the tortured artist - never mind how warranted his or her angst might be - is the stuff of stereotype unless it's leavened with humor, or limned in art. In Fugitive Pieces, neither element appears in sufficient quantity.
  27. For sci-fi action fans, it's an instant classic. For everyone else, it's a dark, bloody mess.
  28. A movie where the action scenes feel like filler, the romantic leads have little magnetism, and, before long, its metaphysical underpinnings fall to pieces.
  29. Any resemblance between this film and "Casablanca" is purely deliberate.

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