Original-Cin's Scores

  • Movies
For 1,688 reviews, this publication has graded:
  • 75% higher than the average critic
  • 5% same as the average critic
  • 20% lower than the average critic
On average, this publication grades 10.8 points higher than other critics. (0-100 point scale)
Average Movie review score: 76
Highest review score: 100 Memories of Murder
Lowest review score: 16 Nemesis
Score distribution:
1688 movie reviews
  1. It’s a forgivable fault for a first feature such as Before I Change My Mind to try to do too much, especially at a time when gender issues have become so politically contentious. The film can plausibly be understood as a protest against the kind of new more restrictive youth gender laws introduced in several jurisdictions, including Alberta earlier this year.
  2. Food, Inc. 2 is a gobsmacking compendium of scary information about food systems and monopolies, what we eat, what it does to us and what will happen next.
  3. Sting is ridiculous. Still, it's a better movie than it needs to be. A dramatic family backstory sets Sting apart from myriad other creature features.
  4. All You Need is Death is a film to experience. It requires some work from the audience. An impassive viewer is unlikely to piece together the fragments that make a cohesive whole. This is a film to be discovered, made by a director worth discovering.
  5. It brushes up ever so lightly against Eternal Sunshine of the Spotless Mind. And there’s a little of early-ish Yorgos Lanthimos (Alps, The Lobster). Except, you know, more heart. Much more heart.
  6. Civil War is both premium entertainment and a cautionary tale.
  7. Lost Angel — with its engaging mix of animation, talking-head interviews, voiceovers, still photographs, and archival footage — ensures viewers understand the depth of her achievement over two albums released in her lifetime and a third issued posthumously.
  8. This lovely film with its unapologetically female gaze . . . kept me beguiled throughout.
  9. The First Omen is nunsploitation disguised as religious horror bordering on art house. And while individual snippets from the film qualify as genuinely eerie, the overall impression is of a tale told twice-too often.
  10. There’s violence aplenty, which is another reason the John Wick reference has proven so sticky.
  11. Directed by Thea Sharrock and written by Jonny Sweet, Wicked Little Letters is a broad and funny period piece, and it sparkles with sharp dialogue. It’s also a little heartbreaking in its depiction of the many ways women are judged, shamed, and kept down by the concerted efforts of society in general.
  12. DogMan is kind of an idiotic movie built on a ludicrous premise. This does not prevent it from being eminently watchable.
  13. The film’s best parts, apart from abundant vintage footage and those groovy 60s-era threads, are recollections from those at ground zero, like club operators as well as performers Jimi and Judy Mamou.
  14. If The Old Oak is indeed the last film of the master, it’s a fitting sendoff for a director whose work will continue to echo for at least as long as Durham Cathedral has been standing.
  15. Someone Like You is essentially a 30-minute Hallmark-like film stretched into two hours of romance novel fluff via playful-lovebird music videos and other visual padding.
  16. What shines through in all these performances — and in recollections by Wilder himself and others — was a man dedicated to his craft and excited about the creative process.
  17. It’s creepy as hell, watching these kids with no purpose and a desperate need to be doing something important become sucked into notions about self-control and salvation.
  18. There’s a smidgeon more humanity than in the braindead Godzilla vs. Kong, but nowhere near the wit and spirit of Skull Island.
  19. It doesn’t sound much like it, but Problemista is a comedy and a savage send-up of much of what America holds dear. Torres’ absurdist humour underpins the storytelling.
  20. Director Michael Mohan, who also directed Sweeney in 2021’s The Voyeurs, creates a wildly uneven tone here, with a film that starts out promising to be a supernatural horror before segueing into something far more prosaic.
  21. Both a horror story about domestic abuse and a love-letter to the mother-daughter relationship, Shayda is an award-winning first feature about female agency from writer-director Noora Niasari.
  22. With the right combination of nostalgia and novelty, it’s spot-on for families looking for fun on movie night.
  23. There is a joyful lightness of spirit — and some very beautiful cinematography — in The Queen of My Dreams, the dazzling debut feature from Canadian writer-director Fawzia Mirza which premiered last fall at TIFF.
  24. If you’re a fan of the man, William Shatner: You Can Call Me Bill is an easy sell.
  25. With no risk of over-subtlety, Uproar mixes gentle quirky comedy with a few digs at clumsy white allies and the myth of the innocent bystander.
  26. Most importantly, what the film really accomplishes, is bringing back to life Tenório Cerqueira Junior, a terrifically talented musician whose career was ended abruptly. They’ve restored his work and his legacy. It's no small thing.
  27. Ultimately, what sinks the story is a combination of miscasting and bad writing, regardless of its language. Braff tries too hard to be likeable, sometimes coming off as almost creepy. Hudgens leans the other way.
  28. Even those with no particular interest in fashion will be gripped by this story and dazzled by Galliano’s undeniably artistry. It’s impossible not to be. The film is also a profound reminder of just how complicated we all are.
  29. One Life is slow, old-fashioned storytelling. Both Hopkins and Flynn work to keep things tethered; children in peril are subject material that leans easily into the maudlin, but that’s avoided here, mostly courtesy of these performances.
  30. A film that wants to be a metaphor for something, the French film The Animal Kingdom is like an edgeless, absurdist high school version of The Island of Doctor Moreau.

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