John Kirk

Project Hail Mary, the latest cinematic adaptation of an Andy Weir novel, is a crowd-pleaser loaded with humour, charm, and tropes galore. In the best tradition of sci-fi, there’s also a lesson in being the best a human can be, as shown by an alien teacher.

There are two types of pirate film fans: those who love the genre for its thrilling adventure. Then there are the fans of actual piracy, the more bloody and violent the better. The Bluff combines the salt and tang of piracy with a daring, bloody fight to the finish that will satisfy fans of all ranks and allegiances.

The story of Bram Stoker’s Dracula is so well-known that it’s hard to find a new angle. That is, unless you’re Luc Besson and you go back to the book’s inspiration, and present Dracula as a lost soul in need of forgiveness and redemption. And, refreshingly, that’s exactly what you get in this film.

Sadness is the dominant emotion in this film, not fear. While there are those moments that will accelerate the audience’s hearts, there are also those moments that will open them. After all, zombies were once people, too.

The comedy level is well-sustained throughout the film. There is no shortage of comedy in the first half. But it really is the second half when one is able to stop making the predictions and relax into the laughs. At that point, all snake hell breaks loose and the pace accelerates quickly enough that it’s easier to go along with it.

Despite the sterling performances of co-stars Aimee Carrero, Lil Rel Howery and Rob Riggle (who plays a thoroughly horrible and vicious ER Attending Physician), there isn’t a lot of glamour to get the first glance that this well-crafted and poignant film deserves.

One More Shot is a film that’s quirky, but needs to be hilarious. It has flawed characters who could have made more mistakes, but in the end, you know you want them to fix everything. It has funny moments, and there is a welcome twist at the end. But all in all, this film, while cute, needed to be funnier.

The film succeeds on fan appeal and that’s obviously who will thoroughly and absolutely love this film.

This Too Shall Pass is a delightfully unexpected story of growing up, in the same vein as pretty much every John Hughes film. It’s laced with nostalgic hits of the 80’s and the type of humour you remember laughing at as a teenager.

If you’ve ever been a dog owner and you’ve ever been nervous about what’s out there in the shadows, then more than likely, you’ve appreciated the company of a good dog by your side. Good Boy gives you that feeling when you’re watching it, and quite frankly, there were a couple of times when I reached for my own dog to give her a reassuring scratch behind the ears.

There’s a lot to accept in this film that quite frankly, is a bit hard to swallow.

Like every cringeworthy wedding you’ve ever attended, it leaves one with a lukewarm smile, and the hope that the time invested in witnessing this spectacle of forced happiness will be appreciated.

The stunts are super-human, the combat is exhilarating, and definitely in the realm of the unrealistic. But that’s the joy in watching an animated show and suspending disbelief. The audience wants to be entertained and this film certainly does that with its detailed explanations of how these technologically-backward heroes are even able to stay in the fight.

It's clear the formula for the last film is the expectation for this one, but what’s missing is the believability behind it.

Don't expect high heroic drama, but definitely be prepared for some laughs and even a bit of MCU canonical continuity, believe it or not.

Neighborhood Watch has a conventional story motif: the unlikely duo who can barely stand each other, team up and despite their own misgivings, in the end discover something about themselves that surpasses their original goal. It may be formulaic in its composition, but there’s comfort in this predictability.

It’s predictable but entertaining. Unrealistic, but it doesn’t affect the story too much. The relationship between Braxton and Christian has changed from the first film, but it’s a welcome, feel-good change in a story with lots of guns and an epic battle.

A visceral cross-section of an Iraq War incident, related by the veterans who served there, Warfare stuns viewers into submission and leaves them with a grim apprehension of military service - albeit as close as one gets without being there.

Despite the presence and performances of the likes of Mira Sorvino and John Cusack, Fog of War fails to deliver what it promises: a war-time mystery filled with suspense and intrigue.

It’s a modern story that pays homage to the vintage stylings of this pair of characters, a blast from the past that should last for a new generation of cartoon aficionados.

A semi-autobiographical and powerfully moving story by Kyle Hausmann-Stokes, My Dead Friend Zoe is inaccurately described as a “dark comedy” or as a “buddy film”.

Fighting giant robots - even though they are so freakin’ cool - aren’t enough to make a great film, and I know after forty years, this won’t change.

Even Discovery fans will have to admit this spin-off is just simply a weakly told story. The characters are contrived and even a talent like Michelle Yeoh can’t save it.

A cinematic version of this story definitely wasn’t needed. But then again, neither was the hero.

All in all, this is probably the best production of the litany of Tolkien pre-Ring stories I’ve seen on the big screen and I’d count The Hobbit in that estimation. There is a part where it drags a little, and some moments that are campy (I blame those on the anime elements), but all in all, this is definitely something that I would recommend seeing on the big screen.

It’s a powerfully emotional story built on a foundation of surprising historical accuracy. This film treats us to a cross-section of the civilian experience of World War II that isn’t typically thought about.

The film is an exploration, a combination of fan worship, curiosity, and surprising insight into the making of Chasing Amy as well as its significance to the LGBTQ+ community and even to the cast and Smith himself. In a haphazard but honest way, Rodgers brings a new appreciation to the film.

Frankie Freako isn’t the film you’re going to rave about to friends. It will, however, be an excellent subject for conversation about how much films got away with in 1986. If you can watch this film through that lens, it’s definitely a freaky film you can appreciate.