NOW Magazine's Scores

  • Music
For 2,812 reviews, this publication has graded:
  • 43% higher than the average critic
  • 2% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 6.9 points lower than other critics. (0-100 point scale)
Average Music review score: 66
Highest review score: 100 Miss Anthropocene
Lowest review score: 20 Testify
Score distribution:
2812 music reviews
    • 61 Metascore
    • 60 Critic Score
    More a lyricist than a singer, he gruffly talk-sings through much of it, making it hard to grab hold of melodies.
    • 83 Metascore
    • 60 Critic Score
    Old
    Throughout, his rhymes hit the mark, whether he’s painting a bleak picture of the Detroit streets, battling his own demons (loneliness, molly, more molly) or rapping at length about drug-dealing without glorifying it Rick Ross-style.
    • 64 Metascore
    • 60 Critic Score
    The trio lose their equilibrium on Maniacs: a flashy keyboard solo hijacks the song and takes it to a cheesy place. But even when songs swing too deep in that direction, Lobsinger’s steady, breathy vocals keep things grounded.
    • 76 Metascore
    • 60 Critic Score
    As far as comeback albums go, Seasons Of Your Day doesn’t disappoint, but few songs truly stand out.
    • 69 Metascore
    • 60 Critic Score
    There’s a world-weary wisdom that was only hinted at in party-heavy previous albums, and the band is skilled at translating it into catchy lyrical nuggets you can raise a tall can to.
    • 67 Metascore
    • 60 Critic Score
    Current fans may appreciate these saccharine sounds, but others will find them a little much. Still, the highlights make this album worth recommending to those with a penchant for breakup music.
    • 62 Metascore
    • 60 Critic Score
    Deep, wobbly bass, twinkling synths, crisp programmed drums and esoteric guest spots by Holly Miranda and Tegan and Sara's Sara Quin seem crafted with blogs in mind, ensuring the album's freshness in the moment but leaving it vulnerable once the hype dies down.
    • 77 Metascore
    • 60 Critic Score
    This could be any novice eight-track job recorded in a basement or garage, but at least For The Season comes off like the work of a real band for a change.
    • 79 Metascore
    • 60 Critic Score
    They've succeeded at making a good big-dumb-rock record, but you get the sense they didn't mean for it to be quite this dumb.
    • 71 Metascore
    • 60 Critic Score
    There is a fair amount of Bowie-esque schmaltz in Vincenzi Vendetta’s vocals, which make Dystopia a little harder to swallow than its instantly catchy cousin, Cut Copy’s "In Ghost Colours."
    • 72 Metascore
    • 60 Critic Score
    The T-Bone Burnett-produced album admirably employs a nuanced approach and a consistent tone rather than using the opportunity to cash in on the film's young core audience.
    • 44 Metascore
    • 60 Critic Score
    His first album in four years picks up exactly where The Trinity left off: at the centre of the dance floor.
    • 82 Metascore
    • 60 Critic Score
    [The album] chugs and punches in a suitably heavy way without ever feeling essential.
    • 69 Metascore
    • 60 Critic Score
    There's nothing on 3121 that Prince hasn't done better before.
    • 68 Metascore
    • 60 Critic Score
    While it's dense with mood, gloomy lyrics and studio texture, almost to a fault, it's thin on memorable melodies.
    • 71 Metascore
    • 60 Critic Score
    Bibio isn’t reinventing the wheel here (or rather, the acoustic guitar), but when you’ve already hit the sweet spot, you don’t have to.
    • 76 Metascore
    • 60 Critic Score
    The abysmal Justice concert recording is relegated to the audio disc (also hiding evidence of whether or not Gaspard Auge’s MIDI controller is actually plugged in), while the DVD in this package contains the much more engaging behind-the-scenes tour documentary covering 20 days of bleary-eyed debauchery.
    • 72 Metascore
    • 60 Critic Score
    While the five-piece continue to write virtually the same song over and over again (hell, practically in the same key), there are new proggier and acoustic bits (Ghost Walking) on display.
    • 59 Metascore
    • 60 Critic Score
    BE
    The album definitely grows on repeat listen.
    • 80 Metascore
    • 60 Critic Score
    While the bouncy good-time foolery is charming enough in small doses, Islands' relentlessly giddy glee gets annoying awfully fast.
    • 64 Metascore
    • 60 Critic Score
    The hooks and charm of their epic debut, "Logic Will Break Your Heart," were decidedly missing from their 2006 sophomore effort, "Without Feathers," but Oceans Will Rise marks a partial return to form for the Montreal quartet.
    • 74 Metascore
    • 60 Critic Score
    Long-time fans will appreciate that Napalm haven't toned down their extreme approach to metal.
    • 67 Metascore
    • 60 Critic Score
    The production sometimes eclipses the songwriting.
    • 69 Metascore
    • 60 Critic Score
    Strong melodies make the tunes better than middle-of-the-road, but aside from a bit more distortion, the New York trio show little desire to venture outside their breezy alt-pop comfort zone.
    • 76 Metascore
    • 60 Critic Score
    These 10 tunes feel dashed off.
    • 73 Metascore
    • 60 Critic Score
    Provisions is a haunting, alt-countryish record that’s not unlike the Silver Jews’ latest work.
    • 72 Metascore
    • 60 Critic Score
    Williams does sound inspired, and there’s an energetic current running through Little Honey that was missing on previous records.
    • 74 Metascore
    • 60 Critic Score
    Impeccably produced, Valtari ultimately feels like two diametrically opposed albums.
    • 77 Metascore
    • 60 Critic Score
    In a genre based on repetition, standout moments are critical, and We Move provides too few of them to be impactful. But when they show up, the results are stunning.
    • 57 Metascore
    • 60 Critic Score
    Five Jurass's virgin excursions into P-Funk and electro find some comfortable new sonic territory.