Wonderful, Glorious is a solid Eels record, with some of the best arrangements they have ever written.

González adds in playful elements like metronomic percussion (Lasso In) and danceable cumbia rhythms with mixed results (Swing.) And though both are charming in their own right, they don't quite measure up to the haunting simplicity of his best work.

Adele and her team have crafted an album that's both full of songs that have the potential to reach the upper reaches of the charts, and also a collection of songs that hang together as an album.

Though he offers some of his most impressive and experimental numbers to date, due to Compass’s continual up-and-down nature it’s unlikely to make the impression of either of his two previous albums.

Warm and elegant, careful but not calculated, Ward's production stands perfectly alongside his solo releases in terms of sound, style and impact.

An Album assembles all the loose threads from previous bursts of inspiration to sequence a scenic panorama to get lost into.

You're probably not going to find another record quite so beautifully produced this year, or quite so warmly inviting, or just quite so full of lovely stuff.

Although Yorke’s songwriting prowess is still very strong, this record is by no means perfect.

Richmond Fontaine should be commended for bucking the singles trend and crafting an album that functions best, possibly only, as a whole, especially amid rumors of the album's impending demise.

Screws Get Loose, is wonderfully tight and Those Darlins' latest succeeds with catchy, country tinged rock-and-roll with a healthy dose of humor.

The whole of it is too calculated, even if they occasionally hit the mark with an obvious attention to craft which, to be fair, certainly counts for something.

Hang appears as an album of ambition that outdoes itself so spectacularly that it appears as a jazzed up, Disney-esque caricature of its own end product.

It’s easy to make comparisons with contemporaries--namely the likes of Best Coast--but Stina Tweeddale and Cat Myers transfer so much personality to their tracks that a deeper, more lasting impression is given.

Minor quibbles aside (Set Me Free is a little over-wrought and clichéd), True Romance is a simply stunning record.

Algiers is immense, genuine, and, at times, heartbreakingly beautiful.

The tension they harbor throughout can sometimes feel a little too detached for its own good, but that doesn't take away from an otherwise nonlinear experience that has the potential to grow over time.

Blood Pressures is a compelling forty minutes, and by the time we reach the closer, Pots and Pans, with a slider and twelve bar riffs to accompany its sultry, resonant admissions, you can barely imagine them any other way.

The result is an album that humanizes the machine and peels back a layer from Albarn's life while adding more to the music.

From the fuzzy way-wah bridge of Serve the Song to the soft and gentle swing of Holding Patterns, the band is taking great strides in diversifying their musical palette even if it primarily coalesces and not expands on their established personalities.

In many ways, What Do You Think… is a perfectly teenage album; it’s smart and it’s naive, it’s funny and it’s bleak, and, most importantly, it understands the appeal of pop while being frustrated at the apolitical landscape in which it exists.

As it stands, the best that could be said about Ceremonials is that it's a pleasant enough listen that will change absolutely nobody's mind about Florence and her machine.

Transit Transit justly follows the digitalized distortion their debut paved, keeping a decidedly drab mood that permeates throughout the entire production.

Dr. Dog's best effort yet.

It’s still haunting, and it’s still beautiful. It’s like a soundtrack to exploring some abandoned, centuries-old mansion in the middle of a desert, now filled with ghosts, lost memories, and cobwebs weaved around expensive furniture.

With all its shallowness and artifice, it can only ever be a guilty pleasure. But it is the most intense of guilty pleasures.

This brand of thoughtful ambient music is certainly not for everyone, but those willing to take the plunge may just come away surprised. After all, being perhaps too original and ambitious is often better than being trite and derivative.

At first, it’s a bit off-putting how much Mulcahy has extended his reach, also considering its numerous shapeshifting vocal qualities, but once you recalibrate your expectations you’re left with an album that bravely looks ahead. It’s a fond return riddled with unbounded creativity, and could very well be his definitive statement.

They've just released their second very good album, Hera Ma Nono, and the collaboration is still positive and unforced.