Overall, the developers seem to have put more emphasis on the presentation than on creating a deep and immersive gameplay experience.

From the boring story, to the shallow single-player gameplay, to the dull characters, Mass Effect 3: Special Edition didn’t do anything for me to live up to its Wii U subtitle.

It's a great package for fans of the band and die-hard fans of the Guitar Hero series starved for new music.

The first four Mega Man X games are fun nostalgia, though it sometimes feels like a case of deja vu.

It was interesting to read through Episodio 1926 to see what happened to the characters and how they would deal with the fascist threat that was only growing in Italy. The text issues (especially in necessary scenes for best endings) were a bit annoying, and if you’re not going for 100% completion it’s possible to run the story through as a long weekend read.

There's no denying that Mushihimesama has had an interesting release history, most of which seems to exclude the West. It's always great to see hidden genre gems emerge on the eShop, but this one is a little more rough than diamond. That might sound more dismissive than I intend; Mushihimesama is a fine shoot-'em-up, but the content on offer does feel limited. Unless you're into playing every obscure arcade shooter, it's likely you'll find more to love from other Switch library offerings. Still, blasting a bounty of neat-looking bugs provides a fun enough time while it lasts.

A fun and intense game at heart. If only its missions were more understandable, balanced, and streamlined.

I recommend LSWII to those who really loved the original – for me, it was worthwhile to see all the cinemas and locations, and plenty of fun in co-op. It doesn't live up to the original by any means.

Gradius Origins feels like a more niche collection in some ways. Fighting games are at a relatively high point in popularity, so it makes sense that the Capcom’s of the world would pump out collections of their huge library. Side-scrolling space shooters haven’t hit the same kind of resurgence, so what we’re left with is a series of similar-playing shooters wrapped in a best-in-class collection of features that make them just close enough to playable. I appreciate the level of effort that was made for Gradius Origins, it has been treated with a kind of reverence that makes me think M2 truly cared about preserving these games. That said, in practice it feels more like a niche history lesson rather than a source of deep fun.

This is an excellent pick-up for hardcore Mudd fans, but if you’re new to the series, don’t start with this game—go with its predecessor. Even for Mudd diehards, I suspect your mileage may vary.

Now that a third of the game isn’t enough to make my inner English teacher want to have someone at the publisher see me after class, I think there’s a decent effort in Cupid Parasite. There’s still typos which I’m becoming more sensitive to, and the controls are a bit irritating if you’re trying to do anything beyond advancing text, but it’s a unique take on the legends of Cupid.

Whether you end up enjoying your brief journey through the world of Limbo will be subjective. It’s a akin to an expressionist painting, for some it will come across as beautiful experience greater than what you can see, while for the rest it may just seem boring and relying too heavily on artistic impression. I fall somewhere in the middle, I enjoyed the experience but as a video game, it was just a bit too simple for me.

Yoku’s Island Express is far from bad. It has great ideas, a very good soundtrack, and competent gameplay. But while there’s not too much actively wrong with it, it doesn’t do anything exceptionally well either. It’ll do.

It Takes Two is a very fun game that should honestly be about half its length, but the Switch very much does not feel like the place you should go to play it. The major graphical downgrades and added loading screens make it hard to recommend no matter how good the gameplay feels or how clever the writing is. If you’re looking for a fun game to play alongside your significant other or a friend, It Takes Two is among your better options in general, but you’d likely have a far better experience on PlayStation or PC than on Switch.

If you have kids and they love any of the Marvel superheroes, I could definitely recommend this game to them. Otherwise, you can le’go of any hope that this game could be enjoyable.

If you are a fan of over-the-top violent sword swinging, inappropriate humor, and cleavage shots, this is the game for you. For a casual gamer who isn't necessarily all in on the carnage, this would probably be a pass. However, it’s a solid mindless distraction for the over 20 crowd. No More Heroes 2 certainly fills a niche that is typically left void in the realm of Nintendo.

Lego Star Wars: The Skywalker Saga was ultimately a nostalgic yet surprisingly fresh experience that for the most part holds up well on Switch. The films covered in previous games feature entirely new takes, while certainly throwing in some references to those classic titles. My personal experience, unfortunately, was marred with a significant progress blocking bug. In the isolation of this pre-launch period it is impossible for me to know how widespread this issue will be. Hopefully, it will be patched in the near future, especially if it’s not exclusive to one platform. All I can say for now is that while I thoroughly enjoyed Lego Star Wars: The Skywalker Saga, I do have to recommend a little caution.

An enjoyable experience, though clearly flawed in the same way its source material was flawed.

When it comes down to it, Spelunky feels dated. Since its initial release, roguelikes and lites have evolved a great deal. That evolution, of course, is due in part to Spelunky. A daily challenge seed with a leaderboard is something I first heard about in Spelunky. When comparing it to the modern members of the genre, what you get is lacking. This is still a perfectly playable game, which is a strong compliment for a remake of a freeware 2009 release. The concept of Spelunky is timeless, even if the game itself is not. I just think that recently developed roguelikes will give players more.

It's enjoyable for a little while to see the numbers go up and down as your profits soar and your inventory dwindles, but there's so little variety in the main loop that I didn’t feel compelled to discover all of the areas and associated characters. As a background game for the cozy-inclined, it offers a fairly passable experience, but Tiny Bookshop is far from a page-turner.

Pillars of Eternity’s reputation for quality is well deserved. It’s definitely worth checking out, whether on other platforms or when the Switch version is fixed up. For now, the version on Nintendo’s latest is an interesting curiosity with some pretty heavy issues. And it’s not the first time I’ve seen that phrase used in relation to an Obsidian-developed game published by another company.

As would be expected for a pair of 3DS games, the Gunvolt titles look sharp in handheld mode. There was a bit of an adjustment period when playing on TV, as I had mostly played Blaster Master Zero in handheld mode so I wasn’t used to the pixels being enlarged for TV visibility. It’s especially notable in the first game’s credits. The music is not really noticeable until the Japanese pop idol overrides kick in, but those songs are a nice reward for the first game and serve as the DLC for the second title. Inti Creates’s first six months on Switch have been quite strong, and this package is keeping the streak alive. Some of the additional content may water down the experience, but both games at their heart are worth a look.

I’m torn on Fuga: Melodies of Steel. There is more that I like than dislike; combat is satisfying, the graphical style is appealing, the music ranges from good to phenomenal and the story, as cliché as it may be, is told well enough. And yet I still can’t shake the feeling that Fuga could have been so much more if it cut back on the boring base building and truly committed to a tone that the premise deserves. If a solid linear RPG that can be beaten in under 20 hours is something you’re in the market for or if you’re curious about the successor to Solatorobo then Fuga is at least worth a look. But if your interest was piqued by the trailer or heard the premise of children, war, and permadeath; then you should know there is a lot less here than you may have initially thought.

If it was Live A Live that allowed Takashi Tokita and his work on Chrono Trigger to soar, then of course it was worth it. In this present day chapter, for my money, I'm looking ahead to the next Square remake.

The first-person, open-world approach to a murder mystery adventure is certainly unique, but Paradise Killer is weighed down by irritating movement and a confusing story. The character names do more harm than good, and the visuals are merely serviceable. Fortunately, the soundtrack provides incredible travelling music, and it’s worth seeking out tapes to add to your collection of tracks. If you can get into the world and its mysteries and intricacies, you’ll find an experience worthy of being called Paradise. If you’re expecting another Danganronpa, this might be more of a buzz killer.

Monster Hunter Stories 3 tries to be an epic RPG, but it’s bogged down by so many systems and ideas that it starts to take on water as you progress deeper into it. The story wound up being a highlight, but even the streamlining of monster dens couldn’t solve the heavy-handedness of monster collection and enhancement. If you want to painstakingly tweak the dials on habitats and splice monster genes while dealing with an acquired taste of a combat system, you’ll find a better time than I did in this game. Maybe at the end of the day, the twisted reflection was a metaphor for the entire game.

If you can get over the criminal lack of configurable controls, it’s hard to go wrong with Mega Man Anniversary Collection. The games vary in quality, but even the worst one is pretty good, and the best ones are deservingly legendary.

Ultimately, if you like super challenging shmups and especially if you’re old enough to still call them shoot-‘em-ups, then you’ll find a lot to love here. Likewise if you’re a newcomer to the genre then R-Type Dimensions EX is a great place to start and will hold your hand until you’re ready to let go.