Dusk Diver 2, like the first game, has potential; the cast of characters and storyline are both engaging, and the world could definitely host more interesting stories in the future. However, this sequel sadly fumbles things on the gameplay front, with a disappointing mixture of damage-sponge enemies and drawn-out encounters. While we didn't enjoy Dusk Diver 2 as much as we had hoped, there is something there — a kernel of potential as yet unrealised — and there are going to be people who absolutely adore it despite its faults. For us, a potential Dusk Diver 3 will hopefully boast combat engaging enough to match the writing on display here.

Cult of the Lamb proves to be a remarkably fresh take on the roguelite genre, not just in its goofy and creepy aesthetic, but in its smart blending of action and survival mechanics. Gameplay remains tense without ever feeling like it’s unfair and a steady stream of unlockables and collectables ensure that your efforts are always rewarded. It’s just a shame that the performance isn’t up to snuff, at least at launch, as that’s really the only major complaint that we have here. We’d still give this a hearty recommendation to anyone who thinks it might be up their alley; it may not be everyone’s cup of tea, but Cult of the Lamb proves itself to be a great new addition to the Switch library.

Kirby's Dream Buffet is a colourful and chaotic slice of slapstick party game action that serves up a nice range of modes to play either offline, in online ranked matches, and with friends in split-screen or local play modes. This is an easy, breezy game to jump into, perfect for beginners and young gamers, with plenty of courses, lots of unlockable goodies, and a budget price point to boot, making for one delicious treat that we're gonna be digging into for some time to come.

Blossom Tales 2 is the kind of game that’s absolutely good, but definitely not great. The cute narrative premise, solid dungeon design, and pacing of overall progression all make this one worthwhile, but it’s also the kind of game that feels like it’s hamstrung by its lack of daring to try something new. In this sense, it’s the epitome of a “buy it on sale” game; you’re not missing anything by waiting to snap it up at a later date, but if you're a fan of the traditional 2D Zelda template, it’s probably worth getting at some point when the mood takes you.

Thymesia has all the ingredients necessary to make for a solid indie Soulslike, but falls short of greatness due to messy implementation of mechanics, bland level design, weak lore, and issues with difficulty balancing. Add to this the fact that we experienced serious performance issues with this Cloud Version — problems which fundamentally hampered our timing and control input during combat, ruining the most promising part of the game — and you've got a Switch experience that's best avoided at all costs.

RPG Time: The Legend Of Wright is a beautifully imaginative, charming RPG. Protagonist Kenta’s childlike glee paired with some inventive storytelling techniques and fantastic presentation make it feel like more than just a one-and-done title. The six-ish-hour campaign has enough to explore to bring you back for another go, even if the storyline sometimes feels slightly sporadic and unconnected. It’s not perfect, with a soundtrack which quickly grates and narration that threatens to do the same, but it remains a charming childhood homage, and a gentle reminder for every player to keep their imagination alive.

Apart from mashing together two classic Japanese IPs, Shin chan: The Endless Seven-Day Journey mashes together some quite contradictory concepts and comes up with something special. You have the directionless, simple adventures of a child’s curiosity on a rural holiday, but they’re interrupted quite suddenly by a tightly directed (and completely absurd) plot. Wacky sitcom energy quickly becomes the drive and purpose in a game that could have been merely a wholesome meander-em-up. So there is the soothing magic of endless days running round fields and just seeing what catches the imagination, but also a heavy steer to play a story from end to end, packaging the never-ending summer into a punchy and dynamic 15-20 hours. Knowing now what Kureshin and Bokunatsu are, if you think you like the idea of mixing the two, this game is very easy to recommend.

We wholly recommend Arcade Paradise if you enjoy either simulation-style games or spent the '90s with a pocketful of quarters down at the local arcade. The narrative centred on a lazy young adult proving to their father they can run a successful business will never really grip you, and – believe it or not – laundering clothes and peeling gum off the machines becomes a bit tiresome. Yet the arcade games themselves and the sheer creativity and charm Nosebleed Interactive has packed into them more than makes up for the monotony. If we stumbled upon these games in the back of our local laundromat, we’d spend actual money there. But since that seems rather unlikely, we’re sure to boot up Arcade Paradise to try for some global rankings long after we’re done with laundering clothes.

Mega Man Battle & Fighters is an excellent Neo Geo Pocket Color package that is fairer and more playable in some ways than the arcade originals on which it's based. For fans of the Mega Man formula, there’s lots here to learn and plenty of rewards to be gained from defeating each story’s boss lineup. Getting to grips with each character’s strengths and weaknesses mixes things up, and it’s great fun to study and overcome the attack patterns of your adversaries. Sadly, it’s hamstrung by a prominent and invasive continue option that many will struggle to ignore, and the localisation is non-existent, making it both cumbersome to get into and limited in terms of how much one can be absorbed by the experience.

Two Point Campus is a masterclass management sim game bursting with creative new ideas and a wholly original approach to success. Its wholesome ‘invest in students and they’ll invest in you’ strategy is a beautiful way to put a positive spin on an otherwise NPC-exploitative genre. Dampened only by some technical issues, it still manages to be a standout amongst its peers and shine brightly at the top of the class.

Baldur’s Gate: Dark Alliance 2 is one of those games that acts as an important reference point in realizing how far a genre has come in the last couple decades. While it was likely once considered a solid and perhaps even a little daring example of an ARPG, it’s now been resolutely left in the dust by more modern releases. Sluggish combat, drab environmental design, and low build variety all hold this one back considerably, though it’s saved somewhat by its equipment upgrade system and dark atmosphere. Fans looking for nostalgia already know what they think about this release and have probably already snapped it up, but if you’re a newcomer who’s thinking about a purchase, we’d recommend you pass. This simply isn’t a good enough game to justify the $30 price tag at time of writing, and there are much better examples of the genre on the Switch that are more worth your time and money.

If you're a fan of horror games that focus more on atmosphere and scares rather than combat, then MADiSON is a no-brainer. It's not the most original game and it mostly follows the lead of pioneers like the aforementioned Outlast or even Hideo Kojima's P.T, but that doesn't matter. What you've got here is an effective horror experience regardless, and one that you're going to enjoy from start to finish.

Strange Horticulture’s biggest struggle is shoehorning itself into the Switch’s little screen and thumbstick controls. It does that well enough to preserve its wonder, but if you have a PC to play it on, that might be preferable. It comes from a very simple place: a one-screen playfield with basic, heavily scripted interactions. But that is the perfect backdrop to throw the player’s new discoveries into sharp relief and bring an eerie world and gripping mystery to life. This irresistible immersion stems eventually from a quiet and unassuming start, so stick with it – it’ll grow on you.

Ultimately, Wave 2 Of Mario Kart 8 Deluxe doesn't quite knock it out of the park. We know we've been bashing these courses left, right, and centre, but when it comes to Mario Kart, we have pretty high standards, you know. However, none of the tracks on offer are straight-up bad; most of them just feel like "b-side" filler when compared to the main tracks created specifically for Mario Kart 8. There's still a great deal of fun to be had here, particularly when you crank up the difficulty to 200cc. We have to keep reminding ourselves of the bigger picture, too; we've now got sixteen new courses for Mario Kart 8 Deluxe and we're not even halfway through yet. We've still got a ways to go.

Mega Turrican represents one of the series highlights, and there’s a certain amount of intrigue in Super Turrican 2’s adjustment of the formula. The rest is largely recycled. The package has all the same awesome, tweakable features and options featured in Vol. 1 as well as continued bonuses in the form of galleries, jukeboxes, and a remastered soundtrack option. But the price for what’s on offer is somewhat lofty. As we mentioned in our review of Turrican Anthology Vol.1, there’s no real need to split these titles between two releases except to wring more money out of consumers. While the titles herein and the quality of the ports are generally excellent, the lack of unique content leaves something to be desired.

The only real downside to Turrican Anthology Vol. 1 is the limited selection of games on offer. This is a series currently spanning two volumes, which some will rightly see as unceremonious enterprising. The Turrican games exist in so many formats and in so many guises, that it would have made sense to build the ultimate compilation and serve everyone at once, perhaps including obscurities like the PC Engine, original Commodore 64, or even Atari ST entries for the sake of completeness and preservation. As it stands, while a package that provides hours of gritty action gaming, its main drawback is its hefty price tag and meagre curation in respect of multiple volumes. Still, that soundtrack though.

Hindsight does what it does with technical and artistic aplomb. The story is eloquent, mature and moving, and the core mechanic of diving into objects creates perfect madeleine moments that boost the experience beyond many other story games. It only asks for a few hours of your time and repays the investment generously.

Digimon Survive is one of the best visual novels to come out so far this year, with plenty of heart and tension to carry you through to the final act. Fans looking for an engaging story with well-written and presented characters that deal with life-and-death situations will enjoy the ride, while players focused on the combat will probably find that the game comes up short. Despite its sluggish, padded start, Digimon Survive is well worth the long wait.

Frogun sets out to do exactly what it intends. There is more than enough to enjoy in the game, with around a five hours campaign to play through and the added replayability of finding collectibles that you may have missed the first time. And, although the story is simple, at no point did we find ourselves getting bored. Even the frustration of repeating levels is genuinely reflective of early gaming. It's safe to say that Frogun succeeds in evoking that retro-style puzzle-platforming of the '90s.

It's tough to say whether Azure Striker Gunvolt 3 is a clear improvement over its predecessors, but this entry is every bit as action-packed and razor sharp as them. Kirin offers up a refreshing new take on the tried and tested gameplay, while the tight level designs and focus on the ranking system make this one a highly replayable experience. The only real downsides here are that the gacha system feels awkwardly implemented and the story can be a slog, but both these things are easily ignored when the thrilling gameplay really gets its hooks in you. If you at all enjoyed the previous entries, it goes without saying that you owe it to yourself to pick up Azure Striker Gunvolt 3, but we’d encourage newcomers to give it a shot, too. Action platformers like this don’t come along too often, and we’re pleased to report that Inti Creates clearly hasn’t lost its mojo in this space.

Xenoblade Chronicles 3 is a genuine masterpiece and the highlight of Monolith Soft's superb series thus far. There's an emotionally-charged and surprisingly edgy epic to get stuck into here, a sprawling and hugely engaging narrative populated by a cast of unforgettable characters that's backed up by some of the very best combat we've had the pleasure of getting to grips with in this genre to date. Over 100 hours into this one, we're as captivated now as we were when we first booted it up and it has more than delivered every bit of the adventure, emotion, and action that its signature start screen promised it might. Aionios awaits, it's time to seize the future.

The game runs near-flawlessly on Switch aside from a few levels near the end (that being said, you’ll be in slo-mo for the majority of the game anyway). However, the two biggest issues with the game rear their heads here. Games like this typically have near instantaneous restarts to ensure the action is always moving. Severed Steel’s load times aren't obnoxiously long by any means, but just long enough to add to the frustration of losses. The other (and biggest) issue is the complete lack of gyro-aiming, which — especially for a game this fast-paced — feels like a large oversight. But still, we’re talking about a game where you can throw your gun at someone, slo-mo, dive over their head, steal another from their back pocket, then blast them with it. Which is pretty rad.

Omori isn’t a game that we would say is for everyone, but it’s the kind of thing that seems like it will deeply resonate with its intended audience. If you’re looking for a funny, sad, creepy, and downright disorienting RPG adventure, Omori is something you won’t want to miss. The memorable narrative, offbeat sense of style, and high replayability make this one easy to recommend, even if the plot pacing can feel sluggish and the combat doesn’t always deliver on its potential. We think Omori is an experience that’s worth your time; give it a shot if you want to try something a little different.

Luckily, the Switch version runs fairly well, with any frame rate hitches being minor and infrequent. However, the game can look a little muddy in handheld mode, with elements like the water in ‘Neo-Shinagawa’ looking like a giant blue wall you’re about to run into. The game also has some occasional glitches like ships flying through the track, although they’re infrequent.

Coromon takes aim at one of the greatest series of all time and, while it isn’t any threat to Pokémon’s worldwide domination, it is a charming and fun nostalgia trip for fans. Excessive grinding and a story that takes its time to get going mar what is otherwise a worthwhile journey, but if you're a fan of old-school Pokémon, that shouldn’t put you off investigating this title up. Whether you’re a new trainer or you’ve been catching 'em all for years now, Coromon has something for you to enjoy.

Live A Live has been well worth the long wait. This remake reintroduces an influential, unique JRPG to the wider world with aplomb, with a cacophony of different gameplay styles, music, and visuals that somehow hang together beautifully. Despite looking like Octopath Traveler and perfecting the HD-2D visual style, you'd do well to remember that this is still a Super Famicom RPG, with many of the frustrations that come with ‘90s RPGs still intact in this remake. Still, we admire that Square Enix decided not to change too much with this remake, instead delivering an authentic and faithful update to the game that the majority of players outside Japan missed nearly three decades ago. This is a piece of gaming history we have loved getting to experience for the first time.

Bright Memory Infinite is a short but could-be-much-sweeter shooter, and a hard one to recommend. It's glitchy, it has an incoherent story that ends abruptly, the AI is inconsistent, and the whole thing is over in just about two hours. And yet, in spite of all of that, we still had fun due to its strong core gameplay and frankly, ridiculous story and setpiece moments. For a game made by just one person, it has a really solid foundation and some impressive production values despite the glitches. However, it desperately needs further iteration to be worthy of recommendation for anyone outside of a select few.

One challenge for the graphic adventure has always been how to meld puzzles, which are essentially abstract snippets of logic, with telling a story, which essentially needs to flow, without stopping to do sudokus 'round every corner. Growbot makes its most common puzzle part of the world, with its flower-based music mechanic, and the art makes everything look like there’s a story behind it. Unfortunately, that appearance of story is only skin-deep, and the puzzles hang oddly on the bare frame of a plot. Outside the musical sequencing, there are some infuriating blockers – especially when doing contrived things with contrived items for contrived reasons. That Goldilocks sweet spot of difficulty that makes the player feel in control proves too elusive, but there's melodious, mechanical enjoyment to be had here if you're not fussed about story.