KILL la KILL IF has all the visual prowess of an Arc System Works competitive fighter minus the substance that they are usually known for. It doesn’t necessarily handle badly control-wise, it’s just far too simplistic for even the most casual player to get any real longevity or satisfaction from it. Mix that with a horde survival mode tacked on as an afterthought, and you have an unrewarding button-masher masked behind the scribbled down blueprints of a fighting game.

Personally, I would love to see The Kid competing against top dogs in arcades across the city, turning his or her newfound passion into something to be proud of. For now, though, these desires are merely wishful thinking for something that clearly has the potential to manifest into something much more interesting and thought-provoking than the dreary narrative that binds some genuinely clever ideas together.

In an age where there’s an abundance of polished 2D indie platformers, Alex Kidd in Miracle World DX may not reach the same impact that the original once did. Nonetheless, this game is an adoring love letter by a team who undoubtedly shared a similar nostalgic childhood memory that I will always personally share and cherish. While a fancy lick of paint and some quality of life features will unlikely ever quite capture the magic that once made the original experience so special, Jankenteam has done its absolute best to beautifully repaint a classic that deserves to be remembered and retold.

Ultimately, I Am The Hero is fun for an hour or so but it’s impossible to recommend beyond that unless you really miss the halcyon days of the side-scrolling beat ’em up. It may well be that you can push through it if you like to chase scores, but it just lacks that special something that made the classics so good. It would be ludicrous to say you should play this and not just Streets of Rage 2 on one of the many compilations it has appeared on.

But the racing system is boring and slow, taking away the feel of excitement and thrill that the rush of illegal fast driving would normally bring -- this game seems to have none of that.

Blanc never truly lives up to its potential, but it is a good starting point for a potential sequel. There are simply too many missed opportunities with most aspects of the game. From the puzzle-solving to the story, more could have been done. That isn’t to say I completely disliked the experience, far from it. Just please remember to bring a friend along for the ride if you are willing to forgive any shortcomings.

This is a textbook case of a disappointing remake. Without the context of the original, you’d probably assume Front Mission 2 is a mediocre game. I’m sure the intent of all of the developers wasn’t nefarious, and it’s possible that there was just a brutal time crunch they had to work under that resulted in so many cut corners. The translation is such a massive blemish on this game that I can’t recommend this even being worth your time until it is properly retranslated, and hopefully, by then, you can grab it for a convenient sale. Front Mission 2 deserved better, and I wish I could have properly experienced everything it had to offer.

The added co-op adds to the value of the game, but the game’s frustrations hamper re-playability. The stripped down nature of the game is part its charm, but can work against it. Sometimes Mugsters’ sandbox just feels a little shallow.

Dr. Kawashima’s Brain Training for Nintendo Switch – besides being quite the mouthful – is a welcome return for the series and a great fit for the console. Sure it’s a rather predictable experience but it’s one that in spite of its few hiccups manages to challenge and entertain in equal measures.

Rock of Ages 3: Make and Break rarely rolls far from the well-worn formula of its predecessors that alone might have made this a tougher recommendation. The inclusion of a level creation tool, however, gives the series the jolt of excitement it sorely needed. Three games in and what Rock of Ages 3: Make and Break might lack in terms of surprise at this point, it makes up for by giving players the keys to create surprises of their own.

I, Zombie is a decent if short distraction that offers you the chance to play as a zombie and get your own back on the trigger-happy human race. Its gameplay may be overly simplistic but it’s fun enough to keep you engaged to the end. Unlike a zombie, this game is no rotting mess but it could certainly be a little fresher.

Atelier Lydie and Suelle: The Alchemists and the Mysterious Paintings readily enchants with a charming story and some fantastical worlds to explore. But, while the game’s greatest strength lies in the depths of its alchemy system, Gust has failed to have thrown enough new ingredients into their murky cauldron to innovate on the experience as much as has been seen in what came before. What we’re left with is a rather average concoction.

Apparently, Bandai Namco Entertainment is working on a fix, but, as of writing this, we have no idea when this will be coming out. I had considered waiting for the patch and reviewing it after the fact, but the best-case scenario of this patch would be reporting on a simple, solid version of a classic game that deserves better. This could have been a way to right the missteps of the previous remaster, but that’s not what we got. Tales of Symphonia is not my favorite game in this series, but I’m worried about what it would mean if this is the new standard for Tales of remasters going forward. I hope this is fixed soon because the game underneath this is quite good.

Long after money has exchanged hands, Penny-Punching Princess will be remembered for the pun-packed, zany adventure that it casts you out on. The game’s inherently repetitive nature will mean it’s best chipped away at over time, but, while some imbalance with the difficulty can irritate, bribing everything in sight with the magical calculator allows it to leave a lasting impression than others on the portable home console.

All-Star Fruit Racing is a decent enough kart racer that offers a few interesting ideas of its own but unfortunately suffers in a few areas whether it’s the awkward control scheme, confusing weapon system or even a general lack of online features. There’s fun to be had from this fruit-inspired title, sure, but perhaps a little ripening could have helped sweeten this uneven racer.

Bendy and the Ink Machine is a very intriguing game. It has an incredible visual style that is unique and certainly has some good horror elements going for it, but it, unfortunately, lets itself down in other areas. Straightforward puzzles, unwanted fetch quests and a clunky combat system really hurt the enjoyment in a big way.

As kart racers go, Chocobo GP is bright and colourful but decidedly forgettable all around. The racing feels serviceable but isn’t short of frustrations, tracks busy with visual flare but uninspired in their actual design and the mode selection a mish-mash of forgettable and okay options. Chocobo GP not only fails to bring anything exciting and fresh to the table but even struggles with some of the fundamentals and when compared with the best Switch has to offer in the kart racing department it falls short in just about every way.

BAFL: Brakes Are For Losers delivers a chaotic, messy multiplayer experience sure to provide a few laughs even if more often than not it’s down to watching others trying to deal with the wild handling of its vehicles. An overall lack of both variety and content, however, prevent this title from reaching its full potential relegating it to a short and shallow distraction.

As I progressed, I began to care less and less about Tom, his old crew and his plight. Which is a crying shame considering the opening of the game felt like the writer and developers reaching out and grabbing me by the throat. Discovering alien artefacts and cave systems initially perked me up, but the rinse and repeat nature of obtaining these upgrades wore me down.

Super Monkey Ball: Banana Blitz HD is a substandard remaster of a game that quite frankly didn’t need it in the first place. The disappointing level design, frustrating boss battles and shallow party games are a sore reminder of just how much this series has fallen since the glory days of the GameCube pair. I want the series back just as much as any fan, but not like this.

Once all is said and done, I can’t help but feel like Garage could have been so much more. It has some great aspects, don’t get me wrong, but the potential is there for all to see and maybe some extra development time was what the game needed to finetune certain things. As it is, what you will find is a game that you will have a lot of fun with, but one that also grows repetitive the more you play. I just kept thinking that there are much better games out there that share a lot of the same ideas.

The Stone of Madness is a decent game in a genre that is quite niche nowadays, make no mistake about that. However, if you’re a fan of top-down strategy-stealth games, want something new, and don’t mind a challenge, then you will find lots of enjoyment here. It’s not perfect, but despite its flaws, The Stone of Madness brings together enough new ideas and great aesthetics to help breathe some new life into a dying genre.

The perfect example of an experiment gone awry. If only the physics were just a little more realistic, it would help a great deal, but as it is, the game just gets to be annoying before you ever start to have fun.

While Digimon Racing won’t knock anyone’s socks off, it’s fast-paced fun if you want a simple racing game and you’re already tired of Mario Kart. You will get tired of this even sooner due to its length, but fans of Digimon will find it easier to get into.

Even looking past the game’s sordid perversions, Gal*Gun 2 never becomes as entertaining as it needs to be to hold your attention for long. In many ways, that’s a shame as, while the game’s erotic nature may be an immediate turn off to some, it exists in an uncontested genre on Nintendo Switch.

It's a decent enough puzzler, a sort of Dig Dug/Puyo Pop hybrid. Some players may get frustrated by being crushed by blocks falling from off screen, as well as the length of the later stages.

No, it’s not original and the writing is a bit rubbish, but I can’t fault the game itself.

As a throwback to an arcade favourite, Raging Justice does a decent enough job to provide you with the short and shallow candy fix that made the genre appealing in the first place. It may be ugly in design, in a 90s 3D model pre-rendered kind of way, but it does have a plasticine charm to it all to make it visually stand out.