You don’t find many games that are this punishing, and I can certainly see why a lot of people would be put off by the trial and error style gameplay. You have no doubt played many titles over the years that were inspired and influenced by Another World. Sure, it may have lost its magic over the last 27 years but that is only to be expected. For what it did for gaming in the early 90’s, it deserves to be experienced nonetheless.

No one can deny how well Nidhogg 2 suits the Nintendo Switch. While the controversial new art direction may split the fan base and the lack of kill count record comes across as a strange absence, this stabby sequel’s healthy amount of new stages and a fun weapon system still makes it an absolute must for couch competition.

I adore both of these games, and if you have the stomach for their contents I think they could be as formative to you as they were for me. They’re thought-provoking and beautiful games that spoke to me in a time when I needed them. But the issues introduced with these official Nintendo Switch releases make it hard to give them a glowing recommendation as they are now. Some of these problems, like Chaos;Head not having speaker tags, aren’t really something that could be fixed. I get it, but there are strange oversights I think could be addressed in a patch. Will they be? I’m not entirely sure. What I do know is that these games are great at their core, and deserve better.

No More Heroes 3 is bloody, violent, crude, insane and even confusing at moments and it’s an experience I found myself having a great time with right up to closing credits. Performance issues can’t weigh down what is a truly exciting rollercoaster ride of a game and arguably Travis Touchdown’s best outing to date.

On the whole, Pocket Rumble is a game that fits snugly on the Nintendo Switch due to its portable inspiration and simple control system. I would even go a far as to say that I would love to see it streamed as a side tournament at some of the bigger fighting game events out there. If you are in need of a competitive fighter without the complexities of the genre yet still manages to keep the mind games intact, then Pocket Rumble could very well be right up your street.

It isn’t often that I would recommend a port of a mobile game, but The Room is an exception. It is a game that simply works on the Nintendo Switch, regardless of whether you play it in Handheld mode or on the TV. The puzzles are clever, unique and engaging. Once you start, you will not want to put your Switch down. Its only real problem is I simply want more.

Despite its technical issues, Black Future ’88 is everything you would want from a good roguelike shooter. Dedicating myself towards certain layouts and advantages while learning the deceitful risks that accompany them never seems to get old. I’ve managed to beat the game once-over several times but not yet looped a playthrough twice – giving me the realisation that I’ve only just scratched the surface. After looping the game, there then becomes the conundrum of looking how to keep that precious time topped up for it doesn’t reset even after beating the final boss. It looks like I’ll just have to have another go then, and maybe one more after that…

Pac-Man Museum+ is certainly a welcome addition to join the robust army of retro collections now available for the Nintendo Switch. Not every game is necessarily a hit, but they are all still part of a legacy that was certainly vital in shaping the future of video games.

I was pleasantly surprised to find a fair amount of replay value and challenge baked into the experience here. Not only do you level up through playing matches, but there are also daily challenges and special game modes that change over time. Still, as much fun as it is to play against other players, there’s only so much this can do to make things feel fresh. You’ll soon be a bit sick of seeing the same levels and wish that there were more Mario titles, or even more classic Nintendo games.

Broken Sword 5: The Serpent’s Curse doesn’t do anything special for the point-and-click genre, but that’s perfectly fine as it does exactly what it sets out to do. As a fan of the first two games, this was what I wanted. Not everything is perfect, such as the animations and some inconsistent voice acting. However, if you’re a fan, you will find a lot more to love than the average player.

The Stretchers may not look visually appealing and it controls a little rough around the edges, but it’s also a hilarious time from start to finish. Best enjoyed as a co-op experience, this is the kind of surprise I’m more than willing to embrace from Nintendo in the future.

The controls in the game are very responsive and are very tight.

Overland is a truly curious take on the post-apocalyptic genre, its turn-based gameplay turning an otherwise tired setting into something worth your time. You’ll feel vulnerable, desperate, and anxious on your hellish road trip and while that journey might outright frustrate you at times, it’s one you certainly won’t soon forget.

I may have started this review stating that Pato Box is a straight up Punch-Out!! clone, and at its core it certainly is. However, while the abstract world where a fighting Duck seeks answers is a setup that just doesn’t make sense, it happens to mould nicely with its presentation. It’s far from a perfect game, and the filler sections in between predictably never live up to the actual fights themselves. Yet, in spite of all this, Mexican developer Bromio has managed to make decent use out of the Punch-Out!! formula to craft something unique enough to separate itself from other clones that came before it.

It’s certainly not a game for everyone to enjoy and you can get the same basic feel through playing the SNES version with Nintendo Switch Online for free. But for me, and those with an endearing love for the series, Ghosts ‘n Goblins Resurrection does exactly what it meant to do In a genuinely wonderful way. By basically being a Ghosts ‘n Goblins game through and through, created by a team who completely understand the series down to its finest detail.

The visuals are sumptuous and eye-popping with colour. The design of the worlds and characters could have played into the tropes we’ve seen a thousand times before, but each feels wonderfully original. This accompanies a gentle and subtle soundtrack that perfectly fits the overall style and package. This is definitely a game worth exploring.

Not many games have quite stumped me with opposing thoughts in the same way as Narita Boy has, as I constantly questioned myself over what kind of lasting impression it gave me. On one hand, the visual and audio beauty of it all stayed with me for days, while on the other hand, I couldn’t shake off how everything was all clouded over by gameplay that never quite reaches its full potential.

The sad truth is, Pokémon Trozei isn’t a bad game persay... it’s just BORING.

If you want to experience a bit of gaming history, then this little title may very well be up your ladder. It plays great on the TV and its quick fix gameplay works perfectly for a handheld. Sure, it may not tickle the taste buds of those seeking complexity, but with a great building mechanic and tons of levels to play through, there’s plenty here to keep you occupied under a tight budget.

Calling El Shaddai: Ascension of the Metatron “weird” doesn’t give it nearly enough credit. I think it was simply in the wrong place at the wrong time, because the rise of indie games and uniquely told video game experiences has made titles like this a lot more common. We have an expectation for linear experiences, but El Shaddai’s take on action games still makes it stand out. While I wish combat could have more bells and whistles to it, I appreciate how easy it is for most people to jump into. I struggled to decide if I was sad to see its combat not evolve meaningfully after the three weapons are established, but I equally appreciate it locking in its core mechanics so early. This is something you experience, and while the performance issues take away from that I don’t think they hamper it too much. And who knows, they could even get addressed in a patch. This feels like a definitive title in the seventh console generation and is definitely worth a play if you want to experience a bit of gaming history.

Darksiders Genesis is a pretty decent hack-and-slash adventure that takes the series in an interesting new direction. While my experience with the game rarely left me jaw-dropped, I nonetheless had an entertaining time slashing away at demons and finally getting to play as the fourth and final horseman.

ICEY is a great, if short, game that you will most certainly remember once you have put it to rest. Its clever and interesting take on both the genre and gaming, in general, keeps the surprises coming long after you have finished it. With combat being its main focus, the game is fun and satisfying with plenty of room to experiment and play about with. In any case, it’s definitely worth a punt if you have money to spare on your Nintendo eShop account.

I lost sleep over this game. I can’t stop thinking about it, and reminiscing about my favorite moments gives me chills. It’s haunting, funny, beautiful, tragic, and so very human. I did not know Nintendo was capable of publishing something like this, or funding it. This is one of the highest-budget adventure games I’ve ever played, and I’m saying this fully understanding that Type-Moon localized the Tsukihime remake months ago.

If you miss the days of insane drifts, loud announcers and time-extending checkpoints then Hotshot Racing fills that gap nicely. While this arcade racing competitor certainly has a few dings in it, Hotshot Racing manages to nail the truly important areas. It handles well, feels fast and has that ‘one-more-go’ feel you want from games of this genre. Veteran or newcomer, Hotshot Racing is an exhilarating time.

On technical merit, this game is a big improvement over the original, and has moved from the “avoid if possible” territory right up to “go ahead, spoil yourself.”

Semblance is a breath of fresh air to the platforming genre and one that is entirely welcome. Puzzle lovers will enjoy the idea of working around a problem, casual players can find enjoyment in every aspect and speedrunners are going to have a blast working out movement tech to beat the game swiftly. No matter what category you fit into, Semblance is a must own game on the Switch, for no other reason than it breaks the mould.

Famicom Detective Club is not terribly complicated by modern standards. The games show their ages in spots, and can be frustrating to figure out, but this is absolutely the kind of murder mystery stories I’ve been looking for. The true strength of these remakes is how they made me feel nostalgic for an era of video games I wasn’t even alive during. They recapture the feeling of classic ADV titles while modernizing just enough of the experience to keep the games accessible. The mysteries offered are both fresh, yet comfortably late ’80s. Bigger budgeted “Visual Novels” are always welcome, and a push for them to be played worldwide is even better. I think Famicom Detective Club: The Girl Who Stands Behind is the stronger of the two, but this is a great package all the same. If you’re fine with some tedium here and there, this is a glowing recommendation from me.

Shadow Bug is a decent, but short little game to kill some spare time with. While I didn’t find it a particularly difficult to play through, the extra challenges in place can raise the bar a little bit higher. Besides the fun but temperamental Joy-Con pointing feature, it is a game best suited to the touch screen in Handheld mode.