Sephiroth, for me, is another great addition to the Smash cast. [Issue #51 – March/April 2021, p. 34]

If you enjoy scavenger hunts, have some fond memories of the 1990s or, like me, have a passion for computers and the web, you will enjoy your role as a Hypnospace Enforcer. [Issue #51 – March/April 2021, p. 33]

Fight Crab isn't great, but it is awesome, and that has to count for something. [Issue #51 – March/April 2021, p. 32]

A sharp adventure that will really test your mettle! [Issue #51 – March/April 2021, p. 31]

The idea of a randomly generated auto-runner just seems at odds with the legacy of Meat Boy itself. [Issue #51 – March/April 2021, p. 30]

What a sweet game! Perfect for a relaxing Saturday. [Issue #51 – March/April 2021, p. 29]

The pioneering protagonist is portrayed by the acclaimed Ashly Burch, and her vocal performance earnestly sells the entire premise. [Issue #51 – March/April 2021, p. 28]

We needed an experience like Among Us to cope with the events of the previous year, and its emergent possibilities ensure that we'll continue to enjoy it for many months or years to come. [Issue #51 – March/April 2021, p. 26]

Video game comfort food. [Issue #51 – March/April 2021, p. 25]

Lord Faraday needs to lighten up, but flinging his harpoon around feels great regardless. [Issue #51 – March/April 2021, p. 24]

I award it two "Radicals" and a "Righteous"! [Issue #51 – March/April 2021, p. 23]

Just having this game available again makes it a 10 in terms of recommendation to anyone who felt like they missed out the first time. [Issue #51 – March/April 2021, p. 22]

The controls work. They're just harder to work than in the Wii originals. [Issue #51 – March/April 2021, p. 21]

FATE looks and sounds great, but it drops a lot of the rhythm-action elements, and loses some specialness along with them. [Issue #51 – March/April 2021, p. 21]

It's an auto-runner (surprise!), but unlike others in that genre, it has a definitive end. [Issue #51 – March/April 2021, p. 21]

A gameplay hook that's nothing short of genius. [Issue #51 – March/April 2021, p. 21]

Basically Dance Dance Revolution for your thumbs. [Issue #51 – March/April 2021, p. 21]

I'll have to ding it a point due to the control issues, but the game itself is near perfect. [Issue #51 – March/April 2021, p. 21]

Tanuki Justice is a real "your mileage may vary" type of situation. [Issue #51 – March/April 2021, p. 19]

Mechanical Head has a winner on their hands. [Issue #51 – March/April 2021, p. 18]

A total package that's much less of an acquired taste than the first. [Issue #51 – March/April 2021, p. 17]

It's oozing with style and substance, but it's more for people who love connecting with the artist behind their games, and less for those looking for a virtual playground to call their own. [Issue #51 – March/April 2021, p. 16]

This battle-hardened prequel is able to scratch an itch that its source material couldn't. [Issue #50 – January/February 2021, p. 75]

An improvement over the original in every way. This is a can't-miss addition to any puzzle fan's library! [Issue #50 – January/February 2021, p. 73]

It's so nice to get hyped for an upcoming game, look forward to it for over a year, finally play it and find that it lives up to your hopes! [Issue #50 – January/February 2021, p. 72]

Mario, Sonic and Crash don't have to worry about losing their parking spots with anyone but the most diehard Nick fans. But as these things go? They did all right. [Issue #50 – January/February 2021, p. 71]

Cobra Kai the game forges its own path, and similar to the show, it's surprisingly good. [Issue #50 – January/February 2021, p. 70]

What most winds up dragging down Melody of Memory, ironically, is that it tries too hard to be a Kingdom Hearts adventure rather than a cohesive rhythm game. [Issue #50 – January/February 2021, p. 69]