Still funny and still not for everyone. Louie remains very much a taste that you either acquire--or don't.

These stylish suits aren't empty, by any means. But we'll have to see if USA is truly willing to let its heroes' souls get emotionally naked.

Placid and often incomprehensibly bland, Combat Hospital still has flashes of intelligence. Definitely worth a second look.

Skies needs more horror. Less talk. More dramatic tension. Less (ummm) talk. More crazy, wild shootouts with the despicable aliens, who don't seem particularly bright, by the way. Less (all together now) talk.

Tatum seems genuine and almost desperate to forget the past; Ryan affects the pose that he couldn't care less. Over this is draped a weird "only-in-Hollywood" vibe--and a particularly sad one, too.

Based on the 22 irredeemably painful minutes TV Land offered for review, this show is clunky, sodden, cliched, drab, bland and terribly (terribly) weary.

Super set-up seems to punch every teen ticket there is, with plenty to admit adults, too. Future execution will be key--in more ways than nine.

Competent soap, and the new season is frothier than ever.

Gleeks will engage; hard to imagine who else will.

This intelligent, sensitive portrait effectively explores a lost childhood and remarkable mind. It's engrossing to a point, then tiresome.

A winner and best of all, fun.

Sometimes, you're not looking for great TV. Sometimes, you're looking for par-tay! And dudes paid "to mess with the zombie culture," while also acing the case, surely fits the bill.

It's an odd concept, but it works pretty well.

With two shopping trips in each half-hour, TLC's latest hit is so fast-paced--and such giddy consumerism--that it's fairly irresistible. Also educational.

As real as real gets, invaluably adding human understanding to a hot-button topic.

Despite Salomon's efforts at visually stylish filmmaking, Justice for Natalee Holloway never puts any real meat on the bones of the much-hyped saga.

While you're left to wonder why these four stars need a reality show, or why the contestants never truly made it in the first place, "The Voice" should remain a solid performer for NBC--which it so very badly needs.

It was last year, and remains so this year--one of TV's very best.

Not a dull or wasted moment, and Lane may have just turned in the one of the best performances of her career.

A paint-by-the-numbers biopic with the dramatic vitality of a tree stump.

I mostly loved Game of Thrones, but occasionally grew a little weary of it as well. (And just to answer the obvious question, this is not a small-screen "Lord of the Rings.")

Most of the material flatlines even before it begins, while never rising to the level of the HBO series to which it pays homage.

There's desperation here, and if Happy Endings would slow down long enough to let itself breathe, it might find a footing.

Feels like a rebuilding year here. Veterans trying to hold their spots, rookies working to make the team. Whether a winning lineup coalesces remains to be seen.

Another Discovery/BBC beauty, but short on answering obvious questions.

This three-parter often lacks finesse and sophistication. The story is rushed or clumsily told, and the tone discordant....Watch for Atkins only. She's brilliant.

The indulgence gets annoying, even as the basic details are fascinating and fun, as are the seductive testimony settings. You gotta love the fantasy of all those swank joints and modern mansions.

My pregnant friends polish up the hand-me-downs, shop for the rest of their gear at Target and worry to death about how to make ends meet when it comes to child care. They know what to name their offspring. That's what makes this new Bravo show exploiting the rich all the more fascinating.