More of a continuation than a "remake," this one looks to be a winner.

Saul is lighter and brighter than "Bad," and--particularly with Sunday's launch--often very funny.

Besides the scenery, what's best here are the characters, and their lives--or unlives--of quiet desperation.

While critics like me count quibbles, kids of all ages should share my husband's assessment: "It's a superhero show. Superman flies. Give The Cape a little space."

This hour isn't perfectly paced, but its segues usually wind their way somewhere smart. O'Donnell remains a master of comic timing and tenor, holding the stage through the perils of fame, helicopter mothering, circumcision, women who don't "look gay," doctors lacking bedside manners, the persistence of childhood faith training and more.

Good newcomer that gets even better in the weeks ahead.

A beauty that requires time and patience, but at least strongly hints at a payoff that will reward both.

Get beyond that preposterous premise outlined above, and you've got a solid piece of prime-time entertainment. This show knows what it is, and knows exactly what the core audience expects.

Disney should be sent to detention for passing off such aural plasticity [laugh track], unfairly fouling the repute of the live-audience sitcom. But the rest of Girl Meets World does its job of bringing tween-based family viewing into the 2010s.

A surprisingly revisionist take on one of the most controversial trials of the decade.

Good start to the third season, and from what I sampled, it builds from there.

The dynamics of the show seem different enough that "Housewives" fans will want to give Miami a try. But we'll have to see if the plot lines will sustain interest.

Maybe this episode really is about repression, erotica and split personalities. Or maybe it's just a good excuse for the show to shake the dust out, ditch the inferno of summertime New York and wander amid the glories of Paris while exploring the discreet bourgeois charms of Blair and Serena. Either way, it's a lot of fun.

[A] richly deserved and well-produced documentary.

Multiple-personality thriller starts a bit slowly Wednesday night, but early signs still indicate a summer keeper for TNT.

The acting is first-rate, and so is the writing, but the violence is appalling, and not just appalling, but creatively appalling.

By the end of the first season, the show had improved significantly, if not quite dramatically, and based on a viewing of the first two episodes, that trend continues.

For Mel Brooks lovers everywhere (you know who you are), but it's on the light side.

Leverage's pilot is particularly entertaining. The cast is fine, direction is expert, writing above average, and Hutton's Ford is almost convincing. But the payoff feels laden with cheese of another sort.

The result is often funny, ridiculous, bathetic and silly. Plus, watchable. Against all odds, this might actually be a good closing season.

The judging process seems arbitrary - a couple of artists are penalized for being too abstract; someone who is even more abstract (let's just say this one likes cats) goes to the next round. Otherwise, a winner.

While the story is briskly and engagingly told, with some key players debriefed, there's not a lot new here. It's a very good beginner's history.

Brush aside the hyperactivity and hard sell, and you're left with a winner.

Beals and company (including Joe Morton as her remarkably flesh-and-blood boss) breathe life into this tale the way their characters restore life to patients, with skill and guts and, crucially, souls that radiate precisely what this show is about.

ThunderCats fanboys and girls will approve, although the story does feel a lot darker and more violent.

Terrifically hard to love, but some superb performances indicate that at least it's worth the effort to try.

All charisma and command, [Idris Elb] blasts through the screen in every shot while his performance is a constant reminder that the craft, at its best, is a gossamer of countless little details that add up to something magical.

The Young Pope is a fascinating mess with a puckish sense of humor and an outsized goal--to know the mind of God.