New York Post's Scores

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For 8,343 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
  1. Positive: 4,334 out of 8343
  2. Mixed: 1,701 out of 8343
  3. Negative: 2,308 out of 8343
8343 movie reviews
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  1. Out Cold
    A cheerfully dopey snobs vs. slobs teen comedy.
  2. Porn Star: The Legend of Ron Jeremy
    It's a lumpy and disorganized film that remains unsatisfying, perhaps because the fundamental oddness of having sex in public for money as a way of life remains just as mysterious at the end of the film as in the beginning.
  3. Novocaine
    Martin's most adventurous film in many years, may be next best thing to a quick shot of nitrous oxide.
  4. Bombay Eunuch
    The result is a remarkably beguiling documentary, on a number of levels.
  5. The Simian Line
    One of those exercises in romantic whimsy that misses its mark: It's alternately sappy and uncomfortably harsh.
  6. Harry Potter and the Sorcerer's Stone
    As entertaining as it is amazingly faithful.
  7. The Fluffer
    The performances are more than serviceable and The Fluffer is well-paced and engaging until the flaccid climax.
  8. The Wash
    Boring and desperately unfunny.
  9. I Remember Me
    Judging by this passionate film, the medical community -- has no clue about what causes this awful malady and, worse, doesn't seem to care.
  10. Maze
    Morrow fares less well with the script, which he also produced and collaborated on.
  11. Shallow Hal
    Black, who all but stole "High Fidelity," is disappointingly bland and one-note in his first starring role.
  12. Heist
    A muscular, endlessly twisty homage to film noir capers like "The Asphalt Jungle."
  13. King of the Jungle
    Draggy and contrived.
  14. Otomo
    Unfortunately, the mind and motivation of Otomo -- remain a mystery.
  15. The One
    Overall, this sci-fi/martial arts hybrid has the stale aura of a product assembled out of bits of other action movies.
  16. Everything Put Together
    Unfortunately, director Marc Foster (who co-wrote the screenplay) never allows anyone except Mitchell to play more than a one-dimensional character.
  17. Happenstance
    That is not an original idea, for sure. But the ensemble cast -- especially Tatou as a 24-year-old store clerk named Irene -- is personable and the Parisian ambiance is catching.
  18. Punks
    Lively, well-acted and directed with assurance.
  19. Monsters, Inc.
    Smart, funny and ingeniously detailed with terrific vocal teamwork.
  20. Amélie
    A slick, sweet, fast-paced, feel-good romantic fantasy that's fairly irresistible if you can keep your cynicism in check for a couple of hours.
  21. Citizen Toxie: The Toxic Avenger IV
    Laughs are few and far between, and the film feels brutally long.
  22. Tape
    For all of Linklater's acrobatic camera moves, you never quite escape the feeling you're watching a barely adapted TV version of a somewhat gimmicky stage play.
  23. Domestic Disturbance
    A refreshingly unpretentious little thriller.
  24. The Man Who Wasn't There
    Despite its visual brilliance, its all-round cleverness, and the way it demonstrates a profound understanding of genre, the Coen brothers' The Man Who Wasn't There doesn't quite come off.
  25. K-PAX
    The biggest load of New Agey hogwash to grace the big screen since Spacey's "Pay it Forward."
  26. On the Line
    More "it stinks" than *NSYNC.
  27. Ouch
    A strange Gallic imitation of a Woody Allen comedy, replete with a neurotic older hero.
  28. History Lessons
    The result is an intermittently instructive and amusing jumble that might have been seen as daring and "transgressive" in both form and content if it had been released, say, three decades ago.
  29. The Town Is Quiet
    Rambles on for nearly two hours with subplots that go nowhere -- and half-baked leftist political commentary -- before focusing in for a quietly devastating climax.
  30. Kill by Inches
    Light on dialogue and heavy on creepy atmosphere. See this movie and a visit to the tailor's will never be the same.
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