New York Post's Scores

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For 8,355 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
  1. Positive: 4,342 out of 8355
  2. Mixed: 1,703 out of 8355
  3. Negative: 2,310 out of 8355
8355 movie reviews
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  1. Code Unknown: Incomplete Tales of Several Journeys
    The thing that makes Haneke’s Code Unknown so enjoyable and effective is that that he says it in such a wonderfully restrained and light-handed yet suspenseful way.
  2. The Independent
    There are some charming moments and some funny scenes along the way. But you end up feeling sorry for the likes of Ron Howard, Karen Black, Fred Williamson and Peter Bogdanovich, who agreed to play themselves in cameo.
  3. ABCD
    An engaging, bittersweet tale.
  4. Trouble Every Day
    If you have an appetite for audacious, one-of-a-kind filmmaking, this one's for you. Just don't say you weren't warned.
  5. Jung (War) in the Land of the Mujaheddin
    Like "Beneath the Veil," it gives a human face to those who have suffered from the Taliban's tremendous cruelty, and those who have been maimed in the war to end their rule.
  6. Bangkok Dangerous
    The shooting sprees are full of razzle dazzle. The final gun battle -- between Kong and the police -- is especially effective.
  7. In the Bedroom
    Tremendously affecting on several levels, In the Bedroom is must-see viewing for anyone who complains Hollywood doesn't make movies for grownups.
  8. Sidewalks of New York
    Wears out its welcome fast because of its artistic pretensions and self-absorbed characters. You'd be better off renting "Manhattan" instead.
  9. The Devil's Backbone
    Genuinely scary, exquisitely shot -- and very well-acted.
  10. Così ridevano
    Longwinded, slow-starting but moving film.
  11. Spy Game
    Don't you hate movies where one character is so much smarter than everyone else? That's only one problem with Spy Game, a glossy, suffocatingly predictable star vehicle for Robert Redford and Brad Pitt.
  12. Black Knight
    If this cheesy, cheap-looking update of "A Connecticut Yankee at King Arthur's Court" had been co-produced by the Ku Klux Klan itself, it could hardly be more repellently stereotypical.
  13. Out Cold
    A cheerfully dopey snobs vs. slobs teen comedy.
  14. Porn Star: The Legend of Ron Jeremy
    It's a lumpy and disorganized film that remains unsatisfying, perhaps because the fundamental oddness of having sex in public for money as a way of life remains just as mysterious at the end of the film as in the beginning.
  15. Novocaine
    Martin's most adventurous film in many years, may be next best thing to a quick shot of nitrous oxide.
  16. Bombay Eunuch
    The result is a remarkably beguiling documentary, on a number of levels.
  17. The Simian Line
    One of those exercises in romantic whimsy that misses its mark: It's alternately sappy and uncomfortably harsh.
  18. Harry Potter and the Sorcerer's Stone
    As entertaining as it is amazingly faithful.
  19. The Fluffer
    The performances are more than serviceable and The Fluffer is well-paced and engaging until the flaccid climax.
  20. The Wash
    Boring and desperately unfunny.
  21. I Remember Me
    Judging by this passionate film, the medical community -- has no clue about what causes this awful malady and, worse, doesn't seem to care.
  22. Maze
    Morrow fares less well with the script, which he also produced and collaborated on.
  23. Shallow Hal
    Black, who all but stole "High Fidelity," is disappointingly bland and one-note in his first starring role.
  24. Heist
    A muscular, endlessly twisty homage to film noir capers like "The Asphalt Jungle."
  25. King of the Jungle
    Draggy and contrived.
  26. Otomo
    Unfortunately, the mind and motivation of Otomo -- remain a mystery.
  27. The One
    Overall, this sci-fi/martial arts hybrid has the stale aura of a product assembled out of bits of other action movies.
  28. Everything Put Together
    Unfortunately, director Marc Foster (who co-wrote the screenplay) never allows anyone except Mitchell to play more than a one-dimensional character.
  29. Happenstance
    That is not an original idea, for sure. But the ensemble cast -- especially Tatou as a 24-year-old store clerk named Irene -- is personable and the Parisian ambiance is catching.
  30. Punks
    Lively, well-acted and directed with assurance.
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