New York Post's Scores

  • Movies
  • TV
For 8,343 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8343 movie reviews
  1. You'll laugh, you'll cry -- the year's best movie.
  2. Unfortunately, you are often distractingly aware that you are watching re-enactments of real events.
  3. Toomuch of the humor in Not Another Teen Movie is either lame (the school in the movie is called "John Hughes High") or lamely disgusting.
  4. Has moments that are eerily beautiful and genuinely moving -- and some that are surprisingly vulgar.
  5. A gorgeously photographed, sun-baked fable.
  6. Director Bolton could easily have exploited the film's unsettling issues, but he takes a nonsensationalized approach that leaves viewers to decide the moral questions for themselves.
  7. You might be tempted to walk out. Don't.
  8. But by the time events unfold, viewers will most likely have given up on this melodramatic.
  9. A far more impressive and affecting piece of filmmaking and storytelling than most movies put out by Hollywood this year, and offers, as a bonus, a glimpse into a fascinating, contradictory society.
  10. Features abundant sex and nudity, yet it manages to tell its story (based on a real character) with great sensitivity.
  11. A ho-hum male weepie/road comedy that's worth watching mostly because of a once-in-a-lifetime gathering of England's greatest working-class actors.
  12. An absorbing, deeply affecting, well-acted --and remarkably evenhanded -- antiwar statement. It's also incredibly suspenseful and very blackly funny.
  13. Soderbergh -- helms a much tighter and arguably cooler film -- even if the only thing audiences are likely to remember about this Ocean's Eleven is that, while they were watching it, they enjoyed it tremendously
  14. Never less than breezily entertaining.
  15. I'm not generally a huge fan of movies with two-or three-person casts -- they tend to resemble filmed plays -- but The Business of Strangers is a knockout.
  16. It's hard to imagine how Shyer and script writer John Sweet could have brought this tale to the screen in a cruder, cornier or less interesting way.
  17. Epic waste of celluloid.
  18. A slickly entertaining war movie that's sometimes striking, sometimes silly -- but never, ever boring.
  19. The thing that makes Haneke’s Code Unknown so enjoyable and effective is that that he says it in such a wonderfully restrained and light-handed yet suspenseful way.
  20. There are some charming moments and some funny scenes along the way. But you end up feeling sorry for the likes of Ron Howard, Karen Black, Fred Williamson and Peter Bogdanovich, who agreed to play themselves in cameo.
  21. An engaging, bittersweet tale.
  22. If you have an appetite for audacious, one-of-a-kind filmmaking, this one's for you. Just don't say you weren't warned.
  23. Like "Beneath the Veil," it gives a human face to those who have suffered from the Taliban's tremendous cruelty, and those who have been maimed in the war to end their rule.
  24. The shooting sprees are full of razzle dazzle. The final gun battle -- between Kong and the police -- is especially effective.
  25. Tremendously affecting on several levels, In the Bedroom is must-see viewing for anyone who complains Hollywood doesn't make movies for grownups.
  26. Wears out its welcome fast because of its artistic pretensions and self-absorbed characters. You'd be better off renting "Manhattan" instead.
  27. Genuinely scary, exquisitely shot -- and very well-acted.
  28. Longwinded, slow-starting but moving film.
  29. Don't you hate movies where one character is so much smarter than everyone else? That's only one problem with Spy Game, a glossy, suffocatingly predictable star vehicle for Robert Redford and Brad Pitt.
  30. If this cheesy, cheap-looking update of "A Connecticut Yankee at King Arthur's Court" had been co-produced by the Ku Klux Klan itself, it could hardly be more repellently stereotypical.

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