New York Post's Scores
- Movies
- TV
For 8,343 reviews, this publication has graded:
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44% higher than the average critic
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2% same as the average critic
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54% lower than the average critic
On average, this publication grades 8.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
|---|---|---|
| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
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Positive: 4,334 out of 8343
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Mixed: 1,701 out of 8343
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Negative: 2,308 out of 8343
8343
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Jonathan Foreman
But even if The Cat's Meow is unsubtle and overlong, in its jaundiced way it convincingly captures a fascinating period in Hollywood history.- New York Post
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- New York Post
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Reviewed by
Lou Lumenick
Easier to sit through than the typical, earnest Christian movie.- New York Post
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Reviewed by
Megan Lehmann
A worthy addition to the cinematic canon, which, at last count, numbered 52 different versions.- New York Post
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Reviewed by
V.A. Musetto
Viewers willing to accept the contrived plot at face value will find much to like.- New York Post
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- New York Post
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- New York Post
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Reviewed by
Megan Lehmann
The documentary's director, Arnon Goldfinger, may have had a chance of expanding on the limited audience for such a film if said clan, the Bursteins, exhibited either talent or likability.- New York Post
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Jonathan Foreman
Elegantly photographed family saga that brims with period detail. Unfortunately, the underlying story is less than compelling,- New York Post
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- New York Post
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Reviewed by
Jonathan Foreman
There are some decent jokes along the way. And none of the performances is bad. But they are limited by the script, which allows each character only one comic note.- New York Post
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Megan Lehmann
Much of the movie's gentle charm comes from Mehta, the director's younger brother, making his acting debut.- New York Post
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Lou Lumenick
This is the sort of low-grade dreck that usually goes straight to video -- with a lousy script, inept direction, pathetic acting, poorly dubbed dialogue and murky cinematography, complete with visible boom mikes.- New York Post
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Megan Lehmann
Middleton deals with the various male and female perspectives in an even-handed way, concocting a slice of New York life that's frothy as meringue pie.- New York Post
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Reviewed by
Lou Lumenick
With heavy emphasis on cliché and stereotype, has at least four false endings -- and drags on for nearly two hours -- before it finally contrives to reunite its sitcomish pals for a last drink together.- New York Post
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- New York Post
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Reviewed by
Megan Lehmann
If you've come to appreciate Hal Hartley's idiosyncratic style through films like "Flirt" and "The Unbelievable Truth," his take on the monster movie genre will intrigue you. But, ultimately, disappoint you.- New York Post
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Reviewed by
Lou Lumenick
Looks great but moves like molasses, is more interesting than truly involving.- New York Post
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Jonathan Foreman
Thanks to a superb performance by Isabelle Huppert, it's compulsively, gruesomely watchable.- New York Post
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Lou Lumenick
So off-the-wall that it may well ultimately acquire the cult status of Resnick's earlier Chris Elliot vehicle, "Cabin Boy."- New York Post
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Jonathan Foreman
They may not have made another "Back to the Future," but to their credit, the makers of Clockstoppers don't patronize or underestimate their pre-teen audience nearly as much as has become customary.- New York Post
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Lou Lumenick
Acceptably diverting Saturday night at the movies, especially if you're willing to check your brains at the popcorn stand.- New York Post
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- New York Post
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Reviewed by
V.A. Musetto
Koteas and Ribisi, as two very different brothers, give realistic performances, and play off the differences brilliantly.- New York Post
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Reviewed by
Lou Lumenick
Much sillier - and the movie's nearly two-hour running time seems to last nearly as long as a vampire's afterlife.- New York Post
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Megan Lehmann
Lee gives his childhood hero altogether too much face time to defend himself against the numerous allegations and charges of assault, both physical and sexual.- New York Post
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- New York Post
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- New York Post
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Reviewed by
V.A. Musetto
Has some truly touching and funny moments. But it goes on for too long and bogs down in a surfeit of characters and unnecessary subplots.- New York Post
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Megan Lehmann
At once, a joyful celebration of female friendship and an unusually honest look at newly responsible young women wistfully saying goodbye to the dreams of their youth.- New York Post
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