New York Post's Scores

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For 8,355 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
  1. Positive: 4,342 out of 8355
  2. Mixed: 1,703 out of 8355
  3. Negative: 2,310 out of 8355
8355 movie reviews
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  1. My Big Fat Greek Wedding
    Delivers a sugar rush without the calories.
  2. The Scorpion King
    Unfortunately, Scorpion King has none of the qualities -- epic sweep, relative originality and heartfelt bloodthirstiness -- that made "Conan" so trashily entertaining.
  3. Murder by Numbers
    In effect gives you two movies for the price of one. The better one doesn't star Sandra Bullock.
  4. Nine Queens
    It would be a crime in itself to reveal the surprises of Nine Queens, which provides two solid hours of corking entertainment.
  5. World Traveler
    Amidst the ennui, there are some fine performances.
  6. Mutant Aliens
    It's full of Plympton's trademark twisted humor, with lots of sex thrown in.
  7. Space Station 3D
    This is what IMAX was made for: Strap on a pair of 3-D goggles, shut out the real world, and take a vicarious voyage to the last frontier -- space.
  8. The Triumph of Love
    A triumph of misguided moviemaking, starting with a grotesquely miscast Mira Sorvino, who arguably gives the worst performance ever by an Oscar winner.
  9. Human Nature
    A treat for aficionados of oddball movies.
  10. Mule Skinner Blues
    Very funny. It's also heartbreakingly sad.
  11. Changing Lanes
    Glossy, big-budget thriller that qualifies as the season's biggest and most rewarding surprise.
  12. Frailty
    Genuinely creepy Southern Gothic thriller that once again proves that in horror movies, sometimes less is actually more.
  13. The Cat's Meow
    But even if The Cat's Meow is unsubtle and overlong, in its jaundiced way it convincingly captures a fascinating period in Hollywood history.
  14. The Sweetest Thing
    An awkward hybrid of genres that just doesn't work.
  15. The Other Side of Heaven
    Easier to sit through than the typical, earnest Christian movie.
  16. Karmen Gei
    A worthy addition to the cinematic canon, which, at last count, numbered 52 different versions.
  17. Echoes
    Viewers willing to accept the contrived plot at face value will find much to like.
  18. Lucky Break
    Pleasant and has not a few laughs.
  19. Astoria
    Rates an "E" for effort -- and a "B" for boring.
  20. The Komediant
    The documentary's director, Arnon Goldfinger, may have had a chance of expanding on the limited audience for such a film if said clan, the Bursteins, exhibited either talent or likability.
  21. Les Destinées
    Elegantly photographed family saga that brims with period detail. Unfortunately, the underlying story is less than compelling,
  22. High Crimes
    It's terribly predictable and often risible stuff.
  23. Big Trouble
    There are some decent jokes along the way. And none of the performances is bad. But they are limited by the script, which allows each character only one comic note.
  24. American Chai
    Much of the movie's gentle charm comes from Mehta, the director's younger brother, making his acting debut.
  25. Van Wilder
    This is the sort of low-grade dreck that usually goes straight to video -- with a lousy script, inept direction, pathetic acting, poorly dubbed dialogue and murky cinematography, complete with visible boom mikes.
  26. 30 Years to Life
    Middleton deals with the various male and female perspectives in an even-handed way, concocting a slice of New York life that's frothy as meringue pie.
  27. Crush
    With heavy emphasis on cliché and stereotype, has at least four false endings -- and drags on for nearly two hours -- before it finally contrives to reunite its sitcomish pals for a last drink together.
  28. The Rookie
    Qualifies as perfect family entertainment.
  29. No Such Thing
    If you've come to appreciate Hal Hartley's idiosyncratic style through films like "Flirt" and "The Unbelievable Truth," his take on the monster movie genre will intrigue you. But, ultimately, disappoint you.
  30. Time Out
    Looks great but moves like molasses, is more interesting than truly involving.
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