New York Post's Scores
- Movies
- TV
For 8,355 reviews, this publication has graded:
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44% higher than the average critic
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2% same as the average critic
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54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
|---|---|---|
| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
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Positive: 4,342 out of 8355
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Mixed: 1,703 out of 8355
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Negative: 2,310 out of 8355
8355
movie
reviews
- By Date
- By Critic Score
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Reviewed by
V.A. Musetto
A devastating indictment of unbridled greed and materalism, made all the more relevant by the Enron and WorldCom scandals.- New York Post
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Megan Lehmann
When the Powerpuff Girls blink those soulful dinner-plate peepers, you could forgive them anything - even their movie's wafer-thin excuse for a plot.- New York Post
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Megan Lehmann
If you like your language blue and your humor coarse, Margaret Cho is for you.- New York Post
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Jonathan Foreman
The film is almost worth seeing just for the extraordinary scene in which a stark naked Mortimer has her movie star lover (Dermot Mulroney) deliver an exhaustive critique of her body's flaws.- New York Post
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Megan Lehmann
Psst! Wanna vicariously experience a consciousness-raising LSD trip and watch Sarah Michelle Gellar star in some explicit sex scenes?- New York Post
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- New York Post
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Reviewed by
Lou Lumenick
The story is also engaging and hip enough to make it a far easier sit for parents. And it's hard not to like a hero who takes public transportation to a showdown with the bad guy.- New York Post
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- New York Post
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Reviewed by
V.A. Musetto
The movie, directed by Mick Jackson, leaves no cliché unturned, from the predictable plot to the characters straight out of central casting.- New York Post
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Lou Lumenick
I laughed harder at Pumpkin than at any other film I've seen this year -- but be warned: This dark campus comedy is not for all tastes, or probably even most tastes.- New York Post
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V.A. Musetto
Weatherford and Murphy lead a young and bright cast. All in all, Money Buys Happiness shows that Lachow is a director worth keeping an eye on.- New York Post
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Jonathan Foreman
It's all so insincere, you can almost imagine the filmmakers rubbing their hands together at the prospect of ripping off the public.- New York Post
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Megan Lehmann
Lacking quite the zip and zing of "Run Lola Run," this lively indie tale of a drug deal gone awry could be alternately titled "Walk Fast Bobby Walk Fast."- New York Post
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Reviewed by
Jonathan Foreman
Far more interesting and intelligent than anything coming out of the studios. It fairly brims with superb performances by a terrific cast - you simply can't take your eyes off the female leads, Edie Falco and Angela Bassett.- New York Post
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Megan Lehmann
The film - dimly lit and with an ominous soundtrack that verges on overkill - is largely a showcase for the heavy-lidded Renner.- New York Post
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Megan Lehmann
Kicks off with an inauspicious premise, mopes through a dreary tract of virtually plotless meanderings and then ends with a whimper.- New York Post
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Lou Lumenick
A heart-pounding experience that makes you think and contains a gallery of characters that will haunt your nightmares for years to come.- New York Post
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Reviewed by
Lou Lumenick
Drawing inspiration from anime and vintage Looney Toons, this beautifully drafted, offbeat charmer is hip, funny - and a bona fide heart tugger for the whole family.- New York Post
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- New York Post
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Reviewed by
Megan Lehmann
The character of ZigZag is not sufficiently developed to support a film constructed around him.- New York Post
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Lou Lumenick
Gets pinned down in a barrage of schmaltz, cliché, stereotype and racial condescension - not to mention a historically dubious premise.- New York Post
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Megan Lehmann
Infused with the hazy golden glow of nostalgia and unfolds at a leisurely pace, reminiscent of "The Virgin Suicides."- New York Post
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Lou Lumenick
Alan Taylor ("Palookaville"), an American, directs with a playful touch, and Denmark's Hjejle is far more assured acting in English here than she was in "High Fidelity."- New York Post
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Jonathan Foreman
A lean, deftly shot, well-acted, weirdly retro thriller that recalls a raft of '60s and '70s European-set spy pictures. There are even moments when you hope it could turn into a modern "Charade."- New York Post
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- New York Post
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Lou Lumenick
This excruciating adaptation of the innocuous '70s cartoon show makes the film version of "Josie and the Pussycats" look sophisticated by comparison.- New York Post
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Lou Lumenick
While the performances are often engaging, this loose collection of largely improvised numbers would probably have worked better as a one-hour TV documentary.- New York Post
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Reviewed by
V.A. Musetto
Contains all the clichés of the post-prison genre -- but it has some redeeming qualities.- New York Post
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Reviewed by
Lou Lumenick
There is much more suspense in this sequence than a similar scene in last week's "The Sum of All Fears" -- which wasn't intended to be funny.- New York Post
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Reviewed by
Megan Lehmann
Behind the glitz, Hollywood is sordid and disgusting. Quelle surprise!- New York Post
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