New York Post's Scores
- Movies
- TV
For 8,343 reviews, this publication has graded:
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44% higher than the average critic
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2% same as the average critic
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54% lower than the average critic
On average, this publication grades 8.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
|---|---|---|
| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
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Positive: 4,334 out of 8343
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Mixed: 1,701 out of 8343
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Negative: 2,308 out of 8343
8343
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Megan Lehmann
It actually works as a sometimes funny, occasionally scandalous, but mostly involving narrative.- New York Post
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V.A. Musetto
The decade under discussion in this enjoyable documentary is the 1970s, a period that changed Hollywood forever.- New York Post
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Reviewed by
V.A. Musetto
Every once in a while the old-fashioned costume drama comes alive, only to sink again into run-of-the-mill special effects and long periods of talkative tedium.- New York Post
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Reviewed by
Megan Lehmann
Has laugh-out-loud moments of inspired idiocy. The problem is that this one-joke skit (done first and better by Britain's Ali G) has been given the Hamburger Helper treatment and stretched to feature length.- New York Post
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Reviewed by
Lou Lumenick
A mild cross between "The Big Chill" and "Sex and the City," this English-language German oddity is a romantic comedy passing through on its way to video.- New York Post
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V.A. Musetto
Lilya is portrayed by Oksana Akinshina, who gives a dynamic, heartbreaking performance... She was wonderful in ["Brothers"], but is even more astonishing in Lilya 4-Ever.- New York Post
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Reviewed by
Lou Lumenick
Suffers even more than the Harry Potter films from a compulsion to be faithful to the source material, including cramming in a head-spinning assortment of characters and subplots.- New York Post
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Reviewed by
Megan Lehmann
A thrillingly vicarious experience that answers a primal urge to join our feathered friends as they soar and glide in the blue beyond.- New York Post
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- New York Post
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Reviewed by
Megan Lehmann
This pursuit farce is harmless (if stale) entertainment, but the sledge-hammer attempt to appeal to the country's fastest-growing movie-going demographic makes for a clunky narrative and one-note characters.- New York Post
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V.A. Musetto
You are left with two emotions - despair and hope - after watching producer-director Jennifer Dworkin's disquieting documentary.- New York Post
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Reviewed by
V.A. Musetto
The non-linear plot makes for confusion and, except for the inspired final shootout, the action sequences are mediocre.- New York Post
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Reviewed by
V.A. Musetto
Ali Zaoua doesn't have the fireworks that made "City of God," the story of Brazilian youth gangs, a crossover hit. But in its own, low-key way, Ali Zaoua is just as stirring.- New York Post
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- New York Post
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Reviewed by
Megan Lehmann
A skin-deep examination of a shallow lifestyle that draws a conclusion so logical it's almost superfluous.- New York Post
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- New York Post
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Reviewed by
Lou Lumenick
A ragged piece of filmmaking, but the odds are you'll have as good a time watching it as Nicholson and Sandler seemed to have making it.- New York Post
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- New York Post
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- New York Post
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- New York Post
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Reviewed by
Megan Lehmann
Kicks off as a cheap piece of retro schlock and quickly devolves into a putrid bloodbath with a thin narrative made utterly indecipherable by the first-time director's clueless approach to filmmaking.- New York Post
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Reviewed by
Megan Lehmann
For a movie that's trumpeted as providing a probing look beyond the comic's onstage patter, there's an awful lot of onstage patter -- and what nasty, hateful stuff it is.- New York Post
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Reviewed by
Megan Lehmann
First-time director Ed Solomon has corralled a stellar cast for his indie drama Levity -- and then put them through paces as plodding as a draft horse's.- New York Post
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Reviewed by
Megan Lehmann
Hokey, overstuffed plot and a messily hand-stitched, often illogical script.- New York Post
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- New York Post
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- New York Post
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- New York Post
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- New York Post
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Reviewed by
Lou Lumenick
So smooth and satisfying it makes the similar "Ocean's Eleven" look like a game of three-card monte.- New York Post
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Reviewed by
V.A. Musetto
The screenplay also fails to put the unconventional relationship into context. It never lets on that Andrea helped Duras produce some of her best work, including the autobiographical "The Lovers."- New York Post
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